La Chanteuse de jazz idéale

~ Release by Abbey Lincoln (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1My Man
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1957-10-28)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
3:57
2It’s Magic
double bass:
Sam Jones (US jazz bassist) (on 1958-08-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-08-15)
piano:
Wynton Kelly (on 1958-08-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-08-15)
trumpet:
Art Farmer (on 1958-08-15)
vocals:
Abbey Lincoln (on 1958-08-15)
recording of:
It’s Magic (on 1958-08-15)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
4:02
3Come Sunday
cover recording of:
Come Sunday (1958 revision with lyrics)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
5:14
4That’s Him
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
That’s Him (One Touch of Venus) (on 1957-10-28)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
3:28
5Little Niles
cover recording of:
Little Niles
composer:
Randy Weston
5:07
6Let Up
recorded in:
New York, New York, United States (in 1959)
engineer:
Jack Higgins (recording engineer)
producer:
Jean-Philippe Allard and Orrin Keepnews
double bass:
Bobby Boswell (in 1959)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1959)
piano:
Cedar Walton (in 1959)
tenor saxophone:
Stanley Turrentine (in 1959)
trombone:
Julian Priester (in 1959)
trumpet:
Tommy Turrentine (in 1959)
vocals:
Abbey Lincoln (in 1959)
recording of:
Let Up
lyricist and composer:
Abbey Lincoln
5:29
7Porgy (take 1)
recorded in:
New York, New York, United States (on 1957-10-28)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:28
8Ain’t Nobody’s Business
4:30
9Strong Man
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
Strong Man (on 1957-10-28)
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
5:04
10Music, Maestro, Please
recording of:
Music Maestro Please
lyricist:
Herb Magidson (in 1938)
composer:
Allie Wrubel (US composer and songwriter) (in 1938)
medley of:
Spela maestro
3:19
11Lost in the Stars
recorded in:
New York, New York, United States (in 1959)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (US jazz bassist) (in 1959)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1959)
guitar:
Les Spann (in 1959)
piano:
Phil Wright (American jazz pianist and assistant to Barbara Morrison) (in 1959)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Lost in the Stars (song, Ulysses Africanus) (in 1959)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA) and Hampshire House Publishing Corp.
part of:
Lost in the Stars, Act I
4:12
12Love
2:42
13Don’t Explain
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Jean-Philippe Allard, Bill Grauer and Orrin Keepnews
bass:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recording of:
Don’t Explain (on 1957-10-28)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
6:41
14When a Woman Loves a Man
recording engineer:
Jack Higgins (recording engineer) (on 1957-10-28)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
When a Woman Loves a Man (on 1957-10-28)
lyricist:
Johnny Mercer (in 1938)
composer:
Bernie Hanighen (in 1938) and Gordon Jenkins (in 1938)
publisher:
Anne-Rachel Music Corp.
4:27