| # | Title | Artist | Rating | Length |
|---|
| 1 | Die Fledermaus: Act II. No. 9 Duet: “What a beauty” (Eisenstein, Rosalinda)- soprano vocals [Rosalinda]:
- Ljuba Welitsch (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- tenor vocals [Gabriel von Eisenstein]:
- Charles Kullman (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- orchestra:
- Metropolitan Opera Orchestra (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- conductor:
- Eugene Ormandy (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recorded at:
- Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recording of:
- Die Fledermaus: Act II. No. 9 Duet: “What a beauty” (Eisenstein, Rosalinda) (on 1950-12-24)
- lyricist:
- Howard Dietz
- composer:
- Johann Strauss
- part of:
- Die Fledermaus
| Johann Strauss II | | 4:09 |
| 2 | Die Fledermaus: Act II. No. 10 Csárdás: “Some days you're lonely” (Rosalinda)- soprano vocals [Rosalinda]:
- Ljuba Welitsch (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- orchestra:
- Metropolitan Opera Orchestra (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- conductor:
- Eugene Ormandy (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recorded at:
- Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recording of:
- Die Fledermaus: Act II. No. 10 Csárdás: “Some days you're lonely” (Rosalinda) (on 1950-12-24)
- lyricist:
- Howard Dietz
- composer:
- Johann Strauss
- part of:
- Die Fledermaus
| Johann Strauss II | | 4:11 |
| 3 | Die Fledermaus: Act II. No. 11a Finale IIa: “A Bacchanalian revel” (Orlofsky, Eisenstein, Adele, ensemble)- choir vocals [ensemble]:
- Metropolitan Opera Chorus (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- mezzo-soprano vocals [Prince Orlofsky]:
- Martha Lipton (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- soprano vocals [Adele]:
- Lily Pons (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- tenor vocals [Gabriel von Eisenstein]:
- Charles Kullman (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- orchestra:
- Metropolitan Opera Orchestra (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- conductor:
- Eugene Ormandy (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- chorus master:
- Kurt Adler (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recorded at:
- Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recording of:
- Die Fledermaus: Act II. No. 11a Finale IIa: “A Bacchanalian revel” (Orlofsky, Eisenstein, Adele, ensemble) (on 1950-12-24)
- lyricist:
- Howard Dietz
- composer:
- Johann Strauss
- part of:
- Die Fledermaus
| Johann Strauss II | | 8:10 |
| 4 | Die Fledermaus: Act II. Ballet: Roses from the South, op. 388- orchestra:
- Metropolitan Opera Orchestra (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- conductor:
- Eugene Ormandy (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recorded at:
- Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recording of:
- Rosen aus dem Süden, op. 388 (on 1950-12-24)
- composer:
- Johann Strauss (in 1880)
- part of:
- Works of Johann Strauss Jr. by opus number (number: op. 388)
| Johann Strauss II | | 7:14 |
| 5 | Die Fledermaus: Act II. No. 11a Finale IIb: “Let's hope this never halts” (Orlofsky, ensemble, Eisenstein, Adele)- choir vocals [ensemble]:
- Metropolitan Opera Chorus (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- mezzo-soprano vocals [Prince Orlofsky]:
- Martha Lipton (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- soprano vocals [Adele]:
- Lily Pons (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- tenor vocals [Gabriel von Eisenstein]:
- Charles Kullman (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- orchestra:
- Metropolitan Opera Orchestra (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- conductor:
- Eugene Ormandy (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- chorus master:
- Kurt Adler (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recorded at:
- Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recording of:
- Die Fledermaus: Act II. No. 11a Finale IIb: “Let's hope this never halts” (Orlofsky, ensemble, Eisenstein, Adele) (on 1950-12-24)
- lyricist:
- Howard Dietz
- composer:
- Johann Strauss
- part of:
- Die Fledermaus
| Johann Strauss II | | 4:19 |
| 6 | Die Fledermaus: Act III. No. 12: Entr'acte | Johann Strauss II | | 0:57 |
| 7 | Die Fledermaus: Act III. No. 13 Melodrama: “Then up with the wine and drink her down” (Frank)- baritone vocals [Frank]:
- Clifford Harvuot (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- choir vocals [ensemble]:
- Metropolitan Opera Chorus (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- orchestra:
- Metropolitan Opera Orchestra (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- conductor:
- Eugene Ormandy (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- chorus master:
- Kurt Adler (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recorded at:
- Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recording of:
- Die Fledermaus: Act III. No. 13 Melodrama: “Then up with the wine and drink her down” (Frank) (on 1950-12-24)
- lyricist:
- Howard Dietz
- composer:
- Johann Strauss
- part of:
- Die Fledermaus
| Johann Strauss II | | 3:39 |
| 8 | Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank)- baritone vocals [Frank]:
- Clifford Harvuot (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- choir vocals [ensemble]:
- Metropolitan Opera Chorus (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- soprano vocals [Adele]:
- Lily Pons (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- orchestra:
- Metropolitan Opera Orchestra (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- conductor:
- Eugene Ormandy (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- chorus master:
- Kurt Adler (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recorded at:
- Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recording of:
- Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank) (on 1950-12-24)
- lyricist:
- Howard Dietz
- composer:
- Johann Strauss
- part of:
- Die Fledermaus
| Johann Strauss II | | 4:27 |
| 9 | Die Fledermaus: Act III. No. 15 Trio: “The case that you take up” (Rosalinda, Alfred, Eisenstein)- soprano vocals [Rosalinda]:
- Ljuba Welitsch (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- tenor vocals [Alfred]:
- Richard Tucker (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- tenor vocals [Gabriel von Eisenstein]:
- Charles Kullman (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- orchestra:
- Metropolitan Opera Orchestra (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- conductor:
- Eugene Ormandy (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recorded at:
- Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recording of:
- Die Fledermaus: Act III. No. 15 Trio: “The case that you take up” (Rosalinda, Alfred, Eisenstein) (on 1950-12-24)
- lyricist:
- Howard Dietz
- composer:
- Johann Strauss
- part of:
- Die Fledermaus
| Johann Strauss II | | 6:36 |
| 10 | Die Fledermaus: Act III. No. 16 Finale III: “Die Fledermaus, die Fledermaus” (ensemble)- choir vocals [ensemble]:
- Metropolitan Opera Chorus (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- orchestra:
- Metropolitan Opera Orchestra (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- conductor:
- Eugene Ormandy (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- chorus master:
- Kurt Adler (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recorded at:
- Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-12-24, on 1950-12-29, on 1951-01-07)
- recording of:
- Die Fledermaus: Act III. No. 16 Finale III: “Die Fledermaus, die Fledermaus” (ensemble) (on 1950-12-24)
- lyricist:
- Howard Dietz
- composer:
- Johann Strauss
- part of:
- Die Fledermaus
| Johann Strauss II | | 2:50 |