Tracklist

1CD
2CD
#TitleArtistRatingLength
1Il trovatore: “Or co’ dadi, ma fra poco”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Ferrando]:
Francesco Ellero d’Artegna (operatic bass) (from 1990-06-18 until 1990-07-02)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:04
2Il trovatore: “Squilli, echeggi la tromba guerriera”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Ferrando]:
Francesco Ellero d’Artegna (operatic bass) (from 1990-06-18 until 1990-07-02)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:23
3Il trovatore: “In braccio al mio rival!”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
bass vocals [Ferrando]:
Francesco Ellero d’Artegna (operatic bass) (from 1990-06-18 until 1990-07-02)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:18
4Il trovatore: “Giorni poveri vivea”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
bass vocals [Ferrando]:
Francesco Ellero d’Artegna (operatic bass) (from 1990-06-18 until 1990-07-02)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:13
5Il trovatore: “Quale d’armi fragor”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:04
6Il trovatore: “Ah si, ben mio”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:57
7Il trovatore: “L’onda de’ suoni mistici”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
tenor vocals [Ruiz]:
Piero de Palma (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:41
8Il trovatore: “Di quella pira”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
tenor vocals [Ruiz]:
Piero de Palma (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:14
9Il trovatore: “Siam giunti: ecco la torre”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Ruiz]:
Piero de Palma (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:58
10Il trovatore: “D’amor sull’ali rosee”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:12
11Il trovatore: “Miserere d’ un’alma già vicina”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:49
12Il trovatore: “Tu vedrai che amore in terra”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “Tu vedrai che amore in terra” (Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:36
13Il trovatore: “Udiste? Come albeggi”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi0:53
14Il trovatore: “A te davanti”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi0:51
15Il trovatore: “Mira di acerbe lagrime”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:11
16Il trovatore: “Vivrà!… contende il giubilo”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:13
17Il trovatore: “Madre, non dormi?”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:13
18Il trovatore: “Sì; la stanchezza m’ opprime, o figlio”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:29
19Il trovatore: “Che!… non m’inganna quel fioco lume?”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:17
20Il trovatore: “Parlar no vuoi?”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:04
21Il trovatore: “Ti scosta! – Non respingermi!”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:08
22Il trovatore: “Prima che d’altri vivere”
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:50