Gefangenenchor (Full titles (De/En))

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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#TitleArtistRatingLength
1Nabucco: Va, pensiero (Gefangenenchor · Chorus of the Hebrew Slaves)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Franci (Conductor, composer)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:01
2Otello: Fuoco di gioia (Feuerchor · Fire chorus)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Franci (Conductor, composer)
recording of:
Otello: Atto I, scena 1. Coro “Fuoco di gioia …” (Ciprioti)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:44
3Madame Butterfly: Summ‐Chor · Humming chorus
choir vocals:
Coro dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Tullio Serafin (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:22
4Fidelio: O welche Lust (Gefangenenchor · Prisoners’ chorus)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Lorin Maazel (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:04
5Die Zauberflöte: O Isis und Osiris (Arie und Chor der Priester · Aria and chorus of the priests)
bass vocals [Sarastro]:
Kurt Böhme (operatic bass)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:11
6Eugen Onegin: Walzer‐Szene aus dem 2. Akt · Waltz from act 2
baritone vocals [Onegin]:
Dushan Popovich (baritone)
choir vocals:
Chor der Nationaloper Belgrad (Choir of the Belgrad National Opera)
tenor vocals [Lensky]:
Drago Startz (tenor)
conductor:
Oskar Danon (conductor)
recording of:
Евгений Онегин, op. 24: Действие II, картина 1, no. 13. Вальс с сценой и хором "Вот так сюрприз" (Waltz with Scene and Chorus "Vot tak syurpriz")
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие второе (Eugene Onegin, op. 24: Act II)
Peter Tchaikovsky8:08
7Norma: Squilla il bronzo del Dio!…Guerra, guerra!
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone)
choir vocals:
Chorus of the Welsh National Opera
soprano vocals [Norma]:
Joan Sutherland (soprano)
orchestra:
Orchestra of the Welsh National Opera
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Norma: Atto II, scena 3. “Guerra! Guerra!” (Coro, Oroveso, Norma)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 3. Scena “Squilla il bronzo del Dio!” (Coro, Oroveso, Norma)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:21
8Cavalleria rusticana: Beato voi…Regina coeli (Osterchor · Easter chorus)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Tullio Serafin (conductor)
recording of:
Cavalleria rusticana: “Beato voi, compar Alfio” (Lucia, Alfio)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
recording of:
Cavalleria rusticana: “Regina coeli laetare” (Coro) (Easter Hymn, Easter Hymn)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni7:52
9Attila: Urli, rapine (Vorspiel und Eingangschor · Prelude and opening chorus)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Franci (Conductor, composer)
recording of:
Attila: N°1 Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila
recording of:
Attila: Prologo. N°2 Introduzione "Urli, rapine” (Unni, Eruli, Ostrogoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi4:42
10Boris Godunow: Krönungs‐Szene · Coronation scene
bass vocals [Boris]:
Joseph Rouleau (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals [Shuisky]:
John Lanigan (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Edward Downes (conductor)
partial recording of:
Борис Годунов (Boris Godunov, Boris Godunov, 1872 version)
composer and librettist:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
Modest Mussorgsky9:47
11Die Meistersinger von Nürnberg: St. Krispin, lobet ihn! Aufzug der Zünfte / Tanz der Lehrbuben, Einzug der Meistersinger und „Wach auf“‐Chor
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III
Richard Wagner14:01

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transliterated/translated track listing of:Gefangenenchor