The Complete Works (Edition Bachakademie)

~ Uitgave van Johann Sebastian Bach (Bekijk alle versies van deze uitgave, 2 beschikbaar)

Nummerlijst

1▶cd: Vol 1. Cantatas CD 1
2▶cd: Vol 1. Cantatas CD 2
3▶cd: Vol 1. Cantatas CD 3
4▶cd: Vol 1. Cantatas CD 4
5▶cd: Vol 2. Cantatas CD 1
6▶cd: Vol 2. Cantatas CD 2
7▶cd: Vol 2. Cantatas CD 3
8▶cd: Vol 2. Cantatas CD 4
9▶cd: Vol 3. Cantatas CD 1
10▶cd: Vol 3. Cantatas CD 2
11▶cd: Vol 3. Cantatas CD 3
12▶cd: Vol 3. Cantatas CD 4
13▶cd: Vol 4. Cantatas CD 1
14▶cd: Vol 4. Cantatas CD 2
15▶cd: Vol 4. Cantatas CD 3
16▶cd: Vol 4. Cantatas CD 4
17▶cd: Vol 5. Cantatas CD 1
18▶cd: Vol 5. Cantatas CD 2
19▶cd: Vol 5. Cantatas CD 3
20▶cd: Vol 5. Cantatas CD 4
21▶cd: Vol 6. Cantatas CD 1
22▶cd: Vol 6. Cantatas CD 2
23▶cd: Vol 6. Cantatas CD 3
24▶cd: Vol 6. Cantatas CD 4
25▶cd: Vol 7. Cantatas CD 1
26▶cd: Vol 7. Cantatas CD 2
27▶cd: Vol 7. Cantatas CD 3
28▶cd: Vol 7. Cantatas CD 4
29▶cd: Vol 8. Cantatas CD 1
30▶cd: Vol 8. Cantatas CD 2
31▶cd: Vol 8. Cantatas CD 3
32▶cd: Vol 8. Cantatas CD 4
33▶cd: Vol 9. Cantatas CD 1
34▶cd: Vol 9. Cantatas CD 2
35▶cd: Vol 9. Cantatas CD 3
36▶cd: Vol 9. Cantatas CD 4
37▶cd: Vol 10. Cantatas CD 1
38▶cd: Vol 10. Cantatas CD 2
39▶cd: Vol 10. Cantatas CD 3
40▶cd: Vol 10. Cantatas CD 4
41▶cd: Vol 11. Cantatas CD 1
42▶cd: Vol 11. Cantatas CD 2
43▶cd: Vol 11. Cantatas CD 3
44▶cd: Vol 11. Cantatas CD 4
45▶cd: Vol 12. Cantatas CD 1
46▶cd: Vol 12. Cantatas CD 2
47▶cd: Vol 12. Cantatas CD 3
48▶cd: Vol 12. Cantatas CD 4
49▶cd: Vol 13. Cantatas CD 1
50▶cd: Vol 13. Cantatas CD 2
51▶cd: Vol 13. Cantatas CD 3
52▶cd: Vol 13. Cantatas CD 4
53▶cd: Vol 14. Cantatas CD 1
54▶cd: Vol 14. Cantatas CD 2
55▶cd: Vol 14. Cantatas CD 3
56▶cd: Vol 14. Cantatas CD 4
57▶cd: Vol 15. Cantatas CD 1
58▶cd: Vol 15. Cantatas CD 2
59▶cd: Vol 15. Cantatas CD 3
60▶cd: Vol 15. Cantatas CD 4
61▶cd: Vol 16. Cantatas CD 1
62▼cd: Vol 16. Cantatas CD 2
#TitelWaarderingDuur
1Kantate, BWV 202 „Weichet nur, betrübte Schatten“: I. Aria (Sopran) „Weichet nur, betrübte Schatten“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Duitsland (in 1997-04)
is een opname van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 1997-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1718 tot 1723)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
5:59
2Kantate, BWV 202 „Weichet nur, betrübte Schatten“: II. Recitativo (Sopran) „Die Welt wird wieder neu“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Duitsland (in 1997-04)
is een opname van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (in 1997-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1718 tot 1723)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
0:27
3Kantate, BWV 202 „Weichet nur, betrübte Schatten“: III. Aria (Sopran) „Phoebus eilt mit schnellen Pferden“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Duitsland (in 1997-04)
is een opname van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (in 1997-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1718 tot 1723)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
2:59
4Kantate, BWV 202 „Weichet nur, betrübte Schatten“: IV. Recitativo (Sopran) „Drum sucht auch Amor sein Vergnügen“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Duitsland (in 1997-04)
is een opname van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (in 1997-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1718 tot 1723)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
0:34
5Kantate, BWV 202 „Weichet nur, betrübte Schatten“: V. Aria (Sopran) „Wenn die Frühlingslüfte streichen“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Duitsland (in 1997-04)
is een opname van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1997-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1718 tot 1723)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
2:20
6Kantate, BWV 202 „Weichet nur, betrübte Schatten“: VI. Recitativo (Sopran) „Und dieses ist das Glücke“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Duitsland (in 1997-04)
is een opname van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (in 1997-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1718 tot 1723)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
0:37
7Kantate, BWV 202 „Weichet nur, betrübte Schatten“: VII. Aria (Sopran) „Sich üben im Lieben“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Duitsland (in 1997-04)
is een opname van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 1997-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1718 tot 1723)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
4:17
8Kantate, BWV 202 „Weichet nur, betrübte Schatten“: VIII. Recitativo (Sopran) „So sei das Band der keuschen Liebe“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Duitsland (in 1997-04)
is een opname van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (in 1997-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1718 tot 1723)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
0:25
9Kantate, BWV 202 „Weichet nur, betrübte Schatten“: IX. Gavotte (Sopran) „Sehet in Zufriedenheit“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Duitsland (in 1997-04)
is een opname van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (in 1997-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1718 tot 1723)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
1:39
10Kantate, BWV 203 „Amore traditore“: I. Aria (Bass) „Amore traditore“
klavecimbel:
Michael Behringer (conductor, organist and harpsichordist)
basvocalen:
Dietrich Henschel (baritone)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Duitsland (in 1998-01)
is een opname van:
Kantate, BWV 203 "Amore traditore": I. Aria (Bass) "Amore traditore" (in 1998-01)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 203 "Amore traditore"
5:18
11Kantate, BWV 203 „Amore traditore“: II. Recitativo (Bass) „Voglio provar“
klavecimbel:
Michael Behringer (conductor, organist and harpsichordist)
basvocalen:
Dietrich Henschel (baritone)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Duitsland (in 1998-01)
is een opname van:
Kantate, BWV 203 "Amore traditore": II. Recitativo (Bass) "Voglio provar" (in 1998-01)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 203 "Amore traditore"
0:40
12Kantate, BWV 203 „Amore traditore“: III. Aria (Bass) „Chi in amore ha nemica la sorte“
klavecimbel:
Michael Behringer (conductor, organist and harpsichordist)
basvocalen:
Dietrich Henschel (baritone)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Duitsland (in 1998-01)
is een opname van:
Kantate, BWV 203 "Amore traditore": III. Aria (Bass) "Chi in amore ha nemica la sorte" (in 1998-01)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 203 "Amore traditore"
5:13
13Kantate, BWV 204 „Ich bin in mir vergnügt“: I. Recitativo (Sopran) „Ich bin in mir vergnügt“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Duitsland (in 1998-01)
is een opname van:
Kantate, BWV 204 "Ich bin in mir vergnügt": I. Recitativo (Sopran) "Ich bin in mir vergnügt" (in 1998-01)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1726 tot 1727)
librettist:
Christian Friedrich Hunold
deel van:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:45
14Kantate, BWV 204 „Ich bin in mir vergnügt“: II. Aria (Sopran) „Ruhig und in sich zufrieden“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Duitsland (in 1998-01)
is een opname van:
Kantate, BWV 204 "Ich bin in mir vergnügt": II. Aria (Sopran) "Ruhig und in sich zufrieden" (in 1998-01)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1726 tot 1727)
librettist:
Christian Friedrich Hunold
deel van:
Kantate, BWV 204 "Ich bin in mir vergnügt"
6:41
15Kantate, BWV 204 „Ich bin in mir vergnügt“: III. Recitativo (Sopran) „Ihr Seelen, die ihr außer euch stets in die Irre lauft“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Duitsland (in 1998-01)
is een opname van:
Kantate, BWV 204 "Ich bin in mir vergnügt": III. Recitativo (Sopran) "Ihr Seelen, die ihr außer euch stets in die Irre lauft" (in 1998-01)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1726 tot 1727)
librettist:
Christian Friedrich Hunold
deel van:
Kantate, BWV 204 "Ich bin in mir vergnügt"
2:05
16Kantate, BWV 204 „Ich bin in mir vergnügt“: IV. Aria (Sopran) „Die Schätzbarkeit der weiten Erden“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Duitsland (in 1998-01)
is een opname van:
Kantate, BWV 204 "Ich bin in mir vergnügt": IV. Aria (Sopran) "Die Schätzbarkeit der weiten Erden" (in 1998-01)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1726 tot 1727)
librettist:
Christian Friedrich Hunold
deel van:
Kantate, BWV 204 "Ich bin in mir vergnügt"
4:08
17Kantate, BWV 204 „Ich bin in mir vergnügt“: V. Recitativo (Sopran) „Schwer ist es zwar, viel Eitles zu besitzen“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Duitsland (in 1998-01)
is een opname van:
Kantate, BWV 204 "Ich bin in mir vergnügt": V. Recitativo (Sopran) "Schwer ist es zwar, viel Eitles zu besitzen" (in 1998-01)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1726 tot 1727)
librettist:
Christian Friedrich Hunold
deel van:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:57
18Kantate, BWV 204 „Ich bin in mir vergnügt“: VI. Aria (Sopran) „Meine Seele sei vergnügt“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Duitsland (in 1998-01)
is een opname van:
Kantate, BWV 204 "Ich bin in mir vergnügt": VI. Aria (Sopran) "Meine Seele sei vergnügt" (in 1998-01)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1726 tot 1727)
librettist:
Christian Friedrich Hunold
deel van:
Kantate, BWV 204 "Ich bin in mir vergnügt"
5:32
19Kantate, BWV 204 „Ich bin in mir vergnügt“: VII. Recitativo (Sopran) „Ein edler Mensch ist Perlenmuscheln gleich“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Duitsland (in 1998-01)
is een opname van:
Kantate, BWV 204 "Ich bin in mir vergnügt": VII. Recitativo (Sopran) "Ein edler Mensch ist Perlenmuscheln gleich" (in 1998-01)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1726 tot 1727)
librettist:
Christian Friedrich Hunold
deel van:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:55
20Kantate, BWV 204 „Ich bin in mir vergnügt“: VIII. Aria (Sopran) „Himmlische Vergnügsamkeit“
sopraanvocalen:
Sibylla Rubens (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Duitsland (in 1998-01)
is een opname van:
Kantate, BWV 204 "Ich bin in mir vergnügt": VIII. Aria (Sopran) "Himmlische Vergnügsamkeit" (in 1998-01)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1726 tot 1727)
librettist:
Christian Friedrich Hunold
deel van:
Kantate, BWV 204 "Ich bin in mir vergnügt"
4:39
63▶cd: Vol 16. Cantatas CD 3
64▶cd: Vol 16. Cantatas CD 4
65▶cd: Vol 17. Cantatas CD 1
66▶cd: Vol 17. Cantatas CD 2
67▶cd: Vol 17. Cantatas CD 3
68▶cd: Vol 17. Cantatas CD 4
69▶cd: Vol 18. Congratulatory And Hommage Cantatas CD 1
70▶cd: Vol 18. Congratulatory And Hommage Cantatas CD 2
71▶cd: Vol 18. Congratulatory And Hommage Cantatas CD 3
72▶cd: Vol 18. Congratulatory And Hommage Cantatas CD 4
73▶cd: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74▶cd: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75▶cd: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76▶cd: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77▶cd: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78▶cd: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79▶cd: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80▶cd: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81▶cd: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82▶cd: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83▶cd: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84▶cd: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85▶cd: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86▶cd: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87▶cd: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88▶cd: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89▶cd: Vol 23. Magnificat · Sacred Vocal Works CD 1
90▶cd: Vol 23. Magnificat · Sacred Vocal Works CD 2
91▶cd: Vol 23. Magnificat · Sacred Vocal Works CD 3
92▶cd: Vol 23. Magnificat · Sacred Vocal Works CD 4
93▶cd: Vol 24. A Book Of Chorale-Settings CD 1
94▶cd: Vol 24. A Book Of Chorale-Settings CD 2
95▶cd: Vol 24. A Book Of Chorale-Settings CD 3
96▶cd: Vol 24. A Book Of Chorale-Settings CD 4
97▶cd: Vol 25. Organ Works CD 1
98▶cd: Vol 25. Organ Works CD 2
99▶cd: Vol 25. Organ Works CD 3
100▶cd: Vol 25. Organ Works CD 4
101▶cd: Vol 26. Organ Works CD 1
102▶cd: Vol 26. Organ Works CD 2
103▶cd: Vol 26. Organ Works CD 3
104▶cd: Vol 26. Organ Works CD 4
105▶cd: Vol 27. Organ Works CD 1
106▶cd: Vol 27. Organ Works CD 2
107▶cd: Vol 27. Organ Works CD 3
108▶cd: Vol 27. Organ Works CD 4
109▶cd: Vol 28. Organ Works CD 1
110▶cd: Vol 28. Organ Works CD 2
111▶cd: Vol 28. Organ Works CD 3
112▶cd: Vol 28. Organ Works CD 4
113▶cd: Vol 29. Organ Works CD 1
114▶cd: Vol 29. Organ Works CD 2
115▶cd: Vol 29. Organ Works CD 3
116▶cd: Vol 29. Organ Works CD 4
117▶cd: Vol 30. Harpsichord Music CD 1
118▶cd: Vol 30. Harpsichord Music CD 2
119▶cd: Vol 30. Harpsichord Music CD 3
120▶cd: Vol 30. Harpsichord Music CD 4
121▶cd: Vol 31. Keyboard Works CD 1
122▶cd: Vol 31. Keyboard Works CD 2
123▶cd: Vol 31. Keyboard Works CD 3
124▶cd: Vol 31. Keyboard Works CD 4
125▶cd: Vol 32. Keyboard Works CD 1
126▶cd: Vol 32. Keyboard Works CD 2
127▶cd: Vol 32. Keyboard Works CD 3
128▶cd: Vol 32. Keyboard Works CD 4
129▶cd: Vol 33. Keyboard Works CD 1
130▶cd: Vol 33. Keyboard Works CD 2
131▶cd: Vol 33. Keyboard Works CD 3
132▶cd: Vol 33. Keyboard Works CD 4
133▶cd: Vol 34. Keyboard Works CD 1
134▶cd: Vol 34. Keyboard Works CD 2
135▶cd: Vol 34. Keyboard Works CD 3
136▶cd: Vol 34. Keyboard Works CD 4
137▶cd: Vol 35. Keyboard Works CD 1
138▶cd: Vol 35. Keyboard Works CD 2
139▶cd: Vol 35. Keyboard Works CD 3
140▶cd: Vol 35. Keyboard Works CD 4
141▶cd: Vol 36. Keyboard Works CD 1
142▶cd: Vol 36. Keyboard Works CD 2
143▶cd: Vol 36. Keyboard Works CD 3
144▶cd: Vol 36. Keyboard Works CD 4
145▶cd: Vol 37. Keyboard Works CD 1
146▶cd: Vol 37. Keyboard Works CD 2
147▶cd: Vol 37. Keyboard Works CD 3
148▶cd: Vol 37. Keyboard Works CD 4
149▶cd: Vol 38. Orchestral Music CD 1
150▶cd: Vol 38. Orchestral Music CD 2
151▶cd: Vol 38. Orchestral Music CD 3
152▶cd: Vol 38. Orchestral Music CD 4
153▶cd: Vol 39. Works For Violin CD 1
154▶cd: Vol 39. Works For Violin CD 2
155▶cd: Vol 39. Works For Violin CD 3
156▶cd: Vol 39. Works For Violin CD 4
157▶cd: Vol 40. Harpsichord Concertos CD 1
158▶cd: Vol 40. Harpsichord Concertos CD 2
159▶cd: Vol 40. Harpsichord Concertos CD 3
160▶cd: Vol 40. Harpsichord Concertos CD 4
161▶cd: Vol 41. Works For Solo Violin And Solo Cello CD 1
162▶cd: Vol 41. Works For Solo Violin And Solo Cello CD 2
163▶cd: Vol 41. Works For Solo Violin And Solo Cello CD 3
164▶cd: Vol 41. Works For Solo Violin And Solo Cello CD 4
165▶cd: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166▶cd: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167▶cd: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168▶cd: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169▶cd: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170▶cd: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171▶cd: Vol 43. Restored Oboe Concerti · Musical Offering CD 3