The Complete Recordings on Deutsche Grammophon 2

~ Release by Martha Argerich (see all versions of this release, 4 available)

Tracklist

22▼CD: Saint-Saëns: Le Carnaval des animaux / Ridout: Ferdinand / Little Sad Sound / Meschwitz: Tier-Gebete
#TitleArtistRatingLength
1Le Carnaval des animaux: 1. Introduction et marche royale du lion
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:25
2Le Carnaval des animaux: 2. Poules et coqs
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : II. Poules et coqs (The Carnival of the Animals: II. Hens and Cocks, violins, viola, two pianos and clarinet) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:42
3Le Carnaval des animaux: 3. Hémiones
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : III. Hémiones (Animaux véloces) (The Carnival of the Animals: III. Wild Asses, two pianos) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:35
4Le Carnaval des animaux: 4. Tortues
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : IV. Tortues (The Carnival of the Animals: IV. Tortoises, strings and piano) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
quotes music from:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:56
5Le Carnaval des animaux: 5. L'Éléphant
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : V. L’Éléphant (The Carnival of the Animals: V. The Elephant, double bass and piano) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:36
6Le Carnaval des animaux: 6. Kangourous
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VI. Kangourous (The Carnival of the Animals: VI. Kangaroos, two pianos) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:04
7Le Carnaval des animaux: 7. Aquarium
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bell and glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:36
8Le Carnaval des animaux: 8. Personnages à longues oreilles
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (The Carnival of the Animals: VIII. Personages With Long Ears, two violins) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:50
9Le Carnaval des animaux: 9. Le Coucou au fond des bois
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (The Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods, two pianos and clarinet) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:19
10Le Carnaval des animaux: 10. Volière
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : X. Volière (The Carnival of the Animals: X. Aviary, strings, pianos and flute) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:15
11Le Carnaval des animaux: 11. Pianistes
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XI. Pianistes (The Carnival of the Animals: XI. Pianists, strings and two pianos) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:26
12Le Carnaval des animaux: 12. Fossiles
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
percussion:
Markus Steckeler (percussionist)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:17
13Le Carnaval des animaux: 13. Le Cygne
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:10
14Le Carnaval des animaux: 14. Finale
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bell and glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:01
15Ferdinand, For speaker and solo violin
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1981-04)
spoken vocals:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
recording of:
Ferdinand (in 1981-04)
lyricist:
Munro Leaf (American author of children's literature)
composer:
Alan Ridout (in 1971)
is based on:
The Story of Ferdinand
Alan Ridout10:46
16Tier-Gebete, For speaker and piano: 1. Gebet des Ochsen
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: I. Gebet des Ochsen (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz2:02
17Tier-Gebete, For speaker and piano: 2. Gebet der Maus
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: II. Gebet der Maus (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz0:29
18Tier-Gebete, For speaker and piano: 3. Gebet der Katze
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: III. Gebet der Katze (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:27
19Tier-Gebete, For speaker and piano: 4. Gebet des Hundes
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: IV. Gebet des Hundes (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:30
20Tier-Gebete, For speaker and piano: 5 Gebet der Ameise
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: V. Gebet der Ameise (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:13
21Tier-Gebete, For speaker and piano: 6. Gebet der Elefanten
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: VI. Gebet der Elefanten (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz2:12
22Tier-Gebete, For speaker and piano: 7. Gebet der Schildkröte
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: VII. Gebet der Schildkröte (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:30
23Tier-Gebete, For speaker and piano: 8. Gebet der Giraffe
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: VIII. Gebet der Giraffe (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:14
24Tier-Gebete, For speaker and piano: 9. Gebet des Affen
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: IX. Gebet des Affen (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz0:48
25Tier-Gebete, For speaker and piano: 10. Gebet des Hahnes
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: X. Gebet des Hahnes (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz0:32
26Tier-Gebete, For speaker and piano: 11. Gebet des alten Gaules
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: XI. Gebet des alten Gaules (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz2:25
27Tier-Gebete, For speaker and piano: 12. Gebet des Schmetterlings
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: XII. Gebet des Schmetterlings (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:16
28Little Sad Sound, A melodrama for speaker and double-bass
recorded in:
Wien (Vienna), Austria (in 1987-01)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
double bass:
Alois Posch (double bass player) (in 1987-01)
spoken vocals:
Gidon Kremer (violinist) (in 1987-01)
recording of:
Little Sad Sound (in 1987-01)
composer:
Alan Ridout (in 1974)
Alan Ridout11:32
23▶CD: Beethoven: Piano Concertos nos. 1 & 2
24▶CD: Schumann: Violin Sonatas nos. 1 & 2
25▶CD: Beethoven: Sonatas for Piano and Violin no. 4 & no. 5 “Spring”
26▶CD: Bartók: Violin Sonata no. 1 / Janáček: Sonata for Violin and Piano / Messiaen: Theme and Variations for Violin and Piano
27▶CD: Beethoven: Twelve Variations on “Ein Mädchen oder Weibchen” / Sonatas for Piano and Cello nos. 1 & 2 / Seven Variations on “Bei Männern, welche Liebe fühlen”
28▶CD: Prokofiev: Violin Sonatas nos. 1 & 2 / Five Melodies for Violin and Piano
29▶CD: Beethoven: Sonatas for Piano and Cello nos. 3-5 / Twelve Variations on a Theme from Handel's Oratorio “Judas Maccabaeus”
30▶CD: Shostakovich: Concerto for Piano, Trumpet and Strings / Haydn: Piano Concerto in D major / Tchaikovsky: Piano Concerto no. 1
31▶CD: Bartók: Sonata for Two Pianos and Percussion / Ravel: Ma Mère l'Oye / Rapsodie espagnole
32▶CD: Beethoven: Sonatas for Piano and Violin nos. 6-8
33▶CD: Beethoven: Sonatas for Piano and Violin no. 9 “Kreutzer” & no. 10
34▶CD: Shostakovich: Piano Trio no. 2 / Tchaikovsky: Piano Trio op. 50 / Kiesewetter: Tango pathétique
35▶CD: Schumann: Adagio und Allegro / Drei Fantasiestücke, op. 73 / Fünf Stücke im Volkston / Romanze, op. 94 no. 1 / Märchenbilder, op. 113 no. 1 / Beethoven: Sonata for Piano and Violin no. 9 “Kreutzer”
36▶CD: Beethoven: Piano Concertos nos. 2 & 3
37▶CD: Chopin: Cello Sonata, op. 65 / Introduction et Polonaise brillante / Franck: Violin Sonata in A major / Debussy: Cello Sonata in D minor
38▶CD: Brahms: Piano Quartet no. 1 / Schumann: Fantasiestücke, op. 88

Credits

Release group

includes:Argerich Plays Chopin by Frédéric Chopin (composer); Martha Argerich (Argentine pianist)
Chopin: Piano Concerto no. 1 / Liszt: Piano Concerto no. 1 by Chopin (Frédéric Chopin, composer), Liszt (Hungarian composer, pianist and conductor); London Symphony Orchestra, Claudio Abbado (conductor), Martha Argerich (Argentine pianist)
Frédéric Chopin · Martha Argerich by Frédéric Chopin (composer); Martha Argerich (Argentine pianist)
Klavierkonzert Nr. 1 b-moll op. 23 by Tschaikowsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Royal Philharmonic Orchestra, Charles Dutoit (conductor), Martha Argerich (Argentine pianist)
Liszt: Sonate h-Moll / Schumann: Sonate g-Moll by Liszt (Hungarian composer, pianist and conductor), Schumann (Robert Schumann, German classical composer); Martha Argerich (Argentine pianist)
Martha Argerich: Début Recital by Chopin (Frédéric Chopin, composer), Brahms (Johannes Brahms, German composer), Liszt (Hungarian composer, pianist and conductor), Maurice Ravel (French composer), Prokofiev (Sergei Prokofiev, Russian composer); Martha Argerich (Argentine pianist)
Prokofiev: Klavierkonzert Nr. 3 C-Dur / Ravel: Klavierkonzert G-Dur by Prokofiev (Sergei Prokofiev, Russian composer), Ravel (Maurice Ravel, French composer); Martha Argerich (Argentine pianist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)