Rocktober

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Fat Bottomed Girls
tecnico:
John Etchells e Geoff Workman
produttore:
Roy Thomas Baker (producer) e Queen (UK rock group)
batteria :
Roger Taylor (Queen drummer)
chitarra basso :
John Deacon
chitarra elettrica :
Brian May (Queen guitarist)
voce di accompagnamento:
Brian May (Queen guitarist) e Freddie Mercury
voce principale:
Freddie Mercury
diritti fonografici (℗) detenuti da:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1978) e Raincloud Productions Ltd. (nel 1978)
registrata presso:
Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1978-07 al 1978-10) e Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes (Alpi Marittime), Provence-Alpes-Côte-d'Azur, Francia (dal 1978-07 al 1978-10)
registrazione di:
Fat Bottomed Girls
scritta a:
Montreux, Vaud (Canton Vaud), Svizzera e Nice, Alpes-Maritimes (Alpi Marittime), Provence-Alpes-Côte-d'Azur, Francia
paroliere e compositore:
Brian May (Queen guitarist) (dal 1978-07 al 1978-10)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
compresa in:
We Will Rock You (German version of the Queen musical)
Queen3.653:19
2Run to Paradise
basso :
Ian Hulme
batteria :
Lindsay Tebbutt
chitarra :
Brad Carr e Mark Gable
voce:
Mark Gable
diritti fonografici (℗) detenuti da:
Mushroom Records (nel 1987)
registrazione di:
Run to Paradise
autore:
Brad Carr e Mark Gable
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Choirboys44:05
3What I Like About You
produttore:
Peter Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1979) e Nemperor Records, Inc. (nel 1979)
registrata presso:
Coconut Recording in Miami, Florida, Stati Uniti (nel 1979-10)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 97) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 483)
registrazione di:
What I Like About You (nel 1979-10)
autore:
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) e Mike Skill (Singer, bassist, guitarist, songwriter)
editore:
EMI April Music Inc. e EMI Music Publishing Australia Pty. Limited (not for release label use!)
parte di:
Freaky Friday (2003)
The Romantics4.552:55
4Rock & Roll All Nite
assistente tecnico:
George Lopez (engineer)
tecnico:
Dave Wittman
produttore:
Neil Bogart e KISS (US rock band)
basso elettrico e voce principale:
Gene Simmons (KISS bassist and vocalist)
batteria :
Peter Criss
chitarra elettrica :
Ace Frehley (American rock guitarist) e Paul Stanley (KISS frontman)
voce di accompagnamento:
Mick Campise, Lydia Criss, Mike McGurl, Rick Munroe, Peter “Moose” Oreckinto e JR Smalling
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1975)
registrata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti (dal 1975-01-24 al 1975-01-25) e Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (dal 1975-02-06 al 1975-02-25)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 16), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 404)
registrazione di:
Rock and Roll All Nite
autore:
Gene Simmons (KISS bassist and vocalist) e Paul Stanley (KISS frontman)
editore:
KISS Songs Inc. (conclusa), Café Americana Inc., Hori Productions America Inc. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
大洋音楽 (Taiyō Music)
scritta presso:
Continental Hyatt House in West Hollywood, California, Stati Uniti
KISS3.82:44
5You Ain’t Seen Nothing Yet
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:34
6Funky Town
produttore:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York)
tecnico di missaggio:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) e Brian Canham (Australian singer ex. Pseudo Echo)
basso :
Pierre Gigliotti
batteria :
Anthony Argiro
chitarra :
Brian Canham (Australian singer ex. Pseudo Echo)
tastiera :
James Leigh (Pseudo Echo)
voce:
Brian Canham (Australian singer ex. Pseudo Echo)
diritti fonografici (℗) detenuti da:
EMI Music Australia (defunct holding company, not for release label use!) (nel 1986), EMI Music Australia Pty. Limited (not for release label use!) (nel 1986), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1986) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1987)
registrazione cover di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Pseudo Echo54:52
7Don’t You (Forget About Me)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
8Bad Case of Loving You (Doctor, Doctor)
tecnico di registrazione e tecnico di missaggio:
Karl Pitterson
produttore:
Robert Palmer (English singer‐songwriter)
assistente tecnico di missaggio:
Benjamin Armbrister e Kendal Stubbs
basso elettrico :
Pierre Brock
batteria :
Dony Wynn
chitarra :
Eddie Martinez (guitar) e Kenny Mazur
tastiera :
Steve Robbins (US keyboardist) e Jack Waldman
voce:
Robert Palmer (English singer‐songwriter)
remixer:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione cover di:
Bad Case of Lovin’ You
paroliere e compositore:
Moon Martin
editore:
Bug Music Ltd. e Sony/ATV Songs LLC
Robert Palmer4.653:11
9Let’s Stick Together
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist) e Jon Walls
tecnico:
Steve Nye (producer, engineer and pianist) e John Punter
produttore:
Bryan Ferry e Chris Thomas (UK record producer / remixer)
armonica (a bocca) e tastiera :
Bryan Ferry (dal 1973 al 1976)
basso :
John Wetton (dal 1973 al 1976)
batteria :
Paul Thompson (Roxy Music drummer) (dal 1973 al 1976)
chitarra :
Chris Spedding (dal 1973 al 1976)
percussione :
Morris Pert (dal 1973 al 1976)
sassofono soprano :
Mel Collins (dal 1973 al 1976)
sassofono tenore :
Chris Mercer (British saxophonist) (dal 1973 al 1976)
sintetizzatore e violino :
Eddie Jobson (dal 1973 al 1976)
tromba :
Martin Drover (dal 1973 al 1976)
cori:
Vicki Brown (English pop, rock & contemporary classical singer) (dal 1973 al 1976), Doreen Chanter (dal 1973 al 1976), Helen Chappelle (dal 1973 al 1976), Jackie Sullivan (vocals & songwriter) (dal 1973 al 1976), Martha Walker (Vocalist) (dal 1973 al 1976) e Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (dal 1973 al 1976)
voce:
Bryan Ferry (dal 1973 al 1976)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1976), Virgin EG Records Ltd. (nel 1976) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1976, nel 1999)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito e Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1973 al 1976)
registrazione cover di:
Let’s Stick Together (dal 1973 al 1976)
paroliere e compositore:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. e SBK/U Catalog (nel 1969)
Bryan Ferry3.352:56
10Cold as Ice
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner43:15
11Is She Really Going Out With Him
tecnico:
Rod Hewison
produttore:
David Kershenbaum
batteria :
David Houghton (nel 1978-08)
chitarra :
Gary Sanford (nel 1978-08)
chitarra basso :
Graham Maby (nel 1978-08)
voce principale:
Joe Jackson (English musician) (nel 1978-08)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 438)
registrazione di:
Is She Really Going Out With Him? (nel 1978-08)
paroliere e compositore:
Joe Jackson (English musician)
editore:
Kobalt Music (publisher) e Pokazuka Limited
Joe Jackson4.43:34
12Hey St Peter
produttore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
basso elettrico :
Les Karski (nel 1976)
batteria :
Ray Arnott (Australian drummer) (nel 1976)
chitarra elettrica :
Harry Vanda (Australian musician) (nel 1976) e George Young (Australian musician and producer) (nel 1976)
pianoforte :
Warren Morgan (nel 1976)
sintetizzatore e voce principale:
George Young (Australian musician and producer) (nel 1976)
voce:
Harry Vanda (Australian musician) (nel 1976)
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1977, nel 1978) e J. Albert & Son Pty. Ltd. (nel 1977)
registrata presso:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australia (nel 1976)
registrazione di:
Hey, St. Peter (nel 1976)
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son Pty. Ltd.
Flash and the Pan44:16
13Whip It
produttore:
DEVO (new wave/rock band)
produttore associato:
Robert Margouleff
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 15), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 63) e Indie 88: Top 500 Indie Rock Songs (numero: 463)
registrazione di:
Whip It (Devo song)
autore:
Gerald Casale e Mark Mothersbaugh
editore:
DEVO Music, EMI Virgin Music Australia Pty Ltd e Nymph Music
DEVO4.452:37
14Let’s Dance
tecnico e tecnico di missaggio:
Bob Clearmountain
produttore:
David Bowie (English singer‐songwriter) e Nile Rodgers
assistente tecnico di missaggio:
David Bowie (English singer‐songwriter) e Nile Rodgers
chitarra solista :
Stevie Ray Vaughan
voce principale:
David Bowie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
David Bowie (English singer‐songwriter) (nel 1983)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1982-12 al 1983-01)
registrazione di:
Let’s Dance (dal 1982-12 al 1983-01)
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd e Watanabe Music Publishing CM division
David Bowie44:04
15You Got Nothing I Want
produttore:
Mark Opitz e Dave Walsh
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
tastiera :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
registrazione di:
You Got Nothing I Want
paroliere e compositore:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Cold Chisel3:15
16Boys in Town
registrazione di:
Boys in Town
autore:
Chrissy Amphlett, Mark McEntee e Jeremy Paul (bassist, Air Supply, Divinyls)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) e EMI Songs
Divinyls2:50
17White Wedding
assistente tecnico:
Steve Bates (engineer)
tecnico:
Brian Reeves
produttore:
Keith Forsey (drummer, producer and songwriter)
batteria :
Steve Missal
chitarra :
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
chitarra basso :
Phil Feit
voce principale:
Billy Idol (English rock singer‐songwriter)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982, nel 2002)
registrata presso e mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
registrazione di:
White Wedding
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol4.154:12
18Let’s Go
assistente tecnico:
George Tutko (engineer, producer)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
batteria e percussione :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
chitarra basso e voce principale:
Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1979), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1979), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1979) e Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 2017)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Let’s Go
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corporation e Lido Music, Inc. (nel 1979)
The Cars43:32
19Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:03
20Back on the Chain Gang
tecnico:
Steve Churchyard
produttore:
Chris Thomas (UK record producer / remixer)
batteria :
Martin Chambers (drummer for The Pretenders)
chitarra :
Billy Bremner e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
chitarra basso :
Tony Butler (English rock bassist with Big Country)
voce di accompagnamento:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
voce principale:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1982) e WEA Records Ltd. (holding company based in the UK) (nel 1982)
registrata presso:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 486)
registrazione di:
Back on the Chain Gang
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
dedicata a:
James Honeyman‐Scott
editore:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
The Pretenders4.53:49
21Are You Old Enough
basso :
Todd Hunter (Todd Stuart Hunter of Dragon)
batteria :
Kerry Jacobson
chitarra :
Robert Taylor (singer-songwriter and guitarist)
tastiera :
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
voce:
Marc Hunter
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1976, nel 1978)
registrazione di:
Are You Old Enough
paroliere e compositore:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
editore:
EMI Songs e EMI Songs Australia Pty. Ltd.
Dragon4:00
22Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:57
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