Peaceful Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Goldberg Variations, BWV 988: Aria
piano:
Francesco Tristano (classical and experimental pianist and composer) (in 2012-03)
recorded at:
Kyoto Concert Hall in Sakyō-ku, Kyoto, Kyoto (Kyoto Prefecture), Japan (in 2012-03)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 2012-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
3:01
2Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056, adapted for Mandolin and Orchestra by Avi Avital: II. Largo
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
harpsichord:
Shalev Ad-El (conductor, harpsichordist and organist) (in 2010-09)
mandolin:
Avi Avital (Israeli mandolinist) (in 2010-09)
orchestra:
Kammerakademie Potsdam (in 2010-09)
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2010-09)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (catch-all for arrangements) (in 2010-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056 (catch-all for unknown arrangements)
2:46
3The Well-Tempered Clavier: Book 1, BWV 846-869, arr. for strings by E. A. Förster: Fugue in F minor, BWV 857
string quartet:
Emerson String Quartet (in 2007-12)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 2007-12)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 12 in F minor, BWV 857: Fugue (for string quartet, Förster) (in 2007-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
arranger:
Emanuel Aloys Förster
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 12 in F minor, BWV 857: Fugue
4:09
4Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy Of Man's Desiring (Arr. Guillermo Figueroa)
engineer and balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
arranger:
Guillermo Figueroa
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
instrumental recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:25
5The Well-Tempered Clavier: Book 1, BWV 846-869: Fugue in C-sharp minor BWV 849
assistant engineer:
Jürgen Bulgrin (sound engineer)
engineer:
Stephan Flock (task: Tonmeister)
producer:
Stephan Flock
piano:
Hélène Grimaud (French pianist) (in 2008-08)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2008-08)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 4 in C-sharp minor, BWV 849: Fugue (in 2008-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 4 in C-sharp minor, BWV 849
4:15
6Violin Concerto no. 1 in A minor, BWV 1041: II. Andante
assistant engineer:
Jutta Stein
producer:
Christoph Claßen (producer/engineer)
instruments:
Concerto Köln (in 2013-07)
violin:
Giuliano Carmignola (violinist) (in 2013-07)
balance engineer:
Hendrik Manook
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2013-07)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (in 2013-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
6:03
7Partita no. 1 in B-Flat major, BWV 825: Sarabande
assistant engineer:
Philip Krause (engineer)
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2012-01)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2017)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2012-01)
recording of:
Partita no. 1 in B-flat major, BWV 825: IV. Sarabande (in 2012-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
4:46
8Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1985-03)
piano:
Martha Argerich (Argentine pianist) (in 1985-03)
performer:
Martha Argerich (Argentine pianist) (in 1985-03) and Mischa Maisky (cellist) (in 1985-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1985-03)
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio (in 1985-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
6:22
9Suite For Cello Solo no. 2 in D minor, BWV 1008, Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: II. Allemande
guitar:
Göran Söllscher (classical guitarist) (in 1991-04)
arranger:
Göran Söllscher (classical guitarist)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1991-04)
recording of:
Suite no. 2 d-Moll, BWV 1008: II. Allemande (catch-all for arrangements) (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008: II. Allemande (Cello Suite No. 2 in D minor, BWV 1008: II. Allemande)
part of:
Suite no. 2 in D minor, BWV 1008 (catch-all for arrangements)
3:18
10Double Concerto for 2 Violins, Strings & Continuo in D minor, BWV 1043: II. Largo ma non tanto
assistant engineer:
Sherri Hendrickson (in 2002-10)
engineer:
Marc Stedman (in 2002-10)
producer:
Thomas Frost (classical music producer)
violin:
Margaret Batjer (violinist) (in 2002-10) and Hilary Hahn (violinist) (in 2002-10)
orchestra:
Los Angeles Chamber Orchestra (in 2002-10)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2002-10)
balance engineer:
Tom Lazarus (in 2002-10)
recorded at:
Zipper Hall in Los Angeles, California, United States (in 2002-10)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 2002-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
6:53
11St. Matthew Passion, BWV 244, Part Two: no. 39 Aria (Alto): "Erbarme dich"
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist) (in 2003-03)
oboe d'amore:
Albrecht Mayer (oboist)
violin:
Nigel Kennedy (violinist) (in 2003-03)
orchestra:
Sinfonia Varsovia (in 2003-03)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2003-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
6:11
12Suite in E major For Lute, BWV 1006a: III. Gavotte (Arr. Guitar)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1998-01)
arranger:
Pepe Romero (classical and flamenco guitarist)
recorded at:
Mission San Luis Rey de Francia in Oceanside, California, United States (in 1998-01)
recording of:
Suite E-Dur, BWV 1006a: III. Gavotte en Rondeau (catch all for arrangements) (in 1998-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite E-Dur, BWV 1006.2: III. Gavotte en Rondeau (former BWV 1006a)
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
3:24
13English Suite no. 6 in D minor, BWV 811: IV. Sarabande
producer:
Hanno Rinke
piano:
Angela Hewitt (Canadian classical pianist) (in 1985-10)
balance engineer:
Otto Ernst Wohlert
phonographic copyright (℗) by:
Deutsche Austrophon GmbH (for copyrights use) (in 1986)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1985-10)
recording of:
Englische Suite Nr. 6 d-Moll, BWV 811: IV. Sarabande (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 6 d-Moll, BWV 811 (English Suite No. 6 in D minor, BWV 811)
recording of:
Englische Suite Nr. 6 d-Moll, BWV 811: V. Double (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 6 d-Moll, BWV 811 (English Suite No. 6 in D minor, BWV 811)
3:54
14Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson)
recording engineer, engineer and producer:
Christopher Tarnow
piano:
Víkingur Ólafsson (pianist) (from 2018-04-01 until 2018-04-04)
piano technician:
Sigurður Kristinsson
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2018)
recorded at:
Harpa in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland (from 2018-04-01 until 2018-04-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (from 2018-04-01 until 2018-04-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
24:25
15Herr Gott, nun schleuß den Himmel auf, BWV617: Arr. Busoni
producer and balance engineer:
Andrew Cornall (engineer / producer)
piano:
Kun Woo Paik (pianist) (in 2000-06)
recorded at:
Potton Hall in Westleton, Suffolk, England, United Kingdom (in 2000-06)
recording of:
Herr Gott, nun schleuss den Himmel auf, BWV 617, BV B 27/6 (for piano, Busoni) (in 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Ferruccio Busoni (Italian composer, pianist, conductor, editor, writer, and teacher)
arrangement of:
Herr Gott, nun schleuß die Himmel auf, BWV 617
part of:
10 Choral Preludes, BV B 27
3:10
16Concerto for Oboe d'amore (Arr. Tarkmann after BWV 209), Concerto for Oboe d'amore (from BWV 209): II. Andante
producer:
Dominic Fyfe
oboe:
Albrecht Mayer (oboist) (from 2009-03-02 until 2009-03-06)
orchestra:
The English Concert (from 2009-03-02 until 2009-03-06)
conductor:
Albrecht Mayer (oboist) (from 2009-03-02 until 2009-03-06)
balance engineer:
Philip Siney (sound engineer)
recorded at:
St. Paul's Church (Deptford) in Deptford, Lewisham, London (Greater London), England, United Kingdom (from 2009-03-02 until 2009-03-06)
recording of:
Konzert für Oboe d'amore nach BWV 209: II. Andante (from 2009-03-02 until 2009-03-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann (German composer)
part of:
Konzert für Oboe d'amore nach BWV 209
7:36
17Jesus nahm zu sich die Zwölfe, Cantata BWV 22, arr. for piano by Harriet Cohen (1895: 1967): Sanctify us
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alicia de Larrocha (pianist) (in 1977-06)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-06)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (for piano, Cohen) (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Harriet Cohen (pianist)
arrangement of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte"
3:14
18The Art Of Fugue, BWV 1080, Version for String Quartet: Contrapunctus I
producer and balance engineer:
Da-Hong Seetoo
cello:
David Finckel (in 2003-02)
viola:
Lawrence Dutton (violist) (in 2003-02)
violin:
Eugene Drucker (in 2003-02) and Philip Setzer (violinist) (in 2003-02)
orchestra:
Emerson String Quartet (in 2003-02)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 2003-02)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 2003-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:04
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