The Pros and Cons of Hitch Hiking (made in Japan CD)

~ Veröffentlichung von Roger Waters (alle Versionen dieser Veröffentlichung ansehen, 17 vorhanden)

Anmerkung

Initial UK release, featuring the uncensored cover, packaged in a smooth sided jewel case with 8 page booklet.
CD manufactured in Japan; mastered with Pre-Emphasis flag set.

BIEM / JASRAC

First UK edition Made in Japan, no barcode
http://www.pinkfloydarchives.com/DUKCDRW.htm#RWPAC1

Anmerkung zuletzt geändert am 2024-08-06 18:15 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
14:30 AM (Apparently They Were Travelling Abroad)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:30 AM (Apparently They Were Travelling Abroad) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.753:12
24:33 AM (Running Shoes)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:33 AM (Running Shoes) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
44:08
34:37 AM (Arabs With Knives and West German Skies)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:37 AM (Arabs With Knives and West German Skies) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.652:17
44:39 AM (For the First Time Today, Part 2)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:39 AM (For the First Time Today, Part 2) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.652:03
54:41 AM (Sexual Revolution)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:41 AM (Sexual Revolution) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
4.354:49
64:47 AM (The Remains of Our Love)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:47 AM (The Remains of Our Love) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.653:09
74:50 AM (Go Fishing)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:50 AM (Go Fishing) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
zusätzlicher Texter:
A.A. Milne
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.657:00
84:56 AM (For the First Time Today, Part 1)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:56 AM (For the First Time Today, Part 1) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.651:38
94:58 AM (Dunroamin, Duncarin, Dunlivin)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:58 AM (Dunroamin, Duncarin, Dunlivin) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.53:04
105:01 AM (The Pros and Cons of Hitch Hiking, Part 10)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
5:01 AM (The Pros and Cons of Hitch Hiking, Part 10) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
4.354:37
115:06 AM (Every Stranger’s Eyes)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
E-Gitarre:
Eric Clapton (von 1983-02 bis 1983-12)
Klavier:
Michael Kamen (American score composer) (von 1983-02 bis 1983-12)
vocals:
Roger Waters (von 1983-02 bis 1983-12)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
5:06 AM (Every Stranger’s Eyes) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
44:49
125:11 AM (The Moment of Clarity)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
5:11 AM (The Moment of Clarity) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
41:28