| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Relax | Frankie Goes to Hollywood | 4.05 | 3:58 |
| 2 | Lessons in Love | Level 42 | 3.6 | 4:06 |
| 3 | Maniac- Produzent(in):
- Phil Ramone und Michael Sembello
- vocals:
- Michael Sembello (in 1983)
- phonographisches Urheberrecht (℗) von:
- Polygram Records, Inc. (New York) (in 1983) und The Island Def Jam Music Group (in 1983)
- recording of:
- Maniac (in 1983)
- Verfasser(in):
- Dennis Matkosky und Michael Sembello
- publisher:
- Copyright Control , Famous Music Corporation , Intersong Music, Intersong Music Ltd., Intersong USA, Inc. , Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp.
- Teil von:
- The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
| Michael Sembello | 4.15 | 4:04 |
| 4 | Down on the Street | Shakatak | | 3:19 |
| 5 | Steppin’ Out (album version) | Joe Jackson | 4.5 | 4:21 |
| 6 | Breakout | Swing Out Sister | 3.8 | 3:49 |
| 7 | She Works Hard for the Money (edited single version) | Donna Summer | | 5:21 |
| 8 | Smalltown Boy- recording of:
- Smalltown Boy
- Verfasser(in):
- Steve Bronski, Jimmy Somerville und Larry Steinbachek
- publisher:
- BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. , Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. , Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division und Yamaha Music Entertainment Holdings, Inc.
- Teil von:
- Gotcha!
| Bronski Beat | | 3:57 |
| 9 | Tainted Love (original 7″ single version) | Soft Cell | | 2:36 |
| 10 | She Drives Me Crazy (album version) | Fine Young Cannibals | 4 | 3:37 |
| 11 | Come On Eileen | Dexys Midnight Runners | 4.15 | 4:06 |
| 12 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistierende(r) Techniker(in):
- Roger Howorth
- Produzent(in):
- Peter Collins
- Mix:
- Julian Mendelsohn
- Sologesang:
- Nik Kershaw (in 1983)
- Horn arranger:
- Jerry Hey und Nik Kershaw
- arranger:
- Nik Kershaw
- phonographisches Urheberrecht (℗) von:
- MCA Records, Inc. (in 1983, in 1984) und MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, Vereinigtes Königreich
- Teil von:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- Texter und Komponist(in):
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
- Teil von:
- Gotcha!
| Nik Kershaw | 4 | 4:32 |
| 13 | 25 Years | The Catch | | 3:56 |
| 14 | Back in the High Life Again | Steve Winwood | | 4:24 |
| 15 | Blueprint | Rainbirds | 3.55 | 5:33 |
| 16 | Wonderful Life | Black | 4.35 | 4:48 |