Complete Symphonies, Tone Poems, Overtures, Requiem

~ Release by Antonín Dvořák; London Symphony Orchestra, István Kertész (see all versions of this release, 4 available)

Tracklist

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#TitleArtistRatingLength
1Requiem, op. 89, B165: XI. Sanctus
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Sanctus (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu (Requiem in B-flat minor, Op. 89, B. 165: Section II: V. Sanctus - Pie Jesu)
Antonín Dvořák5:56
2Requiem, op. 89, B165: XII. Pie Jesu
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Pie Jesu (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu (Requiem in B-flat minor, Op. 89, B. 165: Section II: V. Sanctus - Pie Jesu)
Antonín Dvořák5:12
3Requiem, op. 89, B165: XIII. Agnus Dei
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: VI. Agnus Dei (Requiem in B-flat minor, Op. 89, B. 165: Section II: VI. Agnus Dei) (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl (Requiem in B-flat minor, Op. 89, B. 165: Section II)
Antonín Dvořák10:59
4Serenade in D minor, op. 44, B77: I. Moderato, quasi marcia
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: I. Moderato quasi marcia (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák3:25
5Serenade in D minor, op. 44, B77: II. Minuetto
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: II. Menuetto e Trio (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák6:13
6Serenade in D minor, op. 44, B77: III. Andante con moto
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: III. Andante con moto (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák8:32
7Serenade in D minor, op. 44, B77: IV. Finale: Allegro molto
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: IV. Finale. Allegro molto (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák6:11
8Scherzo Capriccioso, op. 66, B131
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1963-02-22 until 1963-02-26)
conductor:
István Kertész (conductor) (from 1963-02-22 until 1963-02-26)
balance engineer:
Arthur Lilley (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1963-02-22 until 1963-02-26)
recording of:
Scherzo capriccioso, op. 66, B. 131 (for orchestra) (from 1963-02-22 until 1963-02-26)
composer:
Antonín Dvořák (composer) (from 1883-04-04 until 1883-05-02)
premiered at:
[concert] (1883-05-16)
publisher:
Bote & Bock (in 1884)
part of:
Works of Antonín Dvořák by opus number (number: op. 66) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 131)
Antonín Dvořák11:54
9Symphonic Variations, op. 78 (28), B70
recording engineer:
Stanley Goodall (engineer) (from 1970-06-29 until 1970-07-02), Peter van Biene (engineer) (from 1970-06-29 until 1970-07-02) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (from 1970-06-29 until 1970-07-02)
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1970-06-29 until 1970-07-02)
conductor:
István Kertész (conductor) (from 1970-06-29 until 1970-07-02)
balance engineer:
Stanley Goodall (engineer) (from 1970-06-29 until 1970-07-02) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (from 1970-06-29 until 1970-07-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-06-29 until 1970-07-02)
recording of:
Symphonic Variations, op. 78, B. 70 (from 1970-06-29 until 1970-07-02)
premiered in:
Praha (Prague), Czechia (on 1877-12-02)
composer:
Antonín Dvořák (composer) (from 1877-08-06 until 1877-09-28)
premiered at:
[concert] (1877-12-02)
publisher:
N. Simrock (in 1888)
part of:
Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 70) and Works of Antonín Dvořák by opus number (number: op. 78)
is based on:
Huslař, B. 66 no. 3
Antonín Dvořák23:19
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