DIE ZEIT Klassik-Edition 03: Elisabeth Schwarzkopf singt Strauss

~ Release by Richard Strauss; Elisabeth Schwarzkopf (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Vier letzte Lieder op. posth.: I. Frühling
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1997)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (from 1965-09-01 until 1965-09-03)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:40
2Vier letzte Lieder op. posth.: II. September
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1997)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (from 1965-09-01 until 1965-09-03)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:22
3Vier letzte Lieder op. posth.: III. Beim Schlafengehen
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1997)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (from 1965-09-01 until 1965-09-03)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:24
4Vier letzte Lieder op. posth.: IV. Im Abendrot
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1997)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (from 1965-09-01 until 1965-09-03)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss8:23
5Fünf Orchesterlieder: Zueignung, op. 10 Nr. 1
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1997)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Zueignung, op. 10 no. 1 (for soprano and orchestra, arr. Heger) (from 1965-09-01 until 1965-09-03)
orchestrator:
Robert Heger (conductor)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
arrangement of:
Zueignung, op. 10 no. 1 (for voice and piano)
Richard Strauss1:53
6Fünf Orchesterlieder: Freundliche Vision, op. 48 Nr. 1
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1997)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Freundliche Vision, op. 48 no. 1 (from 1965-09-01 until 1965-09-03)
lyricist:
Otto Julius Bierbaum (Martin Möbius, German writer)
composer:
Richard Strauss (German composer) (in 1900)
part of:
5 Lieder for voice and piano (op. 48; TrV 202)
Richard Strauss3:08
7Fünf Orchesterlieder: Das Rosenband, op. 36 Nr. 1
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969, in 1997)
recording of:
Das Rosenband, op. 36 no. 1 (for voice and orchestra)
lyricist:
Friedrich Gottlieb Klopstock
composer:
Richard Strauss (German composer) (from 1897 until 1898)
arrangement of:
Das Rosenband, op. 36 no. 1 (for voice and piano)
part of:
4 Lieder for voice and piano (op. 36; TrV 186)
Richard Strauss3:15
8Fünf Orchesterlieder: Ruhe, meine Seele, op. 27 Nr. 1
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969, in 1997)
recording of:
Ruhe, meine Seele, op. 27 no. 1
lyricist:
Karl Friedrich Henckell
composer:
Richard Strauss (German composer) (in 1894)
part of:
4 Lieder, op. 27
Richard Strauss3:55
9Fünf Orchesterlieder: Morgen, op. 27 Nr. 4
producer:
Walter Legge (British classical producer)
violin:
Edith Peinemann (violinist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969, in 1997)
recording of:
Morgen!, op. 27 no. 4 (for voice and orchestra)
lyricist:
John Henry Mackay (Scottish-German egoist anarchist, thinker and writer)
composer:
Richard Strauss (German composer) (in 1894)
arranger:
Richard Strauss (German composer) (in 1897)
arrangement of:
Morgen!, op. 27 no. 4 (for voice and piano)
Richard Strauss3:49
10Der Rosenkavalier, op. 59: Da geht er hin... (Finale 1. Akt, Marschallin - Octavian)
mezzo-soprano vocals [Octavian]:
Christa Ludwig (mezzo-soprano) (in 1956)
soprano vocals [Marschallin]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1957, in 2001)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (in 1956)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss25:09
11Der Rosenkavalier, op. 59: Marie Theres'!...Hab mir's gelobt... (Finale 3. Akt, Octavian - Marschallin - Sophie - Faninal)
baritone vocals [Faninal]:
Eberhard Wächter (baritone) (in 1956)
mezzo-soprano vocals [Octavian]:
Christa Ludwig (mezzo-soprano) (in 1956)
soprano vocals [Marschallin]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956)
soprano vocals [Sophie]:
Teresa Stich‐Randall (soprano) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Herbert von Karajan (conductor) (in 1956)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1957, in 2001)
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal) (in 1956)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss12:48

Credits

Release

copyrighted (©) by:Zeitverlag Gerd Brucerius GmbH & Co. KG (publishing house of German weekly newspaper Die Zeit)
phonographic copyright (℗) by:EMI Music Germany GmbH & Co. KG (do not use this as a release label!) (in 2006)
part of:Die Zeit Klassik‐Edition (number: 03) (order: 3)
ASIN:DE: 347602203X [info]