The Complete Symphonies / Orchestral Works

~ Release by Vaughan Williams; Sir Adrian Boult (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Serenade to Music
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
bass vocals:
Richard Angas (operatic bass) (on 1969-11-05), John Carol Case (English baritone) (on 1969-11-05), Christopher Keyte (operatic bass) (on 1969-11-05) and John Noble (baritone) (on 1969-11-05)
contralto vocals:
Meriel Dickinson (on 1969-11-05), Alfreda Hodgson (contralto) (on 1969-11-05), Gloria Jennings (on 1969-11-05) and Shirley Minty (contralto) (on 1969-11-05)
soprano vocals:
Sheila Armstrong (soprano) (on 1969-11-05), Norma Burrowes (soprano) (on 1969-11-05), Marie Hayward (soprano) (on 1969-11-05) and Susan Longfield (on 1969-11-05)
tenor vocals:
Kenneth Bowen (tenor) (on 1969-11-05), Bernard Dickerson (tenor) (on 1969-11-05), Wynford Evans (tenor) (on 1969-11-05) and Ian Partridge (tenor) (on 1969-11-05)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1969-11-05)
conductor:
Sir Adrian Boult (conductor) (on 1969-11-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1969-11-05)
recording of:
Serenade to Music (on 1969-11-05)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Ralph Vaughan Williams (English composer) (in 1938)
Ralph Vaughan Williams13:18
2English Folk Song Suite: I. March (Seventeen Come Sunday)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:54
3English Folk Song Suite: II. Intermezzo (My Bonny Boy)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:53
4English Folk Song Suite: III. March (Folk Songs from Somerset)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:03
5Norfolk Rhapsody No. 1
recording engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1968-01-23)
conductor:
Sir Adrian Boult (conductor) (on 1968-01-23)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-01-23)
recording of:
Norfolk Rhapsody no. 1 (on 1968-01-23)
composer:
Ralph Vaughan Williams (English composer) (from 1905 until 1906)
Ralph Vaughan Williams10:19
6Fantasia on 'Greensleeves'
recording engineer and balance engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-12 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-12 until 1970-08-13)
arranger:
Ralph Greaves (in 1934)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-12 until 1970-08-13)
recording of:
Fantasia on “Greensleeves” (from 1970-08-12 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:38
7In the Fen Country
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-02-14 until 1968-02-16)
conductor:
Sir Adrian Boult (conductor) (from 1968-02-14 until 1968-02-16)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-14 until 1968-02-16)
recording of:
In the Fen Country (from 1968-02-14 until 1968-02-16)
composer:
Ralph Vaughan Williams (English composer) (until 1904-04)
revised by:
Ralph Vaughan Williams (English composer) (in 1905, in 1907)
Ralph Vaughan Williams13:55
8The Lark Ascending
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
violin:
Hugh Bean (violinist) (on 1967-03-01)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-03-01)
conductor:
Sir Adrian Boult (conductor) (on 1967-03-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-03-01)
recording of:
The Lark Ascending (for violin and orchestra) (on 1967-03-01)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams14:42
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