Don Pasquale

~ Release by Gaetano Donizetti; Sesto Bruscantini, Alda Noni, Cesare Valletti, Orchestra Sinfonica di Torino della RAI, Mario Rossi (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Don Pasquale: Atto III. “I diamanti presto, presto“
bass-baritone vocals [Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1952)
choir vocals:
Coro di Torino della RAI (in 1952)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1952)
conductor:
Mario Rossi (Italian conductor) (in 1952)
chorus master:
Giulio Mogliotti (chorus master) (in 1952)
recording of:
Don Pasquale: Atto III. Coro d’introduzione “I diamanti, presto, presto” (Coro, Pasquale) (in 1952)
lyricist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:14
2Don Pasquale: Atto III. “Vediamo: alla modista cento scudi - Signorina in tanta fretta“
bass-baritone vocals [Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1952)
soprano vocals [Norina]:
Alda Noni (soprano) (in 1952)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1952)
conductor:
Mario Rossi (Italian conductor) (in 1952)
recording of:
Don Pasquale: Atto III. Recitativo “Ah, vediamo! Alla modista cento scudi” (Pasquale) (in 1952)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
recording of:
Don Pasquale: Atto III. Duo “Signorina in tanta fretta …” (Norina, Don Pasquale) (from 1952 to present)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti9:09
3Don Pasquale: Atto III. “Qualche nota di cuffie”
bass-baritone vocals [Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1952)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1952)
conductor:
Mario Rossi (Italian conductor) (in 1952)
recording of:
Don Pasquale: Atto III. “Qualche nota di cuffie e di merletti” (Pasquale) (in 1952)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:11
4Don Pasquale: Atto III. “Che interminabile andirivieni”
choir vocals:
Coro di Torino della RAI (in 1952)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1952)
conductor:
Mario Rossi (Italian conductor) (in 1952)
chorus master:
Giulio Mogliotti (chorus master) (in 1952)
recording of:
Don Pasquale: Atto III. “Che interminabile andirivieni” (Coro di Servi) (in 1952)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:53
5Don Pasquale: Atto III. “Questa repentina chiamata” … “Cheti, cheti immantinente”
baritone vocals [Malatesta]:
Mario Borriello (baritone) (in 1952)
bass-baritone vocals [Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1952)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1952)
conductor:
Mario Rossi (Italian conductor) (in 1952)
recording of:
Don Pasquale: Atto III. “Questa, repentina chiamata” (Malatesta, Pasquale) (in 1952)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
recording of:
Don Pasquale: Atto III. Duetto “Cheti, cheti immantinente …” (Malatesta, Pasquale) (in 1952)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti9:03
6Don Pasquale: Atto III. “Com'è gentil”
choir vocals:
Coro di Torino della RAI (in 1952)
tenor vocals [Ernesto]:
Cesare Valletti (tenor) (in 1952)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1952)
conductor:
Mario Rossi (Italian conductor) (in 1952)
chorus master:
Giulio Mogliotti (chorus master) (in 1952)
recording of:
Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro) (in 1952)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti4:12
7Don Pasquale: Atto III. “Tornami a dir che m'ami”
soprano vocals [Norina]:
Alda Noni (soprano) (in 1952)
tenor vocals [Ernesto]:
Cesare Valletti (tenor) (in 1952)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1952)
conductor:
Mario Rossi (Italian conductor) (in 1952)
recording of:
Don Pasquale: Atto III. Duetto “Tornami a dir, che m'ami” (Norina, Ernesto) (in 1952)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti6:02
8Don Pasquale: Atto III. “La morale in tutto questo”
baritone vocals [Malatesta]:
Mario Borriello (baritone) (in 1952)
bass-baritone vocals [Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1952)
choir vocals:
Coro di Torino della RAI (in 1952)
soprano vocals [Norina]:
Alda Noni (soprano) (in 1952)
tenor vocals [Ernesto]:
Cesare Valletti (tenor) (in 1952)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1952)
conductor:
Mario Rossi (Italian conductor) (in 1952)
chorus master:
Giulio Mogliotti (chorus master) (in 1952)
recording of:
Don Pasquale: Atto III. Finale “La morale in tutto questo” (Norina, Pasquale, Malatesta, Ernesto, Coro) (in 1952)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:19

Credits

Release

ASIN:US: B000062UWE [info]