The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal (discs 1-10) (editable pseudo-release)

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Annotation

editable pseudo-release

Annotation last modified on 2014-03-27 12:08 UTC.

Tracklist

1▶CD
2▶CD
3▶CD: Die Zauberflöte (Wiener Philharmoniker)
4▶CD: Die Zauberflöte (Wiener Philharmoniker)
5▶CD: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
6▶CD: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
7▶CD: Salome (Wiener Philharmoniker)
9▶CD: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
10▼CD: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
#TitleArtistRatingLength
1Aida: Atto Secondo, Scena Prima: Introduzione-Scena e coro di donne: "Chi mai fra gl'inni e i plausi" (Schiave, Amneris)
producer:
Michel Glotz
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
mezzo-soprano vocals [Amneris]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:05
2Aida: Atto Secondo, Scena Prima: Danza degli Schiavi Mori (Orchestra)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:27
3Aida: Atto Secondo, Scena Prima: "Vieni, sul crin ti piovano" (Schiave, Amneris)
producer:
Michel Glotz
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
mezzo-soprano vocals [Amneris]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:39
4Aida: Atto Secondo, Scena Prima: Scena e duetto: "Fu la sorte dell'armi a'tuoi funesta" (Amneris, Aida)
producer:
Michel Glotz
mezzo-soprano vocals [Amneris]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Aida]:
Mirella Freni (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:45
5Aida: Atto Secondo, Scena Prima: Scena e duetto: "Pietà ti prenda del mio dolor" (Amneris, Aida)
producer:
Michel Glotz
mezzo-soprano vocals [Amneris]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Aida]:
Mirella Freni (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:03
6Aida: Atto Secondo, Scena Prima: Scena e duetto: "Su! del Nilo al sacro lido" / "Numi pietà" (Amneris, Aida, Coro)
producer:
Michel Glotz
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
mezzo-soprano vocals [Amneris]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Aida]:
Mirella Freni (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:53
7Aida: Atto Secondo, Scena Prima: Gran Finale II: "Gloria all'Egitto, ad Iside" (Popolo, Sacerdoti)
producer:
Michel Glotz
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:25
8Aida: Atto Secondo, Scena Prima: Marcia trionfale (Orchestra)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:43
9Aida: Atto Secondo, Scena Prima: Ballabile (Orchestra)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:14
10Aida: Atto Secondo, Scena Prima: "Vieni, o guerriero vindice" (Popolo, Sacerdoti)
producer:
Michel Glotz
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:21
11Aida: Atto Secondo, Scena Prima: "Salvator della patria" (Is Re, Radamès, Ramfis, Sacerdoti)
producer:
Michel Glotz
bass vocals [Il Re]:
José van Dam (Belgian operatic bass-baritone)
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
tenor vocals [Radamès]:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:10
12Aida: Atto Secondo, Scena Prima: "Che veggo! Egli? Mio padre" / "Anch'io pugnai" / "Ma tu, Re, tu signore possente" (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
producer:
Michel Glotz
baritone vocals [Amonasro]:
Piero Cappuccilli (baritone)
bass vocals [Il Re]:
José van Dam (Belgian operatic bass-baritone)
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
mezzo-soprano vocals [Amneris]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Aida]:
Mirella Freni (soprano)
tenor vocals [Radamès]:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:53
13Aida: Atto Secondo, Scena Prima: "Il dolor che in quel volto favella" (Tutti)
producer:
Michel Glotz
baritone vocals [Amonasro]:
Piero Cappuccilli (baritone)
bass vocals [Il Re]:
José van Dam (Belgian operatic bass-baritone)
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
mezzo-soprano vocals [Amneris]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Aida]:
Mirella Freni (soprano)
tenor vocals [Radamès]:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:30
14Aida: Atto Secondo, Scena Prima: "O Re, pei sacri Numi" / "Gloria all'Egitto" (Tutti)
producer:
Michel Glotz
baritone vocals [Amonasro]:
Piero Cappuccilli (baritone)
bass vocals [Il Re]:
José van Dam (Belgian operatic bass-baritone)
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
mezzo-soprano vocals [Amneris]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Aida]:
Mirella Freni (soprano)
tenor vocals [Radamès]:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:37

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (German operatic soprano, 1919–2013), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)