Rock and Roll Music: Any Old Way You Choose It

~ Release by Chuck Berry (see all versions of this release, 1 available)

Tracklist

1▶CD: Studio 1954–1957
2▶CD: Studio 1957–1958
3▶CD: Studio 1958–1960
4▶CD: Studio 1960–1964
5▼CD: Studio 1964–1965
#TitleRatingLength
1Lonely School Days
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
Lonely School Days (on 1964-12-16)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music Publishing Company
3:02
2His Daughter Caroline
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
His Daughter Caroline (on 1964-12-16)
lyricist and composer:
Chuck Berry
3:17
3Dear Dad
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
Dear Dad (on 1964-12-16)
lyricist and composer:
Chuck Berry
publisher:
Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
1:51
4I Want to Be Your Driver
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
I Want to Be Your Driver (on 1964-12-16)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:17
5Spending Christmas (My Blue Christmas)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
Spending Christmas (on 1964-12-16)
lyricist and composer:
Chuck Berry
2:12
6The Song of My Love
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
The Song of My Love (on 1964-12-16)
lyricist and composer:
Chuck Berry
2:31
7Butterscotch (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
Butterscotch (on 1964-12-16)
composer:
Chuck Berry
2:41
8After It’s Over (instrumental)
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
harmonica:
Peter John Hogman (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
recording of:
After It's Over (on 1965-01-09)
composer:
Chuck Berry
42:20
9Why Should We End This Way
bass:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
harmonica:
Peter John Hogman (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
lead vocals:
Chuck Berry (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
recording of:
Why Should We End This Way (on 1965-01-09)
lyricist and composer:
Chuck Berry
2:55
10You Came a Long Way From St. Louis
bass:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
harmonica:
Peter John Hogman (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
background vocals:
Bill Armstrong (vocalist, performed with Chuck Berry) (on 1965-01-09), Mike Boocock (on 1965-01-09), Neil Carter (vocalist, performed with Chuck Berry) (on 1965-01-09), Roger Eagle (on 1965-01-09), Roger Fairhurst (on 1965-01-09), Rick Green (vocalist, performed with Chuck Berry) (on 1965-01-09), Peter John Hogman (on 1965-01-09) and Brian Smith (vocalist, performed with Chuck Berry) (on 1965-01-09)
lead vocals:
Chuck Berry (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
recording of:
You Came a Long Way From St. Louis (on 1965-01-09)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
John Benson Brooks
publisher:
Jewel Music Inc.
2:08
11She Once Was Mine
bass:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
harmonica:
Peter John Hogman (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
lead vocals:
Chuck Berry (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
recording of:
She Once Was Mine (on 1965-01-09)
lyricist and composer:
Chuck Berry
2:37
12Jamaica Farewell
bass:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
harmonica:
Peter John Hogman (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
lead vocals:
Chuck Berry (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
recording of:
Jamaica Farewell (on 1965-01-09)
lyricist and composer:
Irving Burgie
publisher:
Cherry Lane Music Ltd.
2:08
13My Little Love Light
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Louis Cennamo (on 1965-01-31)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-31)
guitar:
Chuck Berry (on 1965-01-31) and Jeff Krivet (on 1965-01-31)
piano:
Bob Scrivens (on 1965-01-31)
lead vocals:
Chuck Berry (on 1965-01-31)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-31)
recording of:
My Little Love Light (on 1965-01-31)
lyricist and composer:
Chuck Berry
2:39
14I Got a Booking
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Louis Cennamo (on 1965-01-31)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-31)
guitar:
Chuck Berry (on 1965-01-31) and Jeff Krivet (on 1965-01-31)
harmonica:
Peter John Hogman (on 1965-01-31)
piano:
Bob Scrivens (on 1965-01-31)
lead vocals:
Chuck Berry (on 1965-01-31)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-31)
recording of:
I Got a Booking (on 1965-01-31)
lyricist and composer:
Chuck Berry
2:55
15St. Louis Blues
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Louis Cennamo (on 1965-01-31)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-31)
guitar:
Chuck Berry (on 1965-01-31) and Jeff Krivet (on 1965-01-31)
piano:
Bob Scrivens (on 1965-01-31)
lead vocals:
Chuck Berry (on 1965-01-31)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-31)
recording of:
St. Louis Blues (on 1965-01-31)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
2:39
16Shake Rattle and Roll
guitar and lead vocals:
Chuck Berry (on 1965-07-31)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-07-31)
cover recording of:
Shake, Rattle and Roll (on 1965-07-31)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
2:21
17Honey Hush
guitar and lead vocals:
Chuck Berry (on 1965-07-31)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-07-31)
cover recording of:
Honey Hush (on 1965-07-31)
additional lyricist and additional composer:
Lou Willie Turner
lyricist and composer:
Big Joe Turner
publisher:
Carlin Music Corp.
2:34
18Wee Wee Hours (instrumental)
guitar:
Chuck Berry (on 1965-07-31)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-07-31)
recording of:
Wee Wee Hours (on 1965-07-31)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
3:27
19Run Joe
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-01)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-01)
guitar and lead vocals:
Chuck Berry (on 1965-09-01)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-01)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-01)
recording of:
Run Joe (on 1965-09-01)
writer:
Louis Jordan (US jazz, blues and r&b musician and songwriter), Walter Merrick and Joe Willoughby
publisher:
Cherio Music
2:18
20It’s My Own Business
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-01)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-01)
guitar and lead vocals:
Chuck Berry (on 1965-09-01)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-01)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-01)
recording of:
It's My Own Business (on 1965-09-01)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
2:11
21One for My Baby (and One More for the Road)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-01)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-01)
guitar and lead vocals:
Chuck Berry (on 1965-09-01)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-01)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-01)
cover recording of:
One for My Baby (and One More for the Road) (on 1965-09-01)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
2:45
22Every Day We Rock and Roll
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-01)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-01)
guitar and lead vocals:
Chuck Berry (on 1965-09-01)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-01)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-01)
recording of:
Every Day We Rock and Roll (on 1965-09-01)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
2:13
23My Mustang Ford (instrumental)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-01)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-01)
guitar:
Chuck Berry (on 1965-09-01)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-01)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-01)
recording of:
My Mustang Ford (on 1965-09-01)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
4:13
24My Mustang Ford
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-01)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-01)
guitar and lead vocals:
Chuck Berry (on 1965-09-01)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-01)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-01)
recording of:
My Mustang Ford (on 1965-09-01)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
2:19
25Merrily We Rock and Roll
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-02)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-02)
guitar and lead vocals:
Chuck Berry (on 1965-09-02)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-02)
recording of:
Merrily We Rock and Roll (on 1965-09-02)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
2:13
26Vaya Con Dios
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-02)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-02)
guitar and lead vocals:
Chuck Berry (on 1965-09-02)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-02)
cover recording of:
Vaya con Dios (original) (on 1965-09-02)
writer:
Inez James, Buddy Pepper and Larry Russell (Film composer)
publisher:
Ardmore Music Corp., Chappell Music Ltd. and Manuskript (not for release label use! this is only for copyrights and publishing relationships)
2:38
27Wee Hour Blues
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-02)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-02)
guitar and lead vocals:
Chuck Berry (on 1965-09-02)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-02)
recording of:
Wee Hour Blues (on 1965-09-02)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
3:15
28It Wasn’t Me
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
recording of:
It Wasn't Me (on 1965-09-03)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
2:35
29Ain’t That Just Like a Woman
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
cover recording of:
Ain’t That Just Like a Woman (on 1965-09-03)
writer:
Claude Demetrius and Fleecie Moore
publisher:
Cherio Music
32:15
30Right Off Rampart Street
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
recording of:
Right Off Rampart Street (on 1965-09-03)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
2:24
31Welcome Back Pretty Baby
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
recording of:
Welcome Back Pretty Baby (on 1965-09-03)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
2:37
32Sad Day, Long Night (instrumental)
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
additional harmonica:
Paul Butterfield (on 1965-09-03)
bass guitar:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
recording of:
Sad Day, Long Night (on 1965-09-03)
composer:
Chuck Berry
2:43
6▶CD: Studio 1966–1967
7▶CD: Studio 1967–1969
8▶CD: Studio 1969–1972
9▶CD: Studio 1972–1974
10▶CD: Studio 1973–1974 (+1964)
11▶CD: Studio 1979 (+ 1960–1966)
12▶CD: On Stage 1956 • 1958 • 1963
13▶CD: On Stage 1963
14▶CD: On Stage 1967
15▶CD: On Stage 1969
16▶CD: On Stage 1972, Plus

Credits

Release

liner notes:Bruce Pegg
Sir Paul McCartney (Paul McCartney, The Beatles)
additional producer:Richard Weize
producer:Morten Reff
Fred Rothwell
mastering:Marcus Heumann
Christian Zwarg
illustration:Reinhard Kleist
artwork:Mychael Gerstenberger
phonographic copyright (℗) by:Bear Family Productions Ltd. (Bear Family Records since 2013) (in 2014)
Discogs:https://www.discogs.com/release/7805382 [info]