Jazz From A to Z, Part 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1I've Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Dinah Washington5:20
2Lover Come Back to Me
vocals:
Dinah Washington (in 1954)
cover recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Dinah Washington9:54
3Cristo Redentor
Donald Byrd5:40
4The Black Disciple
bass:
Butch Warren (on 1963-01-12)
guitar:
Kenny Burrell (on 1963-01-12)
membranophone:
Lex Humphries (on 1963-01-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-01-12)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1963-01-12)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1963-01-12)
vibraphone:
Donald Best (on 1963-01-12)
arranger:
Duke Pearson
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-01-12)
recording of:
The Black Disciple
writer:
Donald Byrd (American jazz trumpeter)
Donald Byrd8:12
5Long Way From Brooklyn
Down to the Bone5:46
6Listen Here
recorded in:
New York, New York, United States (on 1967-03-20)
producer:
Arif Mardin
bass:
Melvin Jackson (Chicago-born bassist and composer) (on 1967-03-20)
drums (drum set):
Richard Smith (drums) (on 1967-03-20)
percussion:
Ray Barretto (on 1967-03-20) and Joe Wohletz (on 1967-03-20)
piano:
Jodie Christian (on 1967-03-20)
saxophone:
Eddie Harris (saxophone, piano, vocals) (on 1967-03-20)
recording of:
Listen Here
composer:
Eddie Harris (saxophone, piano, vocals)
publisher:
Hargrove Music and Seventh House, Ltd.
Eddie Harris7:42
7It Don't Mean a Thing (If It Ain't Got That Swing)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald & Duke Ellington7:16
8First Light
recording engineer:
Rudy van Gelder (on 1971-09-16)
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1971-09-16)
clarinet and flute:
George Marge (on 1971-09-16)
drums (drum set):
Jack DeJohnette (on 1971-09-16)
flute:
Hubert Laws (on 1971-09-16)
French horn:
Ray Alonge (french horn) (on 1971-09-16) and Jim Buffington (US jazz, studio and classical hornist) (on 1971-09-16)
guitar:
George Benson (jazz guitarist/singer) (on 1971-09-16)
harp:
Margaret Ross (harp) (on 1971-09-16)
percussion:
Airto Moreira (percussionist) (on 1971-09-16)
piano:
Richard Wyands (on 1971-09-16)
trumpet:
Freddie Hubbard (on 1971-09-16)
vibraphone:
Phil Kraus (on 1971-09-16)
violin:
Paul Gershman (on 1971-09-16), Emanuel Green (on 1971-09-16), Harold Kohon (on 1971-09-16), Joe Malin (on 1971-09-16), David Nadien (on 1971-09-16), Gene Orloff (on 1971-09-16), Matthew Raimondi (on 1971-09-16), Tosha Samaroff (on 1971-09-16) and Irving Spice (violinist, concertmaster and strings) (on 1971-09-16)
wind instruments:
Romeo Penque (on 1971-09-16)
conductor:
Don Sebesky (on 1971-09-16)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-09, on 1971-09-16)
recording of:
First Light (on 1971-09-16)
composer:
Freddie Hubbard
publisher:
Hubtones Music Co. (Freddie Hubbard)
Freddie Hubbard11:08
9Breezin'
recording engineer:
Al Schmitt (from 1976-01-06 until 1976-01-08)
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
mixer:
Al Schmitt
bass guitar and guitar [rhythm guitar]:
Phil Upchurch (from 1976-01-06 until 1976-01-08)
clavinet and piano:
Jorge Dalto (from 1976-01-06 until 1976-01-08)
drums (drum set):
Harvey Mason (jazz drummer) (from 1976-01-06 until 1976-01-08)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1976-01-06 until 1976-01-08)
Minimoog [mini-moog] and electric piano:
Ronnie Foster (from 1976-01-06 until 1976-01-08)
percussion:
Ralph MacDonald (from 1976-01-06 until 1976-01-08)
conductor:
Claus Ogerman (from 1976-01-06 until 1976-01-08)
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-01-06 until 1976-01-08)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Breezin’ (from 1976-01-06 until 1976-01-08)
composer:
Bobby Womack
publisher:
Unart Music Corp. (ended), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson45:40
10Love Ballad
producer:
Tommy LiPuma
bass:
Robert Popwell
clavinet, piano [acoustic piano] and Wurlitzer electric piano:
Jorge Dalto
drums (drum set):
Steve Gadd (drummer)
electric piano [Yamaha CP 30] and Moog [mini-moog, polymoog]:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer)
guitar [rhythm guitar]:
Phil Upchurch
percussion:
Ralph MacDonald
Rhodes piano [Fender Rhodes]:
Jorge Dalto and Ronnie Foster
vocals:
George Benson (jazz guitarist/singer)
conductor:
Mike Mainieri
orchestrator:
Mike Mainieri
cover recording of:
Love Ballad
lyricist and composer:
Skip Scarborough
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4:17
11The Bottle
recording of:
The Bottle
lyricist and composer:
Gil Scott‐Heron
publisher:
Brouhaha Music, Brouhaha Music Inc. and Castle Music Ltd.
Gil Scott‐Heron & Brian Jackson5:13
12Mambo Inn
recording engineer:
Rudy van Gelder (on 1962-04-26)
producer:
Alfred Lion
congas:
Carlos “Patato” Valdés (on 1962-04-26)
double bass:
Wendell Marshall (on 1962-04-26)
drums (drum set):
Willie Bobo (on 1962-04-26)
guitar:
Grant Green (jazz guitarist) (on 1962-04-26)
piano:
Johnny Acea (US jazz pianist) (on 1962-04-26)
shekere [chekere]:
Garvin Masseaux (on 1962-04-26)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-04-26)
recording of:
Mambo Inn (on 1962-04-26)
writer:
Bauza and Woodlen
composer:
Edgar Sampson
Grant Green5:50
13Just the Two of Us
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
synthesizer:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
vocals and performer:
Bill Withers (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter (songwriter, bassist, producer) and Bill Withers
publisher:
Antisia Music Inc. and Bleunig Music
Grover Washington, Jr.4.857:24
14Bags' Groove
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-06-23)
drums (drum set):
Art Taylor (on 1957-06-23)
piano:
Sonny Clark (on 1957-06-23)
saxophone:
Curtis Porter (on 1957-06-23)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1957-06-23)
trumpet:
Bill Hardman (US jazz trumpeter) (on 1957-06-23)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-06-23)
recording of:
Bags’ Groove (on 1957-06-23)
composer:
Milt Jackson
Hank Mobley5:59
15Chameleon
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and David Rubinson
agogô, balafon, cabasa, congas, gankogui, percussion [beer bottle], percussion [log drum], shekere, surdo, tambourine and whistle:
Bill Summers (in 1973-09)
alto flute, bass clarinet, soprano saxophone and tenor saxophone:
Bennie Maupin (in 1973-09)
bass, electric bass guitar and marímbula:
Paul Jackson (jazz bassist) (in 1973-09)
clavinet, Rhodes piano and synthesizer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1973-09)
drums (drum set):
Harvey Mason (jazz drummer) (in 1973-09)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Different Fur Studios in San Francisco, California, United States (in 1973-09) and Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (in 1973-09)
recording of:
Chameleon (in 1973-09)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Paul Jackson (jazz bassist), Harvey Mason (jazz drummer) and Bennie Maupin
Herbie Hancock515:45
16Maiden Voyage
recording engineer:
Rudy van Gelder (on 1965-03-17)
producer:
Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by)
bass:
Ron Carter (US jazz double-bassist) (on 1965-03-17)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-03-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-03-17)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1965-03-17)
trumpet:
Freddie Hubbard (on 1965-03-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-03-17)
recording of:
Maiden Voyage (on 1965-03-17)
composer:
Herbert J. Hancock (Herbie Hancock, US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Co.
Herbie Hancock7:58
17Hijack
recording of:
Hi-Jack
lyricist and composer:
Fernando Arbex
Herbie Mann5:12
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