Testament van de Sixties

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD: ’60–’63
2CD: ’63–’65
3CD: ’65–’66
#TitoloArtistaValutazioneDurata
1Tossing and Turning
registrazione di:
Tossing and Turning
compositore:
John Carter (songwriter & producer, b. 1942), Perry Ford (English pop singer) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
editore:
EMI Virgin Music Publishing Australia P/L
The Ivy League2:27
2You’ve Got Your Troubles
registrazione di:
You’ve Got Your Troubles
autore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Concord Sounds, Greenaway Operations and Activities Limited e Mills Music
The Fortunes3:23
3Universal Soldier
registrazione di:
The Universal Soldier
paroliere e compositore:
Buffy Sainte‐Marie
editore:
Peermusic (UK) Limited
registrazione cover di:
The Universal Soldier
paroliere e compositore:
Buffy Sainte‐Marie
editore:
Peermusic (UK) Limited
Donovan42:13
4Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:37
5Eve of Destruction
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965)
registrazione di:
Eve of Destruction (nel 1965)
paroliere e compositore:
P.F. Sloan
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:35
6Capri c’est fini
registrazione di:
Capri c’est fini
paroliere e compositore:
Hervé Vilard
Hervé Vilard3:21
7Hang On Sloopy
registrazione di:
Hang On Sloopy
autore:
Bert Russell Berns e Wes Farrell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc e Robert Mellin Music, Inc.
The McCoys33:54
8A Well Respected Man
tecnico:
Bob Auger (Robert Auger, engineer) e Alan McKenzie (engineer)
produttore:
Shel Talmy
batteria :
Mick Avory (nel 1965-08)
chitarra :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (nel 1965-08) e Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1965-08)
chitarra basso e voce di accompagnamento:
Pete Quaife (Kinks' bass guitarist) (nel 1965-08)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1965)
registrata presso:
Pye Studios, Studio 2 in London (Greater London), England, Regno Unito (nel 1965-08)
registrazione di:
A Well Respected Man (nel 1965-08)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Edward Kassner Music Co. Ltd.
The Kinks4.652:42
9Wasted Words
registrazione di:
Wasted Words
paroliere e compositore:
Robbie van Leeuwen
The Motions2:10
10Yesterday Man
produttore:
Peter Columbus
registrazione di:
Yesterday Man
paroliere e compositore:
Chris Andrews (UK singer-songwriter)
Chris Andrews2:34
11My Generation
produttore:
Shel Talmy
basso :
John Entwistle (il 1965-10-13)
batteria e percussione :
Keith Moon (drummer) (il 1965-10-13)
chitarra :
Pete Townshend (of The Who) (il 1965-10-13)
pianoforte :
Nicky Hopkins (pianist and organist) (il 1965-10-13)
voce:
John Entwistle (il 1965-10-13) e Pete Townshend (of The Who) (il 1965-10-13)
voce principale:
Roger Daltrey (il 1965-10-13)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1965, nel 1970) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (il 1965-10-13)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 37) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 232)
registrazione di:
My Generation (il 1965-10-13)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH e Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
The Who4.353:18
12The Carnival Is OverThe Seekers3:09
131‐2‐3
registrazione di:
1‐2‐3 (nel 1965)
autore:
Leonard Borisoff, John Madara e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
autore aggiunto:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Mijac Double Diamond Music, Songs of Universal, Inc. (BMI), Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Welbeck Music Ltd.
Len Barry2:24
14Ik heb geen zin om op te staan
registrazione di:
Ik heb geen zin om op te staan
paroliere e compositore:
Tineke Tinka Bouber
Het3:03
15Michelle
diritti fonografici (℗) detenuti da:
Northern Songs Ltd. (nel 1965)
registrazione cover di:
Michelle (nel 1965-12)
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Northern Songs Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
The Overlanders2:23
16That Day
diritti fonografici (℗) detenuti da:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1966)
registrazione di:
That Day
autore:
Rinus Gerritsen (bass player) e George Kooymans
Golden Earring32:28
17Such a Cad
registrazione di:
Such a Cad
autore:
Gary O'Shannon e Peter Shott (Arranger, composer and songwriter)
Les Baroques2:31
18Keep On Running
produttore:
Chris Blackwell (Island Records)
voce e esecutore:
Steve Winwood
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1965)
registrazione cover di:
Keep On Running
paroliere e compositore:
Jackie Edwards
editore:
Island Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group3.652:41
19A Groovy Kind of LoveThe Mindbenders32:00
20Spanish Eyes
produttore:
Tom Morgan (producer)
direttore d'orchestra:
Peter de Angelis (nel 1965)
arrangiatore:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1965)
registrazione cover di:
Spanish Eyes (Moon Over Naples) (nel 1965)
paroliere:
Charles Singleton (composer/lyricist) e Eddie Snyder
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
versione di:
Moon Over Naples
Al Martino2.52:47
21Welterusten, mijnheer de presidentBoudewijn de Groot42:33
22Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:37
23The Sun Ain’t Gonna Shine Anymore
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1966) e PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1966)
registrazione cover di:
The Sun Ain’t Gonna Shine (Anymore) (nel 1966)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Walker Brothers3.53:01
24The Pied Piper
registrazione cover di:
The Pied Piper
autore:
Steve Duboff e Artie Kornfeld
Crispian St. Peters2:34
25Monday, Monday
tecnico:
Bones Howe
produttore:
Lou Adler
esecutore:
The Mamas & the Papas (American folk rock vocal group) (il 1965-12-16)
diritti fonografici (℗) detenuti da:
Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-12-16)
registrazione di:
Monday, Monday (il 1965-12-16)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:22
26Russian Spy and I
registrazione di:
Russian Spy and I
paroliere e compositore:
Jackie Javellin
The Hunters2:39
4CD: ’66–’67
5CD: ’67
6CD: ’67–’68
7CD: ’68
8CD: ’68–’69
9CD: ’69
10CD: ’69

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parte di:Testament van de (CD+DVD series by Universal) (ordine: 1)