100 Hits: Woman

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Sweet Love
Techniker(in):
Barney Perkins
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bassgitarre:
Freddie Washington (US session bassist)
Gitarre:
Greg Moore (US guitarist & songwriter)
Keyboard:
Dean Gant
membranophone:
Ricky Lawson
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
Jim Gilstrap, Bunny Hull und Darryl Phinnessee
Hintergrundgesang und Sologesang:
Anita Baker
Musikvideos:
Sweet Love von Anita Baker
recording of:
Sweet Love
Komponist(in):
Anita Baker, Gary Bias (jazz saxophonist) und Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:28
2(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (am 1967-02-16)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-02-16)
Klavier:
Spooner Oldham (am 1967-02-16)
Schlagzeug:
Gene Chrisman (am 1967-02-16)
Trompete:
Bernie Glow (am 1967-02-16), Melvin Lastie (am 1967-02-16) und Joe Newman (US jazz trumpeter) (am 1967-02-16)
Chorgesang:
Carolyn Franklin (am 1967-02-16), Erma Franklin (am 1967-02-16) und The Sweet Inspirations (am 1967-02-16)
vocals:
Aretha Franklin (am 1967-02-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-16)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (am 1967-02-16)
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:46
3Rainy Night in Georgia
cover recording of:
Rainy Night in Georgia
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Randy Crawford3:47
4Do You Know the Way to San Jose?
recording of:
Do You Know the Way to San Jose
Texter:
Hal David (in 1968)
Komponist(in):
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. und JAC Music Co., Inc.
Dionne Warwick2:57
5The Power of Love
Produzent(in):
Wolfgang Detmann (aka Candy de Rouge) und Gunther Mende
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
Verfasser(in):
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende und Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (bis 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Jennifer Rush2.54:27
6All This Time
recording of:
All This Time
Verfasser(in):
Wayne Hector, Lorne Alistair Tennant (songwriter) und Steve Mac (British pop producer/songwriter Steve McCutcheon)
Michelle McManus2.54:23
7Chains
Programmierung und Produzent(in):
David Tyson (Canadian producer/songwriter)
Techniker(in):
Greg Droman (American producer, mixing and audio engineer)
assistierende(r) Mix:
Steve Gallagher (engineer)
Mix:
Chris Lord‐Alge
Gitarre:
Tim Pierce (US session guitarist)
Keyboard:
David Tyson (Canadian producer/songwriter)
Hintergrundgesang:
Tina Arena und Marilyn Martin
arranger:
David Tyson (Canadian producer/songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1994) und Sony Music Productions Ltd. (for copyrights use only) (in 1994)
mixed at:
Image Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Chains
Verfasser(in):
Tina Arena (in 1993-10), Pam Reswick (American songwriter) (in 1993-10) und Steve Werfel (in 1993-10)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena34:23
8Each and Every One
Techniker(in):
Mike Pela
Produzent(in):
Robin Millar
Bass:
Chucho Merchán (in 1984-01)
guitar family:
Ben Watt (in 1984-01)
Horn [horns]:
Nigel Nash (saxophonist) (in 1984-01), Dick Pearce (trumpet) (in 1984-01) und Pete King (English alto saxophonist) (in 1984-01)
Perkussion:
Bosco d'Olivera (in 1984-01)
Sologesang:
Tracey Thorn (of Everything but the Girl) (in 1984-01)
vocals:
Tracey Thorn (of Everything but the Girl) (in 1984-01) und Ben Watt (in 1984-01)
Gast-Interpret(in):
Peter King (English alto saxophonist) (in 1984-01)
Horn arranger:
Ben Watt
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1984)
aufgenommen bei:
Power Plant in London (Greater London), England, Vereinigtes Königreich (in 1984-01)
recording of:
Each and Every One (in 1984-01)
Verfasser(in):
Tracey Thorn (of Everything but the Girl) und Ben Watt
publisher:
Cherry Red Music (publisher) und Complete Music Ltd.
Everything but the Girl42:48
9You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:19
10That’ll Be the Day
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
E-Gitarre:
Andrew Gold und Waddy Wachtel
Händeklatschen:
Linda Ronstadt
Holzblock:
Peter Asher
Schlagzeug:
Michael Botts
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) und Andrew Gold
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1976)
cover recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Linda Ronstadt52:34
11Pink Cadillac
cover recording of:
Pink Cadillac
Texter und Komponist(in):
Bruce Springsteen (von 1981 bis 1982)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Natalie Cole4:27
12I Lost My Heart to a Starship Trooper
Sarah Brightman4:21
13Star
recording of:
Star
Texter und Komponist(in):
Doreen Chanter
publisher:
Eaton Music Limited
Kiki Dee53:17
14Promises
Produzent(in):
Basia Trzetrzelewska und Danny White (keyboardist)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1987)
recording of:
Promises
Verfasser(in):
B. Trzetrzelewska, D. White (keyboardist) und P. Ross
publisher:
Concord Songs Ltd. und What Music Ltd.
sub-publisher:
Concord Music Publishing Sàrl und Universal Music Publishing France (not for release label use!)
Basia4:04
15Holding On
Techniker(in):
Barry Hammond
Produzent(in):
Paul Samwell-Smith
Mix:
Frank Filipetti
Gast-alto saxophone:
Frank Mead
Gast-Bassgitarre:
Pat Donaldson
Gast-Gitarre:
Simon Nicol (singer, multi-instrumentalist and producer from England)
Gast-Keyboard:
Bias Boshell
Gast-Perkussion und Gast-Schlagzeug:
Dave Mattacks
Pianoakkordeon, Hintergrundgesang und Sologesang:
Beverley Craven
Gast Hintergrundgesang:
Tubs Andrew, Sheila Parker, Sheryl Parker (vocalist), Suzanne Rhatigan und Paul Samwell-Smith
recording of:
Holding On
Texter und Komponist(in):
Beverley Craven
Beverley Craven3:57
16January, February
Produzent(in):
Alan Tarney
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980) und Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980)
recording of:
January, February
Texter und Komponist(in):
Alan Tarney
publisher:
ATV Music Ltd. (in 1980)
Barbara Dickson3:46
17Torn Between Two Lovers
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976) und Arista Records, LLC (holding company - file NO releases here!) (in 1976)
recording of:
Torn Between Two Lovers (There are times when a woman has to say what’s on her mind…)
Texter:
Phillip Jarrell
Komponist(in):
Peter Yarrow
publisher:
Muscle Shoals Sound Publishing, Peermusic France, Peermusic III, Ltd. (BMI), Silver Dawn Music, WB Music Corp. (1929–2019) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mary MacGregor3:39
18Bed of Roses
recording engineer:
Michael O’Reilly (engineer)
Programmierung:
Steve Skinner
E-Bow [ebo guitar]:
Michael O’Reilly (engineer)
Gitarre:
Dean Parks (American session guitarist)
Keyboard und Synthesizer:
Steve Skinner
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tony Beard und James Johnson (US jazz drummer)
Steel-Gitarre:
Jay Dee Maness (American pedal steel guitarist)
zusätzlich Saiteninstrumente arranger und zusätzlich Synthesizer arranger:
Daniel Jacob (American composer, songwriter and guitarist)
arranger:
Arif Mardin und Steve Skinner
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1995)
recording of:
Bed of Roses
Verfasser(in):
Bonnie Hayes
Bette Midler34:13
19Runaway Horses
recording of:
Runaway Horses
Texter und Komponist(in):
Rick Nowels und Ellen Shipley
publisher:
Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) und Virgin Songs, Inc. (in 1989)
Belinda Carlisle4:43
20Memory
recording engineer:
David Hamilton-Smith (engineer)
Programmierung:
André Horstmann
assistierende(r) Techniker(in):
Meredith Leung (engineer)
Techniker(in) und Mix:
David Hunt (UK engineer) (in 1998-07)
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
Sologesang:
Elaine Paige
vocals:
Elaine Paige (von 1998-06-07 bis 1998-06-08)
Orchester:
City of London Philharmonic (von 1998-06-07 bis 1998-06-08)
conductor:
David Firman (conductor) und Martin Koch (British orchestrator, conductor, and composer) (von 1998-06-07 bis 1998-06-08)
Orchestrator(in):
David Cullen (composer, arranger, orchestrator) und Andrew Lloyd Webber (English composer and impresario of musical theatre)
phonographisches Urheberrecht (℗) von:
The Really Useful Company Limited (in 1981) und Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
aufgenommen bei:
Lyceum Theatre in London (Greater London), England, Vereinigtes Königreich (von 1998-06-07 bis 1998-06-08)
mixed at und engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1998-07)
live recording of:
Memory (Cats) (von 1998-06-07 bis 1998-06-08)
Texter:
T. S. Eliot und Trevor Nunn
zusätzliche(r) Verfasser(in):
Trevor Nunn
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Cats (Andrew Lloyd Webber musical)
recording of:
Memory (Cats)
Texter:
T. S. Eliot und Trevor Nunn
zusätzliche(r) Verfasser(in):
Trevor Nunn
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Cats (Andrew Lloyd Webber musical)
Elaine Paige4:11
5▶CD

Nennungen

Veröffentlichung

ASIN:UK: B00SKJ6HAA [Info]

Veröffentlichungsgruppe

Teil von:100 Hits (UK Demon Music Group) (Nummer: 10) (Reihenfolge: 42)