100 Hits: Classical Chillout

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Peer Gynt: Morning
producer:
Lawrance Collingwood
choir vocals:
Beecham Choral Society
soprano vocals:
Ilse Hollweg (soprano)
orchestra:
Royal Philharmonic Orchestra (from 1956-11-05 until 1957-04-01, in 1957)
conductor:
Sir Thomas Beecham (conductor) (from 1956-11-05 until 1957-04-01, in 1957)
chorus master:
Denis Vaughan
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1956-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-11-05 until 1957-04-01)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1956-11-05 until 1957-04-01)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg54:11
2Carnival of the Animals: The Swan
cello:
Emma Pritchard
harp:
Karen Vaughan (harpist)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:58
3The Pearlfishers: Duet
Georges Bizet4:34
4Piano Concerto no. 21, K. 467: II. Andante
recording engineer:
Lewis Layton (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Arthur Rubinstein (pianist) (on 1961-04-01)
orchestra:
RCA Victor Symphony Orchestra (on 1961-04-01)
conductor:
Alfred Wallenstein (conductor and cellist) (on 1961-04-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-04-01)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (on 1961-04-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:34
5Sleepers Awake, Cantata 140
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 645 (Bantock orchestration) (in 1958-05)
orchestrator:
Sir Granville Bantock (British composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:29
6The Damnation of Faust: Dance of the SylphsHector Berlioz2:58
7The Four Seasons: Winter (excerpt)
violin:
Alexander Barantschik (violinist)
orchestra:
London Symphony Orchestra
concertmaster:
Alexander Barantschik (violinist)
partial recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:40
85th Symphony, Adagietto (excerpt)
orchestra:
Royal Philharmonic Orchestra
partial recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler3:55
9Serenade for Strings: Waltz
Tchaikovsky3:50
10Air from Suite no. 3
orchestra:
Royal Philharmonic Orchestra
conductor:
Frank Shipway (British conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:06
11Nocturne op. 27, no. 2
recording of:
Nocturne no. 8 in D‐flat major, op. 27 no. 2: Lento sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 96) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 115)
part of:
Nocturnes, op. 27
Frédéric Chopin4:55
12Lark Ascending (excerpt)
partial recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams4:42
13Carmen : Ent'racte
Georges Bizet2:25
14Fantasia on "Greensleeves"
arranger:
Ralph Greaves (in 1934)
recording of:
Fantasia on “Greensleeves”
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams5:01
15The Girl With the Flaxen Hair
orchestra:
London Symphony Orchestra
recording of:
Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair, catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
arrangement of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Claude Debussy2:22
16On Wings of Song
Felix Mendelssohn3:49
17Jesu Joy of Man's Desiring
orchestra:
The London Symphony Orchestra (London Symphony Orchestra)
conductor:
Adrian Leaper (conductor)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:25
18Classical Symphony, LarghettoSergei Prokofiev4:13
19Pizzicato Polka
recording of:
Pizzicato-Polka
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1869) and Josef Strauss (Austrian composer) (in 1869)
Johann Strauss II2:32
20L'Arlesienne : Menuet
Georges Bizet3:32
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Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (from 2010 to present)
ASIN:UK: B003MMMBGE [info]

Release group

part of:100 Hits (UK Demon Music Group) (number: 59) (order: 81)