Lieder

~ Release by Brahms; Dietrich Fischer‐Dieskau (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Liebe und Frühling I, op. 3 no. 2: Wie sich Rebenranken schwingen
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
6 Gesänge, op. 3: Nr. 2. Liebe und Frühling I "Wie sich Rebenranken schwingen" (from 1964-03-21 until 1964-03-22)
lyricist:
August Heinrich Hoffmann von Fallersleben (poet and composer)
composer:
Johannes Brahms (German composer) (in 1853)
part of:
6 Gesänge, op. 3
Johannes Brahms1:41
2Liebe und Frühling II, op. 3 no. 3: Ich muß hinaus, ich muß zu dir
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
6 Gesänge, op. 3: Nr. 3. Liebe und Fruhling II "Ich muß hinaus, ich muß zu dir" (from 1964-03-21 until 1964-03-22)
lyricist:
August Heinrich Hoffmann von Fallersleben (poet and composer)
composer:
Johannes Brahms (German composer) (in 1853)
part of:
6 Gesänge, op. 3
Johannes Brahms1:41
3In der Fremde, op. 3 no. 5: Aus der Heimat hinter des Blitzen rot
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
6 Gesänge, op. 3: Nr. 5. In der Fremde (from 1964-03-21 until 1964-03-22)
lyricist:
Joseph von Eichendorff
composer:
Johannes Brahms (German composer) (in 1852)
part of:
6 Gesänge, op. 3
Johannes Brahms1:19
4Lindes Rauschen in den Wipfeln, op. 3 no. 6
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
6 Gesänge, op. 3: Nr. 6. Lied (from 1964-03-21 until 1964-03-22)
lyricist:
Joseph von Eichendorff
composer:
Johannes Brahms (German composer) (in 1853)
part of:
6 Gesänge, op. 3
Johannes Brahms2:10
5Nachtigallen schwingen, op. 6 no. 6
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
6 Gesänge, op. 6: Nr. 6. Nachtigallen schwingen (from 1964-03-21 until 1964-03-22)
lyricist:
August Heinrich Hoffmann von Fallersleben (poet and composer)
composer:
Johannes Brahms (German composer) (in 1853)
part of:
6 Gesänge, op. 6
Johannes Brahms2:12
6Parole, op. 7 no. 2: Sie stand wohl am Fensterbogen
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
6 Gesänge, op. 7: Nr. 2. Parole (from 1964-03-21 until 1964-03-22)
lyricist:
Joseph von Eichendorff
composer:
Johannes Brahms (German composer) (in 1853)
part of:
6 Gesänge, op. 7
Johannes Brahms2:37
7Anklänge, op. 7 no. 3: Hoch über stillen Höhen
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
6 Gesänge, op. 7: Nr. 3. Anklänge (from 1964-03-21 until 1964-03-22)
lyricist:
Joseph von Eichendorff
composer:
Johannes Brahms (German composer) (in 1853)
part of:
6 Gesänge, op. 7
Johannes Brahms1:47
8Der Kuß, op. 19 no. 1: Unter Blüten des Mais spielt' ich mit ihrer hand
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
5 Gedichte, op. 19: Nr. 1. Der Kuss (from 1964-03-21 until 1964-03-22)
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Johannes Brahms (German composer) (in 1858-09)
part of:
5 Gedichte, op. 19
Johannes Brahms2:05
9In der Ferne, op. 19 no. 3: Will ruhen unter den Bäumen hier
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
5 Gedichte, op. 19: Nr. 3. In der Ferne (from 1964-03-21 until 1964-03-22)
lyricist:
Ludwig Uhland (German poet)
composer:
Johannes Brahms (German composer)
part of:
5 Gedichte, op. 19
Johannes Brahms1:52
10Wie rafft' ich mich auf in der Nacht, Op 32 no. 1
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
9 Lieder und Gesänge, op. 32: Nr. 1. Wie rafft' ich mich auf in der Nacht (from 1964-03-21 until 1964-03-22)
lyricist:
August von Platen-Hallermünde (German poet)
composer:
Johannes Brahms (German composer) (in 1864)
part of:
9 Lieder und Gesänge, op. 32
Johannes Brahms3:42
11Nicht mehr zu dir zu gehen, op. 32 no. 2
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
9 Lieder und Gesänge, op. 32: Nr. 2. Nicht mehr zu dir zu gehen (from 1964-03-21 until 1964-03-22)
lyricist:
Georg Friedrich Daumer
composer:
Johannes Brahms (German composer) (in 1864)
part of:
9 Lieder und Gesänge, op. 32
Johannes Brahms2:42
12Ich schleich' umher, op. 32 no. 3
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
9 Lieder und Gesänge, op. 32: Nr. 3. Ich schleich' umher (from 1964-03-21 until 1964-03-22)
lyricist:
August von Platen-Hallermünde (German poet)
composer:
Johannes Brahms (German composer) (in 1864)
part of:
9 Lieder und Gesänge, op. 32
Johannes Brahms1:36
13Der Strom, der neben mir verrauschte, op. 32 no. 4
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
9 Lieder und Gesänge, op. 32: Nr. 4. Der Strom, der neben mir verrauschte (from 1964-03-21 until 1964-03-22)
lyricist:
August von Platen-Hallermünde (German poet)
composer:
Johannes Brahms (German composer) (in 1864)
part of:
9 Lieder und Gesänge, op. 32
Johannes Brahms1:27
14Wehe, so willst du mich wieder, op. 32 no. 5
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
9 Lieder und Gesänge, op. 32: Nr. 5. Wehe, so willst du mich wieder (from 1964-03-21 until 1964-03-22)
lyricist:
August von Platen-Hallermünde (German poet)
composer:
Johannes Brahms (German composer) (in 1864)
part of:
9 Lieder und Gesänge, op. 32
Johannes Brahms1:49
15Du sprichst, daß ich mich täuschte, op. 32 no. 6
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
9 Lieder und Gesänge, op. 32: Nr. 6. Du sprichst, daß ich mich täuschte (from 1964-03-21 until 1964-03-22)
lyricist:
August von Platen-Hallermünde (German poet)
composer:
Johannes Brahms (German composer) (in 1864)
part of:
9 Lieder und Gesänge, op. 32
Johannes Brahms2:40
16Bitteres zu sagen denkst du, op. 32 no. 7
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
9 Lieder und Gesänge, op. 32: Nr. 7. Bitteres zu sagen denkst du (from 1964-03-21 until 1964-03-22)
lyricist:
Georg Friedrich Daumer
composer:
Johannes Brahms (German composer) (in 1864)
part of:
9 Lieder und Gesänge, op. 32
Johannes Brahms1:39
17So stehn wir, ich und meine Wiede, op. 32 no. 8
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
9 Lieder und Gesänge, op. 32: Nr. 8. So stehn wir, ich und meine Weide (from 1964-03-21 until 1964-03-22)
lyricist:
Georg Friedrich Daumer
composer:
Johannes Brahms (German composer) (in 1864)
part of:
9 Lieder und Gesänge, op. 32
Johannes Brahms1:36
18Wie bist du, meine Königin, op. 32 no. 9
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1964-03-21 until 1964-03-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1964-03-21 until 1964-03-22)
balance engineer:
Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1964-03-21 until 1964-03-22)
recording of:
9 Lieder und Gesänge, op. 32: Nr. 9. Wie bist du, meine Königin (from 1964-03-21 until 1964-03-22)
lyricist:
Georg Friedrich Daumer
composer:
Johannes Brahms (German composer) (in 1864)
part of:
9 Lieder und Gesänge, op. 32
Johannes Brahms4:21
19Weit über das Feld durch die Lüfte hoch, op. 3 no. 4
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
6 Gesänge, op. 3: Nr. 4. Lied aus dem Gedicht "Ivan" (in 1973-08)
lyricist:
Friedrich von Bodenstedt
composer:
Johannes Brahms (German composer) (in 1853)
part of:
6 Gesänge, op. 3
Johannes Brahms2:03
20Der Frühling, op. 6 no. 2: Es lockt und säuseltum den Baum
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
6 Gesänge, op. 6: Nr. 2. Der Frühling (in 1973-08)
lyricist:
Johann Baptist Rousseau
composer:
Johannes Brahms (German composer) (in 1852)
part of:
6 Gesänge, op. 6
Johannes Brahms2:47
21Nachwirkung, op. 6 no. 3: Sie ist gegangen, die Wonnen versanken
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
6 Gesänge, op. 6: Nr. 3. Nachwirkung (in 1973-08)
lyricist:
Alfred Meissner (poet)
composer:
Johannes Brahms (German composer) (in 1852)
part of:
6 Gesänge, op. 6
Johannes Brahms2:13
22Juchhe!, op. 6 no. 4: Wie ist doch die Erde so schön!
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
6 Gesänge, op. 6: Nr. 4. Juchhe! (in 1973-08)
lyricist:
Robert Reinick (German poet)
composer:
Johannes Brahms (German composer) (in 1852)
part of:
6 Gesänge, op. 6
Johannes Brahms2:25
23Wie die Wolke nach der Sonne, op. 6 no. 5
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
6 Gesänge, op. 6: Nr. 5. Wie die Wolke nach der Sonne (in 1973-08)
lyricist:
August Heinrich Hoffmann von Fallersleben (poet and composer)
composer:
Johannes Brahms (German composer) (in 1853)
part of:
6 Gesänge, op. 6
Johannes Brahms2:40
24Treue Liebe, op. 7 no. 1: Ein Mägdlein saß am Meeresstrand
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
6 Gesänge, op. 7: Nr. 1. Treue Liebe (in 1973-08)
lyricist:
Edouard Ferrand
composer:
Johannes Brahms (German composer) (from 1852 until 1853)
part of:
6 Gesänge, op. 7
Johannes Brahms2:48
25Volkslied, op. 7 no. 4: Die Schwälble ziehet fort
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
6 Gesänge, op. 7: Nr. 4. Volkslied "Die Schwälble" (in 1973-08)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer) (in 1852)
part of:
6 Gesänge, op. 7
Johannes Brahms1:11
26Heimkehr, op. 7 no. 6: O brich nicht, Steg
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
6 Gesänge, op. 7: Nr. 6. Heimkehr (in 1973-08)
lyricist:
Ludwig Uhland (German poet)
composer:
Johannes Brahms (German composer) (in 1851)
part of:
6 Gesänge, op. 7
Johannes Brahms1:03
27Vor dem Fenster, op. 14 no. 1: Soll sich der Mond nicht heller scheinen
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
8 Lieder und Romanzen, op. 14: Nr. 1. Vor dem Fenster (in 1973-08)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer) (in 1858)
part of:
8 Lieder und Romanzen, op. 14
Johannes Brahms3:37
28Vom verwundeten Knaben, op. 14 no. 2: Es wollt' ein Mädchen früh aufstehn
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
8 Lieder und Romanzen, op. 14: Nr. 2. Vom verwundeten Knaben (in 1973-08)
lyricist:
Johann Gottfried von Herder
composer:
Johannes Brahms (German composer) (in 1858)
part of:
8 Lieder und Romanzen, op. 14
Johannes Brahms1:51
29Murrays Ermordung, op. 14 no. 3: O Hochland und o Südland!
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
8 Lieder und Romanzen, op. 14: Nr. 3. Murrays Ermordung (in 1973-08)
lyricist:
Johann Gottfried von Herder
composer:
Johannes Brahms (German composer) (in 1858)
part of:
8 Lieder und Romanzen, op. 14
Johannes Brahms1:59
30Sonett, op. 14 no. 4: Ach, könnt' ich, könnte vergessen sie
producer:
Suvi Raj Grubb
piano:
Wolfgang Sawallisch (conductor) (in 1973-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Franziskanerkirche (Salzburg) in Salzburg, Salzburg, Austria (in 1973-08)
recording of:
8 Lieder und Romanzen, op. 14: Nr. 4. Ein Sonett (in 1973-08)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer) (in 1858)
part of:
8 Lieder und Romanzen, op. 14
Johannes Brahms2:03
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Credits

Release

ASIN:US: B000EDWM36 [info]