Complete Recordings on Deutsche Grammophon

~ Release by Ferenc Fricsay (see all versions of this release, 1 available)

Annotation

The complete recordings made by Ferenc Fricsay for Deutsche Grammophon. Includes 86 CDs, 1 DVD, and a booklet with essays and complete tracklists. The CD wallets have original jacket art.

Annotation last modified on 2024-06-04 09:31 UTC.

Tracklist

1▶CD: Bartók: Piano Concertos nos. 1-3
2▶CD: Bartók: Violin Concerto no. 23 / Two Portraits / Dance Suite
3▶CD: Bartók: Concerto for Orchestra / Music for Strings, Percussion and Celesta
4▶CD: Bartók: Divertimento / Piano Concerto no. 3 / Rhapsody for Piano and Orchestra
5▶CD: Bartók: Herzog Blaubarts Burg / Cantata profana
6▶CD: Beethoven: Piano Concerto no. 3 / Triple Concerto
7▶CD: Beethoven: Symphonies nos. 1 & 8
8▶CD: Beethoven: Symphony no. 3 “Eroica” / Leonore III / Handel: Harp Concerto, HWV 294
9▶CD: Beethoven: Symphonies nos. 5 & 7
10▶CD: Beethoven: Overture to “Egmont” / Symphony no. 9 “Choral“
11▶CD: Beethoven: Fidelio (Act I)
12▶CD: Beethoven: Fidelio (Act II)
13▶CD: Berlioz / Borodin / Mussorgsky / Gounod
14▶CD: Rossini: Overtures / Bizet: Carmen (Excerpts)
15▶CD: Bizet: Carmen (Highlights) / Arias by Bizet, Rossini, Verdi, Puccini
16▶CD: Blacher: Paganini Variations / Rondo / Liebermann: Furioso for Orchestra / Einem: Ballade / Piano Concerto
17▶CD: Brahms: Piano Concerto no. 2 / Double Concerto
18▶CD: Franck: Symphonic Variations / Brahms: Haydn Variations / Symphony no. 2
19▶CD: Debussy / Dukas / Ravel
20▶CD: Dvořák: Violin Concerto / Bruch: Violin Concerto no. 1 / Glazunov: Violin Concerto
21▶CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / Liszt: Les Préludes
22▶CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / From Bohemia's Woods and Fields
23▶CD: Egk / Einem / Henze / Fortner / Liebermann
24▶CD: Falla / Françaix / Honegger / Tcherepnin / Rachmaninoff
25▶CD: Prokofiev: Symphony no. 1 “Classical” / Glière: Symphony no. 3 “Ilya Muromets”
26▶CD: Gluck: Orpheus und Eurydike (Acts I & II beg.)
27▶CD: Gluck: Orpheus und Eurydike (Acts II cont. & III)
28▶CD: Hindemith / Hartmann / Einem / Martin
29▶CD: Haydn: Symphony no. 44 “Mourning” / Symphonies nos. 95 & 98
30▶CD: Haydn: Symphonies no. 48 “Maria Theresa”, no. 100 “Military” & no. 101 “The Clock”
31▶CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1952)
32▶CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) (1952)
33▶CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1961)
34▶CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) / Te Deum (1961)
35▶CD: Kodály: Háry János Suite / Symphony in C major
36▶CD: Kodály: Dances of Marosszék / Dances of Galánta / Háry János Suite
37▶CD: Kodály: Psalmus hungaricus (1954 & 1959)
38▶CD: Mendelssohn / Liszt / Sarasate / Hubay
39▶CD: Mendelssohn: Ein Sommernachtstraum / Brahms: Alt-Rhapsodie / Mahler: 5 Rückert-Lieder
40▶CD: Mozart: Symphonies nos. 1, 4-9
41▶CD: Mozart: Symphonies nos. 23 & 27 / Bassoon Concerto, K. 191 / Sinfonia concertante, K. 297b
42▶CD: Mozart: Cassation, K. 63 / Serenade, K. 375 / Ein musikalischer Spaß, K. 522
43▶CD: Mozart: Serenata notturna, K. 239 / Divertimenti K. 247 & 334 / Arias from Le nozze di Figaro & Don Giovanni
44▶CD: Mozart: Symphonies nos. 29 & 39 / Maurerische Trauermusik / Adagio and Fugue in C minor
45▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter” / Eine kleine Nachtmusik
46▶CD: Mozart: Symphonies nos. 29 & 35 “Haffner” / Symphony no. 41 “Jupiter”
47▶CD: Mozart: Clarinet Concerto / Piano Concerto no. 20 / Concert Rondos
48▶CD: Mozart: Piano Concertos nos. 19 & 27
49▶CD: Mozart: Great Mass in C minor / Laudate Dominum / Exsultate, jubilate
50▶CD: Mozart: Requiem
51▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
52▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III) / Exsultate, jubilate / Arias
53▶CD: Mozart: Die Zauberflöte (Act I)
54▶CD: Mozart: Die Zauberflöte (Act II)
55▶CD: Mozart: Don Giovanni (Act I beg.)
56▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
57▶CD: Mozart: Don Giovanni (Act II cont.)
58▶CD: Mozart: Idemeneo (Acts I & II beg.)
59▶CD: Mozart: Idemeneo (Acts II cont. & III)
60▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
61▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III beg.)
62▶CD: Mozart: Le nozze di Figaro (Acts III & IV)
63▶CD: Rossini/Respighi: La Boutique fantasque / Rimsky-Korsakov: Scheherazade
64▶CD: Rossini: Stabat Mater
65▶CD: Schubert: Symphony no. 8 “Unfinished” / Schumann: Symphony no. 1 “Spring” / Weber Clarinet Concerto no. 1
66▶CD: J. Strauss II: Overture to Die Fledermaus / Waltzes / Polkas / J. Strauss I: Radetzky-Marsch
67▶CD: J. Strauss II: Waltzes / Polkas / Overtures / J Strauss II/Josef Strauss: Pizzicato Polka / J. Strauss I: Radetzky-Marsch
68▶CD: J. Strauss II: Die Fledermaus (Act I)
69▶CD: J. Strauss II: Die Fledermaus (Acts II & III)
70▶CD: R. Strauss: Don Juan / Duett-Concertino / Burleske in D minor / Till Eulenspiegel
71▶CD: Stravinsky: Le Sacre du printemps / Pétrouchka / Movements
72▶CD: Stravinsky: Capriccio / Divertimento from The Fairy's Kiss / Weber/Berlioz: Invitation à la valse / Weber: Konzertstück
73▶CD: Stravinsky: Oedipus rex / Symphony of Psalms
74▶CD: Tchaikovsky: Symphony no. 4 / Selections from Swan Lake, The Sleeping Beauty & The Nutcracker / Eugene Onegin (Waltz)
75▶CD: Tchaikovsky: Symphony no. 5 / Overture “1812” / Eugene Onegin (Waltz / Polonaise)
76▶CD: Tchaikovsky: Symphony no. 6 “Pathétique” / Violin Concerto
77▶CD: Tchaikovsky: Serenade for Strings / Symphony no. 6 “Pathétique”
78▶CD: Verdi: Overtures, Preludes & Ballet Music / Ponchielli: Danza delle ore
79▶CD: Verdi: Messa da Requiem
80▶CD: Verdi: Messa da Requiem (beg.)
81▶CD: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri
82▶CD: Wagner: Der fliegende Holländer (Acts I & II beg.)
83▶CD: Wagner: Der fliegende Holländer (Acts II cont. & III)
84▼CD: Arias by Bizet, Gounod, Rossini, Verdi, Giordano, Leoncavallo / Orff: Carmina Burana (Selection)
#TitleArtistRatingLength
1Carmen: Couplets : « Votre toast … Toréador, en garde » (Escamillo, chœur)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Escamillo]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
choir vocals:
RIAS-Kammerchor (German chamber choir) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-17 until 1961-04-21)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (from 1961-04-17 until 1961-04-21)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:33
2Faust: Invocation : « Avant de quitter ces lieux » (Valentin)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Valentin]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-17 until 1961-04-21)
recording of:
Faust : Acte II. « Avant de quitter ces lieux » … « Allons, amis » (Valentin, Wagner, Chœur) (Valentin’s Aria) (from 1961-04-17 until 1961-04-21)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles Gounod3:47
3Les Pêcheurs de perles: Recitatif et Air : « L'orage s'est calmé … Ô Nadir, tendre ami de mon jeune âge » (Zurga)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Zurga]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-17 until 1961-04-21)
recording of:
Les Pêcheurs de perles : Acte III. No. 11 Entracte, récit et air « L'Orage s'est calmé » ... « Ô Nadir, tendre ami » (Zurga) (from 1961-04-17 until 1961-04-21)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles: Acte III
Georges Bizet6:37
4Guglielmo Tell: Aria: “Resta immobile” (Tell)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Tell]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-17 until 1961-04-21)
recording of:
Guglielmo Tell: Atto III, scena 3. “Resta immobile, e vêr la terra” (from 1961-04-17 until 1961-04-21)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini3:10
5La forza del destino: Scena ed Aria: “Morir! Tremenda cosa! … Urna fatale del mio destino” (Don Carlo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Don Carlo]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-17 until 1961-04-21)
recording of:
La forza del destino: Atto III, scena 2. “Morir! Tremenda cosa!” (Don Carlo) (from 1961-04-17 until 1961-04-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi8:00
6La traviata: Aria: “Di Provenza il mar, il sol” (Germont)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Germont]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-17 until 1961-04-21)
recording of:
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont) (from 1961-04-17 until 1961-04-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi4:45
7Andrea Chénier: Recitativo ed Aria: “Nemico della patria?! … Un di m'era di gioia” (Gerard)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gérard]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-17 until 1961-04-21)
recording of:
Andrea Chénier: Atto III. “Nemico della patria?” … “Or io rinnego il santo grido!” (Gérard, L'Incredibile) (from 1961-04-17 until 1961-04-21)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano5:16
8Pagliacci: “Si può? Signore!” (Tonio)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Tonio]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-17 until 1961-04-21)
recording of:
Pagliacci: Prologo. “Si può? Si può?” (Tonio) (from 1961-04-17 until 1961-04-21)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Prologo (Pagliacci: Prologue)
Ruggero Leoncavallo8:08
9Falstaff: “Brav, alter Hans” (Falstaff, Ford, Bardolph)
baritone vocals [Falstaff]:
Josef Metternich (baritone) (on 1951-01-04)
baritone vocals [Ford]:
Dietrich Fischer‐Dieskau (baritone) (on 1951-01-04)
tenor vocals [Bardolph]:
Cornelis van Dijk (classical tenor) (on 1951-01-04)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1951-01-04)
conductor:
Ferenc Fricsay (conductor) (on 1951-01-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1951-01-04)
recording of:
Falstaff: »Brav, alter Hans« (Falstaff, Ford, Bardolph) (on 1951-01-04)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff
Giuseppe Verdi17:51
10Carmina Burana: II. In taberna. 10. Estuans interius
producer:
Dr. Fred Hamel
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1949-12-08)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:12
11Carmina Burana: II. In taberna. 13. Ego sum abbas
producer:
Dr. Fred Hamel
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (on 1949-12-08)
choir vocals:
Chor der St.-Hedwigs‐Kathedrale (on 1949-12-08) and RIAS-Kammerchor (German chamber choir) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1949-12-08)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:39
12Carmina Burana: II. In taberna. 14. In taberna quando sumus
producer:
Dr. Fred Hamel
choir vocals:
Chor der St.-Hedwigs‐Kathedrale (on 1949-12-08) and RIAS-Kammerchor (German chamber choir) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1949-12-08)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:46
13Carmina Burana: III. Cour d'amours: 20. Veni, veni, venias
producer:
Dr. Fred Hamel
choir vocals:
Chor der St.-Hedwigs‐Kathedrale (on 1949-12-08) and RIAS-Kammerchor (German chamber choir) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1949-12-08)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:56
14Carmina Burana: III. Cour d'amours: 21. In trutina
producer:
Dr. Fred Hamel
soprano vocals:
Anny Schlemm (soprano) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1949-12-08)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:02
15Carmina Burana: III. Cour d'amours: 22. Tempus est iocundum
producer:
Dr. Fred Hamel
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (on 1949-12-08)
choir vocals:
Chor der St.-Hedwigs‐Kathedrale (on 1949-12-08) and RIAS-Kammerchor (German chamber choir) (on 1949-12-08)
soprano vocals:
Anny Schlemm (soprano) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1949-12-08)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:21
85▶CD: Rehearsal and Performance: Smetana: The Moldau
86▶CD: Fricsay: Erzähltes Leben (A Life Retold)
87▶DVD: Rehearsals and Performances: Dukas: The Sorceror's Apprentice / Kodály: Háry János Suite

Credits

Release

photography:Erich Auerbach (photographer)
Max Jacoby (photographer)
Hugo Jehle (photographer)
Heinz Köster (photographer)
Herbert List (photographer)
Jacques Schumacher
Ruth Wilhelmi (photographer)
miscellaneous support:Lars Hoffman (creative production manager) (task: creative production manager)
Harald Reiter (task: project manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Annette Nubbemeyer
Eva Reisinger
Discogs:https://www.discogs.com/release/29106919 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/ferenc-fricsay-complete-recordings-on-deutsche-grammophon-13000 [info]