| # | Title | Artist | Rating | Length |
|---|
| 1 | Oh Girl | The Chi‐Lites | 5 | 3:29 |
| 2 | Neither One of Us (Wants to Be the First to Say Goodbye) | Gladys Knight & the Pips | | 4:22 |
| 3 | Until You Come Back to Me (That’s What I’m Gonna Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax , Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music , Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 4.35 | 3:25 |
| 4 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.05 | 3:50 |
| 5 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983) and WEA International Inc. (in 1983)
- recording of:
- Owner of a Lonely Heart
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 4.65 | 3:51 |
| 6 | Missing You- assistant engineer:
- Ken Stiger
- engineer:
- Gary Hellman
- producer:
- Gary Gersh, David Thoener and John Waite
- mixer and editor:
- John Luongo
- phonographic copyright (℗) by:
- Capitol Records (in 1984), Capitol Records, LLC (in 1984), EMI America Records (in 1984) and EMI–Manhattan Records (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 5 | 4:04 |
| 7 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:57 |
| 8 | Without You- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- acoustic guitar:
- John Uribe (in 1971-06)
- bass guitar:
- Klaus Voormann (in 1971-06)
- drums (drum set):
- Jim Keltner (in 1971-06)
- piano:
- Gary Wright (in 1971-06)
- vocals:
- Harry Nilsson (in 1971-06)
- conductor:
- Paul Buckmaster (in 1971-06)
- brass and strings arranger:
- Paul Buckmaster
- phonographic copyright (℗) by:
- BMG Music (in 1971, in 1991), RCA Records (in 1971), Sony Music Entertainment (in 1971), RCA Corporation (in 1972) and RCA Records, Inc. (in 1989)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
- cover recording of:
- Without You (in 1971-06)
- writer:
- Tom Evans and W. Peter Ham
- publisher:
- 100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music and WB Music Corp. (until 2019-05-28)
- sub-publisher:
- ティー・アール・オー・エセックス・ジャパン A事業部
| Harry Nilsson | 4.3 | 3:22 |
| 9 | Fire and Rain | James Taylor | 4.3 | 3:16 |
| 10 | Too Late for Goodbyes | Julian Lennon | | 3:34 |
| 11 | Harden My Heart | Quarterflash | 4 | 3:51 |
| 12 | You’re Only Lonely | J.D. Souther | 5 | 3:46 |
| 13 | You Needed Me | Anne Murray | 4.65 | 3:37 |
| 14 | All by Myself- recording of:
- All by Myself
- lyricist:
- Eric Carmen
- composer:
- Eric Carmen and Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control , Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- Let’s Pretend
- is based on:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Eric Carmen | | 4:06 |
| 15 | After the Love Has Gone- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1979)
- edit of:
- After the Love Has Gone by Earth, Wind & Fire
- recording of:
- After the Love Has Gone
- writer:
- Bill Champlin, David Foster and Jay Graydon
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music , Irving Music, Inc., Music Sales Corporation , Ninth Music and Noted for the Record
- sub-publisher:
- Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部
| Earth, Wind & Fire | 4.65 | 3:56 |
| 16 | There’ll Be Sad Songs (To Make You Cry) | Billy Ocean | 3 | 4:14 |
| 17 | Broken Wings- engineer:
- Paul DeVilliers
- producer:
- Paul DeVilliers and Mr. Mister
- bass guitar and lead vocals:
- Richard Page
- drums (drum set):
- Pat Mastelotto
- guitar:
- Steve Farris
- keyboard:
- Steve George
- phonographic copyright (℗) by:
- BMG Music (in 1985), RCA Records (in 1985) and Sony Music Entertainment (in 1985)
- recording of:
- Broken Wings
- writer:
- Steve George , John Lang and Richard Page
- publisher:
- Ali‐Aja Music, Copyright Control , Entente Music , Indolent Sloth Music, Panola Park Music, Poppy‐Due Music , Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Warner/Chappell North America Limited , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Mr. Mister | 3.85 | 4:39 |
| 18 | Piano in the Dark | Brenda Russell | | 4:24 |
| 19 | That’s the Way I’ve Always Heard It Should Be- producer:
- Eddie Kramer
- mixer:
- Eddie Kramer and Dave Palmer
- acoustic guitar and piano:
- Carly Simon
- bass:
- Gerry Jemmott, David Givens, Tony Levin , Doug Rauch and Jim Wilkins
- cello:
- Harvey Shapiro
- drums (drum set):
- John Siomos
- guitar:
- David Bromberg , Jimmy Johnson and Jimmy Ryan
- keyboard:
- Paul Griffin , Mark “Moogy” Klingman and Billy Mernit
- pedal steel guitar:
- Jeff Baxter
- strings:
- Ed Freeman
- vocals:
- Carly Simon
- strings [string arrangement] arranger and strings arranger:
- Ed Freeman
- phonographic copyright (℗) by:
- Rhino Entertainment Company (in 2015)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- That’s the Way I’ve Always Heard It Should Be
- lyricist:
- Jacob Brackman
- composer:
- Carly Simon
- publisher:
- C’est Music, Kensho Music, Maya Productions Ltd., Quackenbush Music and Universal Music Corp.
| Carly Simon | 3.65 | 4:15 |
Play on ListenBrainz