Meister Singer

~ Release by Reinhard J. Brembeck (see all versions of this release, 1 available)

Annotation

ISBN: 978-3-86615-741-5

Annotation last modified on 2011-09-05 19:39 UTC.

Tracklist

1▶CD: Lebenswelten
2▶CD: Möglichkeiten
3▶CD: Frauenbilder
4▶CD: Leidenschaft
5▶CD: Schurken
6▶CD: Außenseiter
7▶CD: Landschaften
8▶CD: Liebesnächte
9▶CD: Bekenntnisse
10▶CD: Visionen
11▼CD: Todesahnung
#TitleArtistRatingLength
1Au cimitère, op. 51 Nr. 2
piano:
Erik Werba (pianist) (in 1959)
baritone vocals:
Léopold Simoneau (tenor) (in 1959)
recording of:
Au cimetière, op. 51 no. 2 (in 1959)
lyricist:
Jean Richepin
composer:
Gabriel Fauré (French composer) (in 1888)
part of:
4 Mélodies, op. 51
Gabriel Fauré3:56
2The Rake’s Progress, Akt III: "I burn"
baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 1997)
orchestra:
London Symphony Orchestra (in 1997)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997)
recording of:
The Rake’s Progress: Act III, Scene II. “I Burn! I Freeze!” (Shadow) (in 1997)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Игорь Фёдорович Стравинский2:17
3Matthäus-Passion, Nr. 49: "Aus Liebe will mein Heiland sterben"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
soprano vocals:
Deborah York (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:58
4Belsatzar, op. 57
piano:
Gerold Huber (pianist) (in 2004)
baritone vocals:
Christian Gerhaher (baritone) (in 2004)
recording of:
Belsatzar, op. 57 (in 2004)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
is based on:
Belsatzar
Robert Schumann4:21
5Don Carlo: "Tu che le vanità"
soprano vocals:
Meta Seinemeyer (soprano) (in 1927)
conductor:
Frieder Weissmann (conductor) (in 1927)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (in 1927)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi8:12
6Hölderlin-Lieder II, Nr. 12: "Der Kirchhof"
piano:
Siegfried Mauser (pianist) (in 1991)
tenor vocals:
Christoph Prégardien (tenor) (in 1991)
recording of:
Hölderlin-Lieder I, No. 12: "Der Kirchhof" (in 1991)
composer:
Wilhelm Killmayer (German composer) (from 1982 until 1985)
Wilhelm Killmayer4:28
7Tristan und Isolde, Akt III: "Oh Wonne! Nein! Er regt sich!"
baritone vocals:
Jaro Prohaska (in 1947)
soprano vocals:
Erna Schlüter (soprano) (in 1947)
tenor vocals:
Ludwig Suthaus (tenor) (in 1947)
orchestra:
Staatskapelle Berlin (in 1947)
conductor:
Wilhelm Furtwängler (conductor) (in 1947)
live recording of:
Tristan und Isolde, WWV 90: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!" (on 1947-10-03)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner12:22
8A Musicall Banquet, Nr. 10: "In darkness let me dwell"
lute:
Julian Bream (in 1963)
tenor vocals:
Peter Pears (tenor) (in 1963)
recording of:
In Darkness Let Me Dwell (A Musicall Banquet, No. 10: “In Darkness Let Me Dwell”) (in 1963)
composer:
John Dowland (composer and lutenist) (in 1610)
John Dowland4:36
9Lucia di Lammermoor, Teil II, Akt II: "Tombe degli avi miei"
tenor vocals:
Carlo Bergonzi (tenor) (in 1970)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Thomas Schippers (conductor and composer) (in 1970)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (in 1970)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:27
10Lucia di Lammermoor, Teil II, Akt II: "Fra poco a me ricovero"
tenor vocals:
Carlo Bergonzi (tenor) (in 1970)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Thomas Schippers (conductor and composer) (in 1970)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (in 1970)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:40
11Jedermann-Monologe, Nr. 2: "Ach Gott, wie graust mir vor dem Tod"
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1963-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1963-05)
conductor:
Frank Martin (Swiss composer) (in 1963-05)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1963-05)
recording of:
Sechs Monologe aus Jedermann: II. Ach Gott, wie graust mir vor dem Tod (in 1963-05)
lyricist:
Hugo von Hofmannsthal
composer:
Frank Martin (Swiss composer) (in 1943)
part of:
Sechs Monologe aus Jedermann
Martin Frank3:45
12Parsifal, Akt IV: "Ich sah das Kind"
mezzo-soprano vocals:
Martha Mödl (German soprano) (in 1951)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1951)
conductor:
Hans Knappertsbusch (conductor) (in 1951)
live recording of:
Parsifal, WWV 111: II. Aufzug, 2. Szene (in 1951)
composer:
Richard Wagner (composer) (from 1877-09 until 1882-01)
librettist:
Richard Wagner (composer) (from 1865-08-27 until 1877-04-19)
part of:
Parsifal, WWV 111: II. Aufzug
Richard Wagner5:42
13Anakreons Grab
piano:
Wilhelm Furtwängler (conductor) (in 1957)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1957)
recording of:
Goethe-Lieder: Nr. 29. Anakreons Grab "Wo die Rose hier blüht" (for voice and piano) (in 1957)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875, on 1888-11-04)
part of:
Goethe-Lieder
Hugo Wolf3:00
14Don Carlos, Akt IV, Mort de Rodrigue: "C’est moi, Carlos"
baritone vocals:
Thomas Hampson (baritone) (in 1996)
baritone vocals [Rodrigue]:
Thomas Hampson (baritone) (in 1996-03)
tenor vocals:
Roberto Alagna (tenor) (in 1996)
tenor vocals [Carlos]:
Roberto Alagna (tenor) (in 1996-03)
orchestra:
Orchestre de Paris (in 1996, in 1996-03)
conductor:
Antonio Pappano (conductor and pianist) (in 1996, in 1996-03)
live partial recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C'est moi Carlos … C'est mon jour suprême » (Rodrigue, Carlos) (in 1996-03)
composer:
Giuseppe Verdi (Italian opera composer) (in 1884)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
live recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C'est moi Carlos … C'est mon jour suprême » (Rodrigue, Carlos) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer) (in 1884)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi3:31
15Don Carlos, Akt IV, Mort de Rodrigue: "Oui, Carlos! C’est mon jour suprême"
baritone vocals:
Thomas Hampson (baritone) (in 1996)
baritone vocals [Rodrigue]:
Thomas Hampson (baritone) (in 1996-03)
tenor vocals:
Roberto Alagna (tenor) (in 1996)
tenor vocals [Carlos]:
Roberto Alagna (tenor) (in 1996-03)
orchestra:
Orchestre de Paris (in 1996, in 1996-03)
conductor:
Antonio Pappano (conductor and pianist) (in 1996, in 1996-03)
live partial recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C'est moi Carlos … C'est mon jour suprême » (Rodrigue, Carlos) (in 1996-03)
composer:
Giuseppe Verdi (Italian opera composer) (in 1884)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C'est moi Carlos … C'est mon jour suprême » (Rodrigue, Carlos) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer) (in 1884)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi4:21
16Don Carlos, Akt IV, Mort de Rodrigue: "Carlos, écoute"
baritone vocals:
Thomas Hampson (baritone) (in 1996)
tenor vocals:
Roberto Alagna (tenor) (in 1996)
orchestra:
Orchestre de Paris (in 1996)
conductor:
Antonio Pappano (conductor and pianist) (in 1996)
recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « Carlos, écoute … Ah ! Je meurs l’âme joyeuse » (Rodrigue) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer) (in 1884)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi4:00
12▶CD: Grenzerfahrung
13▶CD: Gegenspieler
14▶CD: Paare
15▶CD: Reisen
16▶CD: Gewässer
17▶CD: Verwirrung
18▶CD: Abschied

Credits

Release group

creative direction:Stefan Dimitrov (operatic bass)
Eberhard Wolf