The Gold Collection: Classic Performances

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1My Baby Just Cares for Me4:33
2House of the Rising Sun
Sologesang:
Nina Simone
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
Colpix Records (a/k/a Colpix Records) (in 1962)
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
The House of the Rising Sun (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live cover recording of:
House of the Rising Sun (am 1968-06-16)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music und Sonet Publishing Ltd.
1.57:05
3See-Line Woman
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
live cover recording of:
See‐Line Woman (am 1968-06-16)
Verfasser(in):
George Bass und Nina Simone
basiert auf:
Sea Lion Woman
4:10
4Please Read Me
Gitarre:
Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-16)
Klavier:
Nina Simone (am 1968-06-16)
Kontrabass:
Gene Taylor (US jazz bassist) (am 1968-06-16)
Orgel und Perkussion:
Sam Waymon (am 1968-06-16)
Schlagzeug [drums]:
Buck Clarke (am 1968-06-16)
vocals:
Nina Simone (am 1968-06-16)
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
live cover recording of:
Please Read Me (am 1968-06-16)
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Abigail Music und Gibb Brothers Music
3:23
5Just in Time
Gitarre:
Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-16)
Klavier:
Nina Simone (am 1968-06-16)
Kontrabass:
Gene Taylor (US jazz bassist) (am 1968-06-16)
Orgel und Perkussion:
Sam Waymon (am 1968-06-16)
Schlagzeug [drums]:
Buck Clarke (am 1968-06-16)
Sologesang:
Nina Simone
vocals:
Nina Simone (am 1968-06-16)
phonographisches Urheberrecht (℗) von:
Colpix Records (a/k/a Colpix Records) (in 1962)
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
live cover recording of:
Just in Time (Bells Are Ringing) (am 1968-06-16)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
24:41
6When I Was a Young Girl
Gitarre:
Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-16)
Klavier und Sologesang:
Nina Simone (am 1968-06-16)
Kontrabass:
Gene Taylor (US jazz bassist) (am 1968-06-16)
Orgel und Perkussion:
Sam Waymon (am 1968-06-16)
Schlagzeug [drums]:
Buck Clarke (am 1968-06-16)
vocals:
Nina Simone (am 1968-06-16)
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
live cover recording of:
When I Was a Young Girl (am 1968-06-16)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) und Delabel Éditions (publisher; do NOT use as release label)
4:48
7Please Don’t Let Me Be Misunderstood
Sologesang:
Nina Simone
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
Don’t Let Me Be Misunderstood (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live cover recording of:
Don’t Let Me Be Misunderstood (am 1968-06-16)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
23:48
8To Love Somebody
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
live cover recording of:
To Love Somebody (am 1968-06-16)
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Teil von:
50/50
4:53
9Gin House Blues
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
Gin House Blues (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live cover recording of:
Gin House Blues (am 1968-06-16)
Komponist(in):
Fletcher Henderson (in 1925) und Henry Troy (in 1925)
publisher:
Carlin Music Corp
6:05
10One More Sunday in Savannah
Bass:
Chris White (jazz bassist)
Gitarre:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
aufgenommen bei:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, Vereinigte Staaten (am 1961-08-13)
live cover recording of:
Sunday in Savannah (am 1961-08-13)
Texter und Komponist(in):
Hugh M. MacKay
publisher:
Irving Music (BMI)
Teil von:
Martin Luther King Suite
22:26
11I’ll Look Around
Bass:
Chris White (jazz bassist)
E-Gitarre:
Al Schackman (am 1961-08-13)
Gitarre:
Al Schackman
Kontrabass:
Chris White (jazz bassist) (am 1961-08-13)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1961-08-13)
phonographisches Urheberrecht (℗) von:
Colpix Records (a/k/a Colpix Records) (in 1961)
aufgenommen bei:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, Vereinigte Staaten (am 1961-08-13)
live cover recording of:
I’ll Look Around (am 1961-08-13)
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Northern Music Corp. und Universal/MCA Music Ltd. (not for release label use!)
2:48
12Blues
Bass:
Chris White (jazz bassist)
E-Gitarre:
Al Schackman (am 1961-08-13)
Gitarre:
Al Schackman
Kontrabass:
Chris White (jazz bassist) (am 1961-08-13)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1961-08-13)
aufgenommen bei:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, Vereinigte Staaten (am 1961-08-13)
4:43
13When I Was in My Prime
Gitarre:
Al Schackman (am 1961-08-13)
vocals:
Nina Simone (am 1961-08-13)
phonographisches Urheberrecht (℗) von:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1994)
aufgenommen bei:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, Vereinigte Staaten (am 1961-08-13)
live cover recording of:
When I Was in My Prime (Nina Simone) (am 1961-08-13)
Verfasser(in):
Nina Simone
publisher:
Thandewye Music (publisher; do NOT use as release label)
4:19
14Zungo
Gitarre:
Al Schackman (am 1961-08-13)
Klavier:
Nina Simone (am 1961-08-13)
Kontrabass:
Chris White (jazz bassist) (am 1961-08-13)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1961-08-13)
vocals:
Nina Simone (am 1961-08-13)
phonographisches Urheberrecht (℗) von:
Colpix Records (a/k/a Colpix Records) (in 1962)
aufgenommen bei:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, Vereinigte Staaten (am 1961-08-13)
Bearbeitung von:
Zungo (live, 1961‐08‐13: CBS Camera Three TV Broadcast, New York, NY, USA, with spoken intro) von Nina Simone
live cover recording of:
Zungo (Olatunji) (am 1961-08-13)
Texter und Komponist(in):
Babatunde Olatunji
publisher:
Thandewye Music (publisher; do NOT use as release label)
2:34
15For All We Know
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
For All We Know (1934 song) (in 1957-12)
Texter:
Sam M. Lewis (1930s lyricist) (in 1934)
Komponist(in):
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (beendet), Cromwell Music, Inc. (beendet), EMI Feist Catalog Inc. (beendet), Leo Feist, Inc. (beendet), Redwood Music Ltd. (Carlin) (beendet), Tro-Cromwell Music, Inc. (beendet), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company und Toy Town Tunes, Inc.
3:53
16Cotton‐Eyed Joe
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
live cover recording of:
Cotton‐Eyed Joe (traditional song)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 942)
cover recording of:
Cotton‐Eyed Joe (traditional song)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 942)
3:47
17Nobody
cover recording of:
Nobody
Texter:
Alex Rogers (songwriter, 1876-1930)
Komponist(in):
Bert Williams
Teil von:
Abyssinia (1906 musical)
5:04
2CD

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