Solid Gold Funk

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Lady Marmalade
Produzent(in):
Allen Toussaint
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974)
Bearbeitung von:
Lady Marmalade von LaBelle (American female vocal group, of “Lady Marmalade” fame)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle4.753:21
2Thank You (Falettinme Be Mice Elf Agin)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 402)
recording of:
Thank You (Falettinme Be Mice Elf Agin) (in 1969)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
Sly & the Family Stone4.654:52
3Let's Stay Together
Produzent(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
E-Bass:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Saxophon:
James Mitchell (US saxophonist/arranger)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographisches Urheberrecht (℗) von:
Cream Records (70s Los Angeles) (in 1971) und HI Records Inc. (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 84)
recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Al Green4.553:19
4Dazz
assistierende(r) Techniker(in):
Phil Benton
Techniker(in):
Johnny Duncan (producer)
Produzent(in):
Brick (US soul funk disco quintet), Johnny Duncan (producer), Jim Healy und Robert E. Lee
Saiteninstrumente:
David Arenz, Larry LeMaster (cellist), Heidi Nitchie (violist), Benjamin Picone, Patricio Salvatierra (Strings) und Willard Shull
Orchester:
Atlanta Symphony Players
Saiteninstrumente arranger:
Skip Lane
produced for:
Brickhouse Productions (music production company in the mid 1970s)
aufgenommen bei:
The Sound Pit in Atlanta, Georgia, Vereinigte Staaten, Trolley Tracks in College Park, Georgia, Vereinigte Staaten und Webb IV Recording Studio in Atlanta, Georgia, Vereinigte Staaten
recording of:
Dazz
Verfasser(in):
Reginald J. Hargis (funk guitarist, bass player and singer), Eddie Irons und Ray Ransom
publisher:
BMG Gold Songs, H&R Lastrada Music und Silver Cloud Music LLC
Teil von:
10 Things I Hate About You
Brick45:38
5The Groove Line
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 49)
recording of:
The Groove Line
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4:19
6That Lady (Part 1 & 2)
recording of:
That Lady
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
Version von:
Who’s That Lady
The Isley Brothers3:21
7Play That Funky Music
Mix:
Ken Hamann (engineer), Carl Maduri und Robert Parissi (Rob Parissi)
E-Bass und Synthesizer:
Allen Wentz (Bass player for wild cherry)
E-Gitarre:
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat) und Robert W. Parissi (Rob Parissi)
membranophone:
Ronald Beitle (drummer for Wild Cherry)
Sologesang:
Robert W. Parissi (Rob Parissi)
zusätzlich vocals:
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat), Ronald Beitle (drummer for Wild Cherry) und Allen Wentz (Bass player for wild cherry)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 2002)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry44:59
8Got to Be Real
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
Bearbeitung von:
Got to Be Real (LP / 12" version) von Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
Verfasser(in):
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) und David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. und On Board Music (publisher)
Cheryl Lynn4.53:44
9Be Thankful for What You Got
Produzent(in):
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974) und Frank Fioravanti (in 1974)
arranger:
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974)
phonographisches Urheberrecht (℗) von:
Roxbury (70s US soul, subsiduary of Chelsea Records) (in 1974)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 374)
recording of:
Be Thankful for What You Got
Texter und Komponist(in):
William DeVaughn
publisher:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Tunes, LLC (ASCAP)
William DeVaughn4.53:22
10Shame
recording of:
Shame
Verfasser(in):
Reuben Cross und John H. Fitch, Jr.
publisher:
Dunbar Music, Inc. und Mills & Mills Music
Evelyn “Champagne” King52:59
11Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:15
12Theme From 'Shaft'
Produzent(in):
Isaac Hayes
Bassgitarre:
James Alexander (US soul bassist, singer and songwriter)
Bongos und Conga:
Gary Jones (percussionist)
Gitarre:
Charles Pitts und Michael Toles
Hybrid-Piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
Hybrid-Piano, Orgel, Klavier und Vibraphon und Sologesang:
Isaac Hayes
membranophone und Tamburin:
Willie "Too Big" Hall
phonographisches Urheberrecht (℗) von:
Stax Records (not for release) (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 303)
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.654:34