Bartók: Sonata for 2 Pianos and Percussion / Ravel: Ma mère l’oye • Rapsodie espagnole

~ Release by Bartók, Ravel; Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis (see all versions of this release, 2 available)

Annotation

© «2015 Deutsche Grammophon GmbH, Berlin»
℗ «1994 Deutsche Grammophon GmbH, Berlin»

Annotation last modified on 2026-03-03 05:20 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Sonata for 2 Pianos and Percussion, Sz. 110: I. Assai lento
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: I. Assai lento (in 1993-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók12:59
2Sonata for 2 Pianos and Percussion, Sz. 110: II. Lento, ma non troppo
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: II. Lento, ma non troppo (in 1993-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:36
3Sonata for 2 Pianos and Percussion, Sz. 110: III. Allegro non troppo
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: III. Allegro non troppo (in 1993-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:15
4Ma mère l’oye, M. 60: I. Pavane de la Belle au bois dormant. Lent
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant. Lent (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel1:38
5Ma mère l’oye, M. 60: II. Petit Poucet. Très modéré
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: II. Petit Poucet. Très modéré (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:00
6Ma mère l’oye, M. 60: III. Laideronnette, impératrice des pagodes. Mouvement de marche
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:17
7Ma mère l’oye, M. 60: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse très modéré
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse tres modere (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel4:22
8Ma mère l’oye, M. 60: V. Le Jardin féerique. Lent et grave
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: V. Le Jardin féerique. Lent et grave (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:17
9Rapsodie espagnole, M. 54: I. Prélude à la nuit. Modéré
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: I. Prélude à la nuit. Modéré (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel3:56
10Rapsodie espagnole, M. 54: II. Malagueña. Assez vif
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: II. Malagueña. Assez vif (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel1:49
11Rapsodie espagnole, M. 54: III. Habanera. En demi-teinte et d’un rhythme las
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: III. Habanera. En demi-teinte et d’un rythme las (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel2:39
12Rapsodie espagnole, M. 54: IV. Feria. Assez vif
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: IV. Feria. Assez vif (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel5:26