101 Driving Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▶CD
5▼CD
Nr.TitelKünstlerBewertungLänge
1How to Save a Life
Assistent recording engineer:
Kevin Loyal und James Masterson
recording engineer und Editing:
Paul Mahern
assistierende(r) Techniker(in):
Alex Uychocde
zusätzliche(r) Techniker(in):
Tim Hoagland und Aaron Johnson (producer/mixer/engineer, worked with The Fray)
Produzent(in):
Mike Flynn (A&R executive) und Aaron Johnson (producer/mixer/engineer, worked with The Fray)
Mix:
Mark Endert
zusätzliches Editing:
Warren Huart
Musikvideo für:
How to Save a Life (first variant) von The Fray (US alternative rock band)
Musikvideos:
How to Save a Life (third variant) von The Fray (US alternative rock band)
recording of:
How to Save a Life
Verfasser(in):
Joe King (guitarist and vocalist in The Fray) und Isaac Slade
publisher:
Aaron Edwards Publishing, EMI April Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
The Fray4.24:23
2The Chauffeur (Blue Silver)
recording of:
The Chauffeur
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran5:11
3Woke Up This Morning
recording of:
Woke Up This Morning
Verfasser(in):
Jake Black (member of Alabama 3), Chester Burnett, Simon Edwards (Sir Eddie Real), Piers Marsh und Robert Spragg
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Alabama 34:05
4You Can Leave Your Hat On
Techniker(in):
Brian Reeves
Produzent(in):
Richie Zito
Mix:
Rik Pekkonen
Bass und Synthesizer:
Arthur Barrow
Gitarre:
Richie Zito
Horn:
Dick Hyde, Steve Madaio und Joel Peskin
membranophone:
Michael Baird
Hintergrundgesang:
Maxine Sharp, Julia Waters und Maxine Waters
Sologesang:
Joe Cocker
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:13
5Bad to the Bone
Techniker(in):
Paul Mufson und John Nagy
assistierende(r) Produzent(in):
Ken Irwin und John Nagy
Produzent(in):
Terry Manning (US recording engineer) und The Delaware Destroyers (George Thorogood & the Destroyers)
Mix:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) und Terry Manning (US recording engineer) (in 1992)
Bass:
Bill Blough (von 1981 bis 1982)
Gitarre und Sologesang:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (von 1981 bis 1982)
Keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (von 1981 bis 1982)
Klavier:
Ian Stewart (piano/keyboard, Rolling Stones member)
Saxophon:
Hank Carter (Hank "Hurricane" Carter) (von 1981 bis 1982)
Schlagzeug:
Jeff Simon (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
aufgenommen bei:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Vereinigte Staaten (von 1981 bis 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, Vereinigte Staaten
recording of:
Bad to the Bone (von 1981 bis 1982)
Texter und Komponist(in):
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
publisher:
Del Sound Music
George Thorogood & the Destroyers4.24:50
6Back in the Night
Produzent(in):
Vic Maile
Dr. Feelgood3:17
7I’m a Man
phonographisches Urheberrecht (℗) von:
Warner Strategic Marketing Inc. (in 1969)
cover recording of:
I’m a Man
Verfasser(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc) und Steve Winwood
Komponist(in):
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
recording of:
I’m a Man
Verfasser(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc) und Steve Winwood
Komponist(in):
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Chicago5:42
8Steamy Windows
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Steamy Windows
Texter und Komponist(in):
Tony Joe White
publisher:
EMI Songs Ltd. und Tony Joe White Music
Tina Turner3.254:03
9Baby’s Coming Back
Jellyfish2:56
10Senses Working Overtime
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und XTC (English rock band)
Bearbeitung von:
Senses Working Overtime von XTC (English rock band)
recording of:
Senses Working Overtime
Texter und Komponist(in):
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC4.54:35
11Driving Away From Home (Jim’s Tune)
recording engineer:
It’s Immaterial
zusätzlich recording engineer:
Dave Bascombe
Stimme/Gesang:
Merran Laginestra (Multi-disciplined musician and sound artist. Born in Sidney, Australia)
remixer:
David Bascombe
recording of:
Driving Away From Home (Jim's Tune)
Verfasser(in):
John Campbell (of It's Immaterial & Yachts) und Jarvis Whitehead
It’s Immaterial53:50
12Airport
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 19)
recording of:
Airport
Verfasser(in):
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Island Music Ltd. (vom 1978 bis heute)
The Motors3.354:31
13The Life of Riley
Techniker(in):
Cenzo Townshend (engineer)
Produzent(in):
Ian Broudie und Simon Rogers
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1992)
recording of:
The Life of Riley
Texter und Komponist(in):
Ian Broudie
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
The Lightning Seeds44:02
14Black Horse and the Cherry Tree
zusätzlich recording engineer:
Steve Osborne (producer)
assistierende(r) Techniker(in):
Graham Deas
Techniker(in):
Bruno Ellingham
Produzent(in):
Andy Green (producer, engineer)
Mix:
Andy Green (producer, engineer) und Ren Swan
Bass, Gitarre und Perkussion:
KT Tunstall
Perkussion:
Luke Bullen
vocals:
KT Tunstall
phonographisches Urheberrecht (℗) von:
Jaydone Ltd. ("record company trading as Relentless Records") (in 2004)
mixed at:
Metrophonic in London (Greater London), England, Vereinigtes Königreich
produced at:
Nam Studios in Bradford on Avon, Wiltshire, England, Vereinigtes Königreich
recording of:
Black Horse and the Cherry Tree
Texter und Komponist(in):
Kate Tunstall
publisher:
Sony/ATV Music Publishing (UK) Ltd.
KT Tunstall4.32:50
15Little Green Bag
Produzent(in):
George Baker (Dutch singer/songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Holland Ltd. (in 1962)
recording of:
Little Green Bag
Verfasser(in):
Hans Bouwens und Jan Visser (Dutch Gospel singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
George Baker Selection3.93:15
16Queen Bitch
recording engineer:
Ken Scott (UK record producer & engineer) (von 1971-07-09 bis 1971-08-06)
Produzent(in):
David Bowie (English singer‐songwriter) und Ken Scott (UK record producer & engineer)
Bassgitarre:
Trevor Bolder (British bassist) (von 1971-07-09 bis 1971-08-06)
E-Gitarre und Hintergrundgesang:
Mick Ronson (British guitarist) (von 1971-07-09 bis 1971-08-06)
Schlagzeug:
Mick Woodmansey (British drummer) (von 1971-07-09 bis 1971-08-06)
zwölfsaitige Gitarre und Sologesang:
David Bowie (English singer‐songwriter) (von 1971-07-09 bis 1971-08-06)
remixer:
Ken Scott (UK record producer & engineer)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1971-07-09 bis 1971-08-06)
recording of:
Queen Bitch (von 1971-07-09 bis 1971-08-06)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
David Bowie3.83:14
17Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:55
18Spanish Stroll
recording of:
Spanish Stroll
Texter und Komponist(in):
Willy DeVille
Mink DeVille3:32
19Year of the Cat
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 13)
recording of:
Year of the Cat
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.46:34

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