NOW 100 Hits: 80s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶Digitales Medium
2▶Digitales Medium
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5▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:53
2Uptown Girl
assistierende(r) Techniker(in):
Scott James (US recording engineer) und Mike Mairé
Techniker(in) und Mix:
Jim Boyer (producer/engineer)
Produzent(in):
Phil Ramone
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1983)
E-Gitarre:
David Brown (guitarist for Billy Joel) (in 1983)
Klavier und Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1983)
Schlagzeug:
Liberty DeVitto (US drummer) (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1987)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Uptown Girl von Billy Joel (American singer‐songwriter and pianist)
Teil von:
BILLIONS CLUB und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 443)
recording of:
Uptown Girl (in 1983)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
EMI Songs Ltd., CBS Songs Ltd. (in 1983) und Joelsongs (in 1983)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel4.13:15
39 to 5
Produzent(in):
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
Bassgitarre:
Abraham Laboriel (in 1980)
Gitarre:
Jeff Baxter (in 1980) und Martin K. Walsh (in 1980)
Klavier:
Larry Knechtel (in 1980)
Perkussion:
Leonard Castro (in 1980)
Posaune:
William Reichenbach (jazz trombonist) (in 1980)
Saxophon:
Tom Saviano (in 1980)
Schlagzeug:
Richard Schlosser (drummer) (in 1980)
Trompete:
Jerry Hey (in 1980)
Hintergrundgesang:
Anita Ball (in 1980), Denise Maynelli (in 1980) und Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1980) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 191)
recording of:
9 to 5 (in 1980)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music und Velvet Apple Music
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Dolly Parton3.552:45
4You Can Call Me Al
assistierende(r) Techniker(in):
Mark Cobrin
Techniker(in):
Roy Halee
Produzent(in):
Paul Simon (of Simon & Garfunkel)
baritone saxophone und bass saxophone:
Ronald E. Cuber
Bassgitarre:
Baghiti Khumalo
E-Bass [six-string electric bass] und Hintergrundgesang:
Paul Simon (of Simon & Garfunkel)
Gitarre:
Chikapa “Ray” Phiri
Gitarrensynthesizer:
Adrian Belew
Perkussion:
Ralph MacDonald
Posaune:
Kim Allan Cissel und David W. Bargeron (US trombonist & tubist)
Schlagzeug:
Isaac Mtshali
Solo-tin whistle [pennywhistle]:
Morris Goldberg (saxophonist and flutist)
Synthesizer:
Rob Mounsey
Trompete:
Alan Rubin, John Faddis, Lewis Michael Soloff und Ronald E. Brecker
vocals:
Paul Simon (of Simon & Garfunkel)
Horn arranger:
Rob Mounsey
zusätzlich arranger:
Chikapa “Ray” Phiri
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (von 1985-05 bis 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1986)
recording of:
You Can Call Me Al
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
Paul Simon4.34:40
5How Will I Know
Techniker(in) und Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson)
Produzent(in):
Narada Michael Walden
Interpret(in):
Mary Canty, Preston Glass, Cissy Houston, Yvonne Lewis, Randy Jackson (former bassist with Journey and American Idol judge), Corrado Rustici, Premik Russell Tubbs und Narada Michael Walden
arranger:
Narada Michael Walden
Herausgeber:
Perfection Light Productions, Inc.
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 12) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 229)
recording of:
How Will I Know
Verfasser(in):
Narada Michael Walden
Komponist(in):
George Merrill und Shannon Rubicam
publisher:
Carlin Music Corporation, Irving Music (BMI), Irving Music, Inc. und WB Music Corp. (1929–2019)
Whitney Houston4.254:33
6All Cried Out
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
Bearbeitung von:
All Cried Out (album version) von Alison Moyet
recording of:
All Cried Out
Verfasser(in):
Steve Jolley, Alison Moyet und Tony Swain (songwriter, producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), J&S Music, Mega Music Ltd., Rondor Music (London) Ltd., Sonet Publishing Ltd. und Sony/ATV Music Publishing Ltd.
Alison Moyet43:41
7Super Trouper
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus (am 1980-10-03)
Bassgitarre:
Mike Watson (English‐Swedish rock musician) (am 1980-10-03)
Gitarre:
Janne Schaffer (am 1980-10-03)
Keyboard und Synthesizer:
Benny Andersson (ABBA) (am 1980-10-03)
Perkussion:
Åke Sundqvist (am 1980-10-03)
Schlagzeug:
Per Lindvall (am 1980-10-03)
Hintergrundgesang:
Agnetha Fältskog (in 1980)
Sologesang:
Frida (Swedish singer and member of ABBA) (am 1980-10-03)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1980)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-10-03, am 1980-10-14)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1980-10)
recording of:
Super Trouper (in 1980-10)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group, Universal–Songs of PolyGram International, Inc., Artwork Music Co., Inc. (vom 1980 bis ????), Countless Songs, Ltd. (vom 1980 bis ????), EMI Waterford Music (vom 1980 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1980 bis heute), Universal/Union Songs Musikförlag AB (vom 1980 bis heute) und Union Songs AB (publisher) (in 1980)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.554:13
8Atomic
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Gast Hintergrundgesang:
Ellie Greenwich (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
Teil von:
Songs banned by the BBC (Nummer: Gulf War ban)
recording of:
Atomic (von 1979-05 bis 1979-06)
Verfasser(in):
Jimmy Destri und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc
Blondie43:46
9Venus
cover recording of:
Venus (Shocking Blue (I’m Your Venus))
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Bananarama33:36
10Mad World
Programmierung:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
Bassgitarre:
Curt Smith
Gitarre:
Roland Orzabal (UK musician, songwriter and producer)
Keyboard:
Roland Orzabal (UK musician, songwriter and producer), Curt Smith und Ian Stanley
Perkussion:
Chris Hughes (producer, aka “Merrick”)
Schlagzeug:
Manny Elias
vocals:
Curt Smith
conductor:
Chris Hughes (producer, aka “Merrick”)
Interpret(in):
Ross Cullum und Phil Palmer (guitarist)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
Musikvideos:
Mad World von Tears for Fears
recording of:
Mad World
Texter und Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
publisher:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing und Virgin Music Ltd.
Tears for Fears3.73:34
11Temptation
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
vocals:
Carol Kenyon
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 172.353:05
12Just an Illusion
recording of:
Just an Illusion
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley und Tony Swain (songwriter, producer)
publisher:
Broadley Music (International) Ltd. (PRS)
Imagination4.353:55
13Flashdance… What a Feeling
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:54
14Coming Up
recording engineer:
Paul McCartney (The Beatles) (von 1979-06 bis 1979-07)
Produzent(in):
Paul McCartney (The Beatles)
assistierende(r) Mix:
Eddie Klein (engineer, Hog Hill Mill) (in 1979-09)
Mix:
Paul McCartney (The Beatles) (in 1979-09)
Bass, E-Gitarre, Hybrid-Piano, Perkussion, Schlagzeug, Synthesizer, Tamburin, Hintergrundgesang, Hintergrundgesang und Sologesang und Sologesang:
Paul McCartney (The Beatles) (von 1979-06 bis 1979-07)
aufgenommen bei:
Home Studio in East Sussex, England, Vereinigtes Königreich (von 1979-06 bis 1979-07) und Spirit of Ranachan Studio in Scotland, Vereinigtes Königreich (von 1979-06 bis 1979-07)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1979-09)
recording of:
Coming Up (von 1979-06 bis 1979-07)
Texter und Komponist(in):
Paul McCartney (The Beatles)
Paul McCartney3.53:52
15Love Plus One
Produzent(in):
Bob Sargeant
Gitarre:
Graham Jones (Haircut 100)
Instrumente:
Leslie Nemes
Perkussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
Saxophon:
Phil Smith (Saxophonist)
Schlagzeug:
Blair Cunningham
vocals:
Nick Heyward
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1982) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 90)
recording of:
Love Plus One
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred43:33
16Moonlight Shadow
Techniker(in):
Nigel Luby
Produzent(in):
Mike Oldfield und Simon Phillips (rock drummer)
Akustikgitarre, E-Gitarre und Synthesizer:
Mike Oldfield (von 1982-11 bis 1983-04)
Bassgitarre:
Phil Spalding (von 1982-11 bis 1983-04)
Schlagzeug:
Simon Phillips (rock drummer) (von 1982-11 bis 1983-04)
vocals:
Maggie Reilly (von 1982-11 bis 1983-04)
phonographisches Urheberrecht (℗) von:
Mike Oldfield (in 2013)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
aufgenommen bei:
Denham Studios (von 1982-11 bis 1983-04)
recording of:
Moonlight Shadow (von 1982-11 bis 1983-04)
Texter und Komponist(in):
Mike Oldfield
publisher:
EMI Virgin Music Publishing Australia P/L, Mushroom Music Pty. Ltd., Oldfield Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music Publishing Ltd. (in 1983)
Mike Oldfield3.93:38
17White Wedding
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Phil Feit (in 1982)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1982) und Steve Stevens (US guitarist and songwriter) (in 1982)
Schlagzeug:
Steve Missal (in 1982)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1982)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982)
Bearbeitung von:
White Wedding, Part 1 von Billy Idol (English rock singer‐songwriter)
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 53)
recording of:
White Wedding (in 1982)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol2.653:31
18I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:37
19All Around the World
recording of:
All Around the World
Verfasser(in):
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) und Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) und BMG Music Publishing Ltd.
Lisa Stansfield4:22
20Islands in the Stream
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
vocals:
Dolly Parton und Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dolly Parton & Kenny Rogers44:10

Nennungen

Veröffentlichungsgruppe

Teil von:Now 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (Reihenfolge: 2)