The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal (discs 11-20) (editable pseudo-release)

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

11▶CD: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
12▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
13▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
14▶CD: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
15▶CD: Missa Solemnis in D major
16▶CD: Missa Solemnis in D major, Mozart, Strauss
17▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft's School, Philharmonia Orchestra)
18▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft's School, Philharmonia Orchestra)
19▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
20▼CD: Così fan tutte (Philharmonia Orchestra & Chorus)
#TitleArtistRatingLength
1Così fan tutte, K. 588: Act I, Scene XIV. No. 18 Finale I "Ah, che tutta in un momento" (Fiordiligi, Dorabella)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 18 Finale “Ah, che tutta in un momento” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:11
2Così fan tutte, K. 588: Act I, Scene XV. Finale I "Si mora, sì, si mora" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. “Si mora sì, si mora” … “Ah che del sole il raggio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:11
3Così fan tutte, K. 588: Act I, Scene XVI. Finale I "Eccovi il medico" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. “Eccovi il medico” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:08
4Così fan tutte, Atto I Scena 4: Dove son? Che loco è questo?
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. “Dove son! Che loco è questo!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:25
5Così fan tutte, K. 588: Act I, Scene XVI. Finale I "Dammi un bacio, oh mio tesoro" (Ferrando, Guglielmo, Fiordiligi, Dorabella, Despina, Alfonso)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. “Dammi un bacio, o mio tesoro” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:45
6Così fan tutte, K. 588: Act II, Scene I. Recitativo "Andate là, che siete due bizzarre ragazze!" (Despina, Firodiligi, Dorabella)
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. Recitativo “Andate là, che siete” (Despina, Firodiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:16
7Così fan tutte, K. 588: Act II, Scene I. No.19 Aria "Una donna a quindici anni" (Despina)
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:10
8Così fan tutte, Atto II Scena 1: Sorella, cosa dici?
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. Recitativo “Sorella, cosa dici?” (Firodiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:56
9Così fan tutte, K. 588: Act II, Scene II. No. 20 Duetto "Prenderò quel brunettino" (Fiordiligi, Dorabella)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:08
10Così fan tutte, K. 588: Act II, Scene IV. Duetto con coro "Secondate, aurette amiche" (Ferrando, Guglielmo)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 21 Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo, Chor) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:07
11Così fan tutte, Atto II Scena 2: Cos'è tal mascherata?
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. Recitativo “Il tutto deponete” … “Cos’è tal mascherata?” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:34
12Così fan tutte, K. 588: Act II, Scene IV. No. 22 Quartetto "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:36
13Così fan tutte, Atto II Scena 2: Oh che bella giornata!
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. Recitativo “Oh che bella giornata!” … “Passeggiamo anche noi” (Fiordiligi, Ferrando, Dorabella, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:37
14Così fan tutte, K. 588: Act II, Scene V. No. 23 Duetto "Il core vi dono, bell'idolo mio" (Dorabella, Guglielmo)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:22
15Così fan tutte, K. 588: Act II, Scene VII. Recitativo "Ei parte… Scenti!… Ah, no!" (Fiordiligi)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. Recitativo “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:40
16Così fan tutte, Atto II Scena 2 No. 25: Per pietà, ben mio, perdona
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart7:35
17Così fan tutte, K. 588: Act II, Scene VIII. Recitativo "Amico, abbiamo vinto!" (Ferrando, Guglielmo)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:51
18Così fan tutte, K. 588: Act II, Scene VIII. No. 26 Aria "Donne mie, la fate a tanti" (Guglielmo)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:03
19Così fan tutte, K. 588: Act II, Scene IX. Recitativo "In qual fiero contrasto, in qual disordine" (Ferrando)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine” (Ferrando) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:37
20Così fan tutte, Atto II Scena 2 No. 27: Tradito, schernito
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 27 Cavatina “Tradito, schernito” (Ferrando) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:04
21Così fan tutte, Atto II Scena 2: Bravo, questa è costanza
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. Recitativo “Bravo, questa è costanza” (Don Alfonso, Ferrando, Guglielmo)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:20

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (German operatic soprano, 1919–2013), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (Austrian bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)