Spirit

~ Veröffentlichung von Leona Lewis (alle Versionen dieser Veröffentlichung ansehen, 25 vorhanden)

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(As of 2022-06-19).

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Anmerkung zuletzt geändert am 2022-06-19 11:44 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Bleeding Love
Programmierung, Techniker(in) und Produzent(in):
Ryan ‘Alias’ Tedder (American singer, songwriter, and producer)
assistierende(r) Techniker(in):
Craig Durrance und Nate Hertweck
Mix:
Phil Tan (Malaysian-American audio engineer)
Instrumente:
Ryan ‘Alias’ Tedder (American singer, songwriter, and producer)
Saiteninstrumente [string] arranger:
Ryan ‘Alias’ Tedder (American singer, songwriter, and producer)
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
aufgenommen bei:
Encore in Burbank, California (Kalifornien), Vereinigte Staaten, Mansfield Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Bleeding Love (music video, UK Edition) von Leona Lewis
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 2)
recording of:
Bleeding Love
Verfasser(in):
Jesse McCartney und Ryan Tedder (American singer, songwriter, and producer)
publisher:
Jambition Music (ASCAP) und Write 2 Live
4.154:22
2Better in Time
recording engineer:
Greg Ogan
Produzent(in):
J.R. Rotem
Mix:
Serban Ghenea
Instrumente:
J.R. Rotem
instruments arranger:
J.R. Rotem
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007, in 2008)
produced for:
Beluga Heights
aufgenommen bei:
Chalice Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 53)
recording of:
Better in Time
Verfasser(in):
Jonathan Rotem und Andrea Martin (singer/songwriter for various dance/soul artists)
publisher:
Gods Crying Publishing (ASCAP-affiliated), Jonathan Rotem Music, Sony/ATV Tunes LLC (ASCAP) und Southside Independent Music Publishing
33:54
3I Will Be
sonstige Unterstützung:
Gary "The Shredder" Silver (Aufgabe: production coordinator) und Emily Wright (Aufgabe: production coordinator)
assistierende(r) Techniker(in):
John Adams (engineer), Aniela Gottwald und James Ingram (R&B singer)
Techniker(in):
Sam Cross, Markus Dextegen, Tatiana Gottwald, Keith Gretlein, Janne Hansson (engineer), Sam Holland (sound engineer), Chris Holmes (recording engineer), Rouble Kapoor, Doug McKean, Wesley Seidman (US producer and engineer), Rob Smith (UK engineer), Chris Soper, Tom Syrowski, Seth Waldmann, Josh Wilbur (musician, writer, engineer, mixer & producer) und Emily Wright
Produzent(in):
Dr. Luke
zusätzliche(r) Produzent(in):
Matt Beckler, Smit (UK engineer) und Steven Wolf (drummer from USA)
assistierende(r) Mix:
Keith Armstrong (US engineer) und Nik Karpen
Mix:
Chris Lord‐Alge
Akustikgitarre [Yamaha acoustic guitar] und E-Gitarre [electric guitars]:
Dr. Luke
Bass:
Jack Daley (bass guitarist and producer)
Klavier:
Max Martin (Swedish record producer)
Perkussion und Schlagzeug [drums]:
Steven Wolf (drummer from USA)
conductor:
Leon Pendarvis
Saiteninstrumente arranger:
Leon Pendarvis
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
produced for:
Kasz Money Productions, Inc.
aufgenommen bei:
Atlantis Studio in Stockholm, Stockholms län (Stockholm county), Schweden, Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dr. Luke's in New York, New York, Vereinigte Staaten, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, OceanWay in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Opra Music in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
Resonate Music in Burbank, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Will Be
Verfasser(in):
Łukasz Gottwald, Avril Lavigne und Max Martin (Swedish record producer)
publisher:
Avril Lavigne Publishing LLC, Kasz Money Publishing (ASCAP affiliated) und Maratone
3:59
4I’m You
Techniker(in):
Jaymz Hardy‐Martin III (Sologesang [vocals])
Koproduzent(in):
Ne‐Yo
Produzent(in):
Eric Hudson (producer, songwriter)
Mix:
Phil Tan (Malaysian-American audio engineer)
Instrumente:
Eric Hudson (producer, songwriter)
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
co-produced for:
Compound Entertainment, LLC
produced for:
Just E. Productions, LLC und SupaNova Management Inc.
mixed at:
Soapbox Studios in Atlanta, Georgia, Vereinigte Staaten
engineered at:
Carrington House in Atlanta, Georgia, Vereinigte Staaten (Sologesang [vocals])
recording of:
I’m You
Verfasser(in):
Eric Hudson (producer, songwriter) und Shaffer Smith
publisher:
E. Hudson Music, LLC, Super Sayin Publishing und Universal Music–Z Songs
3:47
5Forgive Me
Assistent recording engineer:
Trent Privat
recording engineer:
Mark “Exit” Goodchild
zusätzliche(r) assistierende(r) Techniker(in):
Tim Roberts (engineer)
zusätzliche(r) Techniker(in):
John Hanes (audio engineer, mixer)
Koproduzent(in):
Giorgio Tuinfort
Produzent(in):
Aliaune ‘Akon’ Thiam (US singer and producer), Larry Jackson (A & R representative) (Aufgabe: vocals), Claude Kelly (Aufgabe: vocals) und Leona Lewis (Aufgabe: vocals)
Mix:
Serban Ghenea
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2008)
co-produced for:
Konvict und Piano Music
produced for:
Konvict und Upfront (r&b/pop label)
aufgenommen bei:
Doppler Studios in Atlanta, Georgia, Vereinigte Staaten und Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
Forgive Me
Verfasser(in):
Aliaume Thiam (US singer and producer), Claude Kelly und Giorgio Tuinfort
publisher:
Byefall Music, Piano Music, Sony/ATV Tunes LLC (ASCAP), Studio Beast Music (publishing company linked to Claude Kelly) und Warner-Chappell Music, Inc. (Warner/Chappell Music, Inc.)
3:40
6Misses Glass
Assistent recording engineer:
Trent Privat
recording engineer:
Justin "J-Dot" Angelo
Produzent(in):
Terry "MaddScientist" Thomas (USA Solo Artist) und Terry "MaddScientist" Thomas (USA Solo Artist) (Aufgabe: vocals)
Mix:
Jaycen Joshua und Dave Pensado (mixer)
vocals arranger:
Terry "MaddScientist" Thomas (USA Solo Artist)
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2008)
gemixt für:
Innersound Management und The Penua Project
produced for:
Grindstone, Inc., MaddTyme Productions und Untouchables
aufgenommen bei:
Doppler Studios in Atlanta, Georgia, Vereinigte Staaten und Trakmeet Studios in Atlanta, Georgia, Vereinigte Staaten
mixed at:
Larrabee North in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Misses Glass
Verfasser(in):
Terry Thomas (USA Solo Artist) und Theron Thomas
publisher:
April Music Inc., Give Me All My, T n T Explosive Publishing und Universal Music Publishing Inc.
3:41
7Angel
recording engineer:
Mikkel S. Eriksen
Produzent(in):
StarGate (Norwegian production/songwriting team)
assistierende(r) Mix:
Josh Houghkirk
Mix:
Phil Tan (Malaysian-American audio engineer)
Gitarre:
Espen Lind
Instrumente:
Tor Erik Hermansen und Mikkel S. Eriksen
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
produced for:
Delirious Blacksmith Management und Riot Proof Productions, Inc.
aufgenommen bei:
Battery Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Vereinigte Staaten
mixed at:
Soapbox Studios in Atlanta, Georgia, Vereinigte Staaten
recording of:
Angel
Verfasser(in):
Johntá Austin (American singer-songwriter, arranger, producer, vocalist and rapper), Amund Bjørklund, Mikkel Storleer Eriksen, Tor Erik Hermansen und Espen Lind
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing (do not use as a release label!), Naked Under My Clothes und Sony/ATV Music Publishing (1995–2020)
24:14
8The First Time Ever I Saw Your Face
recording engineer und Mix:
Louis Biancaniello, Sam Watters und Wayne Wilkins
Produzent(in):
Louis Biancaniello, The Runaways (producers, worked with Leona Lewis and Natasha Bedingfield), Sam Watters und Wayne Wilkins
zusätzlich Hintergrundgesang:
RaVaughn Brown
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
aufgenommen bei:
Doppler Studios in Atlanta, Georgia, Vereinigte Staaten und Homesite 13 in Novato, California (Kalifornien), Vereinigte Staaten
cover recording of:
The First Time Ever I Saw Your Face
Texter und Komponist(in):
Ewan MacColl (folksinger, songwriter, actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. und Westbury Music Ltd.
24:26
9Yesterday
recording engineer, Produzent(in) und Mix:
Louis Biancaniello, Michael Mani (American songwriter and producer), Jordan Omley (American songwriter and producer) und Sam Watters
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
aufgenommen bei und mixed at:
Homesite 13 in Novato, California (Kalifornien), Vereinigte Staaten und The Jam Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Yesterday
Verfasser(in):
Louis Biancaniello, Michael Mani (American songwriter and producer), Jordan Omley (American songwriter and producer), Sam Watters und Nina Woodford
publisher:
Breakthrough Creations, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI April Music, JJ Omley Music, Mani Madness Music, S.M.Y. Publishing und Sony/ATV Tunes (ASCAP)
33:53
10Whatever It Takes
Assistent recording engineer:
Lloyd Cooper und Tim Sturges
recording engineer und Mix:
Carlton Lynn
sonstige Unterstützung:
Kimberly L. Smith (engineer, A&R executive, production manager/coordinator) (Aufgabe: project coordinator) und Fonzi Thornton (Aufgabe: vocal contractor)
Programmierung:
Novel (US rapper Alonzo Stevenson)
Produzent(in):
Dallas Austin und Novel (US rapper Alonzo Stevenson)
Cello:
Karen Freer und Daniel Laufer (cellist)
Geige / Violine [violins]:
Amy Chang (violist), William Pu (violinist), Olga Shpitko und Kenn Wagner
Gitarre [guitars]:
Tony Reyes (songwriter/producer/multi‐instrumentalist)
Keyboard [keyboards]:
Novel (US rapper Alonzo Stevenson)
Schlagzeug [drums]:
Philip Lowman und Stephan Ferrera (UK drummer)
Chorgesang:
‘Biti’ Straughn (vocalist for Degrees of Motion, also known simply as “Biti”), Tawatha Agee, Bennie Diggs, Robin Clark (soul vocalist), Michelle Cobbs, Tammy Lucas, Cindy Mizelle, Billy Porter, Vaneese Thomas und Fonzi Thornton
Hintergrundgesang:
Leona Lewis
Saiteninstrumente arranger:
Eddie Horst
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
gemixt für:
Milk Money Consulting
produced for:
DARP, Inc.
aufgenommen bei:
Battery Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Vereinigte Staaten, DARP Studios in Atlanta, Georgia, Vereinigte Staaten und Doppler Studios in Atlanta, Georgia, Vereinigte Staaten
mixed at:
DARP Studios in Atlanta, Georgia, Vereinigte Staaten
recording of:
Whatever It Takes
Verfasser(in):
Alonzo ‘Novel’ Stevenson (US rapper Alonzo Stevenson), Leona Lewis und Tony Reyes (songwriter/producer/multi‐instrumentalist)
publisher:
EMI Blackwood Music, Hit Face Music, Lewis Music Publishing, Lost Poet Music, Songs of Pulse Recording (BMI) und Soundtron Tunes
3:28
11Take a Bow
Assistent recording engineer:
Nate Hertweck und Randy Winem
recording engineer und Mix:
Louis Biancaniello und Wayne Wilkins
Programmierung:
Louis Biancaniello, Ryan ‘Alias’ Tedder (American singer, songwriter, and producer) und Wayne Wilkins
Produzent(in):
Louis Biancaniello (Aufgabe: music), The Runaways (producers, worked with Leona Lewis and Natasha Bedingfield), Ryan ‘Alias’ Tedder (American singer, songwriter, and producer) (Aufgabe: music), Sam Watters (Aufgabe: vocals) und Wayne Wilkins (Aufgabe: music)
Keyboard [keyboards]:
Louis Biancaniello, Ryan ‘Alias’ Tedder (American singer, songwriter, and producer) und Wayne Wilkins
Hintergrundgesang:
Ravaughn Brown
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
aufgenommen bei und mixed at:
Homesite 13 in Novato, California (Kalifornien), Vereinigte Staaten und Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Take a Bow
Verfasser(in):
Louis Biancaniello, Ryan Tedder (American singer, songwriter, and producer), Sam Watters und Wayne Wilkins
publisher:
Breakthrough Creations, EMI April Music, S.M.Y. Publishing, Sony/ATV Tunes (ASCAP), Wayne Wilkins Music und Write 2 Live
3:54
12Footprints in the Sand
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
recording of:
Footprints in the Sand (Leona Lewis song)
Verfasser(in):
Simon Cowell, David Kreuger, Per Magnusson (Swedish music producer and songwriter) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Good Ear Music, Little Dume Music und Warner-Chappel Music (Warner/Chappell Music, Inc.)
gewidmet:
Sport Relief (charity)
basiert auf:
Footprints (popular Christian poem)
4:07
13Here I Am
recording engineer:
Chris Brooke (Sologesang [vocals])
sonstige Unterstützung:
Rich Davis (producer / engineer) (Aufgabe: production coordination)
andere Instrumente [rhythm]-Programmierung und Keyboard [keyboards]-Programmierung:
Walter Afanasieff
Programmierung und Editing:
Tyler Gordon
zusätzliche Programmierung:
Pascal Guyon
Produzent(in):
Walter Afanasieff
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Hintergrundgesang:
Mone't
arranger:
Walter Afanasieff
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
aufgenommen bei:
Wallyworld Studios in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
recording of:
Here I Am
Verfasser(in):
Walter Afanasieff, Brett James (American singer, songwriter and record producer) und Leona Lewis
publisher:
Brett James Cornelius Music, Lewis Music Publishing, Sony/ATV Tunes LLC (ASCAP), Stage Three Songs und Wallyworld Music
4:50