Mastermix Classic Cuts 81: Pop/Dance

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Robert De Niro's Waiting
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1984)
registrazione di:
Robert De Niro's Waiting
compositore:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) e Keren Woodward
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), In a Bunch Music (publisher), J&S Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama2.353:31
2Ain't No Man
voce:
Dina Carroll
video musicali:
Ain’t No Man di Dina Carroll
registrazione di:
Ain’t No Man
autore:
Dina Carroll e Nigel Lowis
editore:
Imagem London Ltd. e Universal/MCA Music Ltd. (not for release label use!)
Dina Carroll33:52
3My Definition of a Boombastic Jazz Style
campionamenti:
Soul Bossa Nova di Quincy Jones and His Orchestra
registrazione di:
My Definition of a Boombastic Jazz Style
autore:
Quincy Jones, Louie Robinson e Richard Rodwell
si basa su:
Soul Bossa Nova
Dream Warriors33:38
4Union of the Snake
registrazione di:
Union of the Snake
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran4:24
5Mirror Man
produttore:
The Human League e Martin Rushent
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
video musicali:
Mirror Man di The Human League
registrazione di:
Mirror Man
autore:
Ian Burden, Jo Callis e Philip Oakey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Publishing Australia P/L e PolyGram Music Publishing
The Human League23:50
6Things Can Only Get Better
tecnico di registrazione e tecnico di missaggio:
Stephen W. Tayler (UK engineer)
programmazione:
Howard Jones (English singer, songwriter)
produttore:
Rupert Hine
ottoni :
The TKO Horns
strumenti:
Howard Jones (English singer, songwriter)
voce di accompagnamento:
Claudia Fontaine (vocals, background vocals), Naomi Thompson e Caron Wheeler (English singer, songwriter, and record producer)
voce principale:
Howard Jones (English singer, songwriter)
registrata presso e mixata presso:
Farmyard Studios in Amersham, Buckinghamshire, England, Regno Unito
registrazione di:
Things Can Only Get Better
paroliere e compositore:
Howard Jones (English singer, songwriter)
editore:
Howard Jones Music Ltd.
Howard Jones53:57
7Here Comes the Hotstepper
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1994) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1994)
campionamenti:
Heartbeat (club version) di Taana Gardner e Land of 1000 Dances di Cannibal & the Headhunters
registrazione di:
Here Comes the Hotstepper
autore:
Ini Kamoze, Chris Kenner e Salaam Remi
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, or EMI Music only if there is no other imprint), Longitude Music, Pine Publishing, Rondor Music (London) Ltd. e Salaam Remi Music
Ini Kamoze3.154:09
8The Riddle
assistente tecnico:
Dave Meegan (producer)
tecnico:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Peter Collins (producer)
voce principale:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984, nel 1985)
video musicali:
The Riddle di Nik Kershaw
registrazione di:
The Riddle
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. e Rondor Musikverlag GmbH
Nik Kershaw3.253:50
9Fresh
registrazione di:
Fresh
autore:
Ronald Bell, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Bonnefond, Sandy Linzer, Robert Bell, Claydes Smith e James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Kool & the Gang4.44:24
10Like a Prayer
produttore:
Patrick Leonard (producer, songwriter and pianist) e Madonna (“Queen of Pop”)
produttore aggiunto:
Shep Pettibone
tecnico di missaggio:
Goh Hotoda e Shep Pettibone
mixata presso:
Sound Works (New York) in New York, New York, Stati Uniti
registrazione di:
Like a Prayer
autore:
Patrick Leonard (producer, songwriter and pianist) e Madonna (“Queen of Pop”)
editore:
Bleu Disque Music Co., Inc. (publisher), EMI Blackwood Music Inc., Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Johnny Yuma Music (publisher) (nel 1988), Webo Girl Publishing, Inc. (nel 1988), WB Music Corp. (1929–2019) (dal 1989 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Madonna4.555:50
11U Can't Touch This
co-produttore:
James Earley e Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
produttore:
MC Hammer
tecnico di missaggio:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) e MC Hammer
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
campionamenti:
Super Freak di Rick James (US vocalist, multi‐instrumentalist, composer & producer)
registrazione di:
U Can’t Touch This
autore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) e Stanley Kirk Burrell
editore:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music e Stone Diamond Music Corporation
si basa su:
Super Freak
MC Hammer4.14:16
12Carribean Queen
produttore:
Keith Diamond
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (nel 1984)
registrazione di:
Caribbean Queen
autore:
Keith Diamond e Billy Ocean
Billy Ocean4.154:08
13When Doves Cry
produttore:
Prince (“The Artist Formerly Known as…”)
chitarra elettrica , drum machine [Linn LM-1] , sintetizzatore [Oberheim] e sintetizzatore [Yamaha DX7] :
Prince (“The Artist Formerly Known as…”) (dal 1984-03-01 al 1984-03-02)
voce principale:
Prince (“The Artist Formerly Known as…”) (il 1984-03-01)
arrangiatore:
Prince (“The Artist Formerly Known as…”)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e NPG Records, Inc. (nel 2017)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1984-03-01)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 37), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When Doves Cry (il 1984-03-01)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Because Éditions e Controversy Music
Prince & The Revolution4.25:52
14Maniac
produttore:
Phil Ramone e Michael Sembello
voce:
Michael Sembello (nel 1983)
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1983)
registrazione di:
Maniac (nel 1983)
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello4.154:04
15On a Ragga Tip
produttore e tecnico di missaggio:
DJ Lime e Slipmatt
campionamenti:
Walk & Skank di Jah Screechy
registrazione di:
On a Ragga Tip
compositore:
DJ Lime e Slipmatt
SL25:07
16Let's Go All the Way
registrazione di:
Let’s Go All the Way
paroliere e compositore:
Gary “Mudbone” Cooper
editore:
EMI Music Publishing (do not use as a release label!)
Sly Fox3:58
17Step It Up
produttore:
Stereo MC's
registrazione di:
Step It Up
autore:
Rob Birch (Stereo MCs) e Nick Hallam
editore:
EMI Virgin Songs, Inc. e Virgin Music Ltd.
Stereo MCs2.653:58
18Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.954:08

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parte di:Mastermix Classic Cuts (numero: 81) (ordine: 81)