| # | Title | Artist | Rating | Length |
|---|
| 1 | Gimme! Gimme! Gimme! (A Man After Midnight) | ABBA | 4 | 4:49 |
| 2 | Celebration- background vocals:
- Kelly Barretto, Ronald Bell, George Brown , Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor , Cedric Toon and Earl Toon, Jr.
- lead vocals:
- James “J.T.” Taylor
- performer:
- Kool & the Gang
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1980, in 2020)
- part of:
- Billboard: The 500 Best Pop Songs (number: 298)
- recording of:
- Celebration
- writer:
- Robert “Kool” Bell, Ronald Bell, George Brown , Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor , Dennis “D.T.” Thomas and Earl Toon, Jr.
- publisher:
- Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd , EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. (in 1980) and WB Music Corp. (in 1980)
| Kool & the Gang | 4.4 | 4:59 |
| 3 | Funkytown (single version)- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1979), The Island Def Jam Music Group (in 1979) and UMG Recordings, Inc. (in 1980)
- edit of:
- Funkytown (12″ version) by Lipps, Inc.
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 37)
- recording of:
- Funkytown
- lyricist and composer:
- Steven Greenberg
- publisher:
- Copyright Control , Intersong Music, Red Sea Songs, Rick S. Music , Steven Greenberg Music, Warner Chappell, Warner Chappell Music , Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd.
| Lipps, Inc. | 4.1 | 3:55 |
| 4 | Fade to Grey- engineer:
- John Hudson
- producer:
- Midge Ure and Visage
- performer:
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange and Midge Ure
- arranger:
- Visage
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980) and Universal Records (in 1980)
- recorded at:
- Genetic Studios in West Berkshire, England, United Kingdom
- mixed at:
- Mayfair Sound in London , England, United Kingdom
- recording of:
- Fade to Grey
- writer:
- Billy Currie, Chris Payne and Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. and Performance Music Ltd
| Visage | 4.1 | 3:49 |
| 5 | Hit Me With Your Best Shot | Pat Benatar | 4.15 | 2:52 |
| 6 | Master Blaster (Jammin’) | Stevie Wonder | 4.8 | 5:08 |
| 7 | The Winner Takes It All- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- bass guitar:
- Mike Watson (on 1980-06-06)
- cello:
- Olle Gustafsson (on 1980-06-16) and Åke Olofsson (on 1980-06-16)
- drums (drum set):
- Ola Brunkert (on 1980-06-06)
- guitar:
- Lasse Wellander (on 1980-06-06)
- keyboard and synthesizer:
- Benny Andersson (on 1980-06-06)
- percussion:
- Åke Sundqvist (on 1980-06-06)
- viola:
- Nils Heie (on 1980-06-16), Håkan Roos (on 1980-06-16) and Bo Söderström (on 1980-06-16)
- violin:
- Martin Bylund (on 1980-06-16), Anders Dahl (on 1980-06-16), Lars Stegenberg (on 1980-06-16), Gunnar Michols (on 1980-06-16), Bernt Nylund (on 1980-06-16), Bertil Orsin (on 1980-06-16), Sixten Strömvall (on 1980-06-16) and Harry Teike (on 1980-06-16)
- background vocals:
- Frida (on 1980-06-06)
- lead vocals:
- Agnetha Fältskog (on 1980-06-06)
- cello, viola and violin arranger:
- Rutger Gunnarsson (in 1980)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-06, on 1980-06-16)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-18)
- part of:
- The Downloader’s Music Source Book (number: 66)
- recording of:
- The Winner Takes It All (in 1980-06)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- EMI Music Publishing (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB , Universal PolyGram International Publishing, Inc. , Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
- part of:
- Mamma Mia!
| ABBA | 3.9 | 4:55 |
| 8 | I’m Coming Out | Diana Ross | 3.9 | 5:25 |
| 9 | Video Killed the Radio Star- music videos:
- Video Killed the Radio Star by Buggles and Video Killed the Radio Star by Buggles
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 56)
- recording of:
- Video Killed the Radio Star
- writer:
- Geoff Downes , Trevor Horn and Bruce Woolley
- publisher:
- Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control , Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal , Universal Music Publishing Pty Ltd. , Universal PolyGram International Publishing, Inc. and Universal/Island Music Ltd.
| The Buggles | 4.6 | 4:13 |
| 10 | Don’t Stand So Close to Me- engineer:
- Nigel Gray
- producer:
- Nigel Gray and The Police
- drums (drum set):
- Stewart Copeland (from 1980-07-07 until 1980-08-07)
- electric bass guitar, synthesizer and lead vocals:
- Sting (from 1980-07-07 until 1980-08-07)
- electric guitar:
- Andy Summers (from 1980-07-07 until 1980-08-07)
- background vocals:
- Stewart Copeland (from 1980-07-07 until 1980-08-07), Sting (from 1980-07-07 until 1980-08-07) and Andy Summers (from 1980-07-07 until 1980-08-07)
- phonographic copyright (℗) by:
- A&M Records Ltd. (in 1980, in 2003) and A&M Records, Inc. (in 1980, in 1997)
- recorded at:
- Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands (from 1980-07-07 until 1980-08-07)
- recording of:
- Don’t Stand So Close to Me (from 1980-07-07 until 1980-08-07)
- lyricist and composer:
- Sting
- publisher:
- Warner Bros. (ended), EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc. (Sting), GM Sumner, Chappell Music (from 1980 to ????), Chappell Music Co. (from 1980 to ????), Virgin Music (Publishers) Ltd. (from 1980 to ????), Virgin Music, Inc. (from 1980 to ????), Virgin Publishing (from 1984 to ????), EMI Music Publishing, Ltd. (from 2003 to ????) and Songs of Universal, Inc. (from 2022-02 to present)
| The Police | 3.95 | 4:03 |
| 11 | Super Trouper- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- acoustic guitar:
- Björn Ulvaeus (on 1980-10-03)
- bass guitar:
- Mike Watson (on 1980-10-03)
- drums (drum set):
- Per Lindvall (on 1980-10-03)
- guitar:
- Janne Schaffer (on 1980-10-03)
- keyboard and synthesizer:
- Benny Andersson (on 1980-10-03)
- percussion:
- Åke Sundqvist (on 1980-10-03)
- background vocals:
- Agnetha Fältskog (in 1980)
- lead vocals:
- Frida (on 1980-10-03)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-10-03, on 1980-10-14)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (in 1980-10)
- recording of:
- Super Trouper (in 1980-10)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing , Union Songs Music, Universal Music Publishing Group, Universal–Songs of PolyGram International, Inc., Artwork Music Co., Inc. (from 1980 to ????), Countless Songs, Ltd. (from 1980 to ????), EMI Waterford Music (from 1980 to present), Universal PolyGram International Publishing, Inc. (from 1980 to present), Universal/Union Songs Musikförlag AB (from 1980 to present) and Union Songs AB (in 1980)
- part of:
- Mamma Mia!
| ABBA | 3.55 | 4:12 |
| 12 | Enola Gay | Orchestral Manoeuvres in the Dark | 3.75 | 3:34 |
| 13 | Against the Wind | Bob Seger | | 5:34 |
| 14 | Refugee | Tom Petty and the Heartbreakers | | 3:22 |
| 15 | Upside Down | Diana Ross | 3.75 | 4:03 |
| 16 | Heartbreaker | Pat Benatar | | 3:29 |
| 17 | Coward of the County | Kenny Rogers | 4 | 4:19 |
| 18 | Don’t Do Me Like That | Tom Petty and the Heartbreakers | | 2:42 |
| 19 | I Have a Dream- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- bass guitar:
- Rutger Gunnarsson (on 1979-03-15)
- cello:
- Hans‐Göran Eketorp (on 1979-03-27) and Olle Gustafsson (on 1979-03-27)
- double bass:
- Bertil Andersson (on 1979-03-27) and Bo Hellman (on 1979-03-27)
- drums (drum set):
- Ola Brunkert (on 1979-03-15)
- guitar:
- Janne Schaffer (on 1979-03-15) and Björn Ulvaeus (on 1979-03-15)
- synthesizer:
- Benny Andersson (on 1979-03-15)
- viola:
- Lars Arvinder (on 1979-03-27), Nils Heie (on 1979-03-27) and Håkan Roos (on 1979-03-27)
- violin:
- Anders Dahl (on 1979-03-27), Lennart Fredriksson (on 1979-03-27), Lars Stegenberg (on 1979-03-27), Inge Lindstedt (on 1979-03-27), Gunnar Michols (on 1979-03-27), Claes Nilsson (on 1979-03-27), Bo Söderström (on 1979-03-27), Sixten Strömvall (on 1979-03-27), Harry Teike (on 1979-03-27) and Krzysztof Zdrzalka (on 1979-03-27)
- choir vocals:
- International School of Stockholm Choir (in 1979)
- lead vocals:
- Frida (in 1979)
- chorus master:
- Kernstin Feist (in 1979)
- cello arranger, double bass arranger, viola arranger and violin arranger:
- Rutger Gunnarsson
- phonographic copyright (℗) by:
- Polar Music International AB (in 1979)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1979-03-15)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden
- recording of:
- I Have a Dream (in 1979)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., EMI Music Publishing , Union Songs AB , Union Songs Music, Universal Music Publishing Group, Artwork Music Co., Inc. (from 1979 to ????), EMI Waterford Music (from 1979 to present), Universal PolyGram International Publishing, Inc. (from 1979 to present) and Universal/Union Songs Musikförlag AB (from 1979 to present)
- part of:
- Mamma Mia!
| ABBA | 3.65 | 4:44 |
| 20 | Lady | Kenny Rogers | 3 | 3:53 |
| 21 | Let My Love Open the Door- additional engineer:
- Steve Nye
- engineer:
- Bill Price
- producer:
- Chris Thomas
- bass guitar:
- Tony Butler
- drums (drum set):
- Simon Phillips
- guitar, synthesizer and lead vocals:
- Pete Townshend
- harmonica:
- Peter Hope‐Evans
- keyboard ["straight" keyboard]:
- John “Rabbit” Bundrick
- additionally recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom and Eel Pie Studios in London , England, United Kingdom
- recorded at:
- Air Studios in London , England, United Kingdom and Eel Pie Studios in London , England, United Kingdom
- mixed at:
- Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- recording of:
- Let My Love Open the Door
- lyricist and composer:
- Pete Townshend
- publisher:
- Eel Pie Publishing Ltd., Towser Tunes, Inc. and Windswept Pacific
| Pete Townshend | 4.25 | 2:46 |
| 22 | On the Radio | Donna Summer | 4.6 | 4:05 |
| 23 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals [girl-group backup vocals]:
- The ‘B’ Girls and Deborah Harry
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001), Capitol Records, Inc. (in 2001) and Capitol Records, LLC (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett (in 1967) and Tyrone Evans (in 1967)
- writer:
- John Holt (in 1967)
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:40 |
| 24 | Going Underground | The Jam | | 2:54 |
| 25 | Fire Lake | Bob Seger | | 3:33 |
| 26 | Into the Night | Benny Mardones | | 4:32 |
| 27 | Boat on the River | Styx | 3.5 | 3:11 |
| 28 | Oh Yeah!- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Roxy Music
- mixer:
- Bob Clearmountain
- bass guitar:
- Neil Jason
- drums (drum set):
- Allan Schwartzberg
- guitar:
- Neil Hubbard and Phil Manzanera
- keyboard and strings:
- Paul Carrack
- piano:
- Bryan Ferry
- saxophone:
- Andy Mackay
- vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1980), Virgin EG Records Ltd. (in 1980) and Virgin Records Ltd. (in 1980, in 1999)
- recorded at:
- Basing Street Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and Gallery Studio in Chertsey, Surrey, England, United Kingdom
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Oh Yeah
- lyricist and composer:
- Bryan Ferry
- publisher:
- BMG Songs Ltd., Careers–BMG Music Publishing, Inc., E.G. Music Inc. and E.G. Music Ltd. (in 1980)
| Roxy Music | 3.35 | 4:52 |
| 29 | Ladies Night | Kool & the Gang | | 6:36 |
| 30 | Him- engineer and mixer:
- Jim Boyer
- producer:
- Jim Boyer and Rupert Holmes
- bass [electric bass]:
- Frank Gravis
- drums (drum set):
- Leo Adamian
- phonographic copyright (℗) by:
- Infinity Records Inc., Geffen Records (in 1979) and MCA Records, Inc. (in 1979, in 1980)
- recorded at:
- Plaza Sound Studios in New York, New York, United States
- mixed at:
- A&R Recording Studio in New York, New York, United States
- recording of:
- Him
- lyricist, composer and arranger:
- Rupert Holmes
- publisher:
- The Holmes Line of Music, Inc., ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Rupert Holmes | | 4:09 |
| 31 | Stomp! | The Brothers Johnson | | 6:24 |
| 32 | Never Knew Love Like This Before | Stephanie Mills | | 5:27 |
| 33 | Emotional Rescue | The Rolling Stones | | 5:39 |
| 34 | What You’re Proposing | Status Quo | | 4:19 |
| 35 | Too Hot | Kool & the Gang | | 5:04 |
| 36 | Sexy Eyes | Dr. Hook | | 3:31 |
| 37 | Food For Thought- engineer:
- Bob Lamb
- producer:
- Bob Lamb and UB40
- bass:
- Earl Falconer
- congas and percussion:
- Norman Hassan
- drums (drum set):
- Jim Brown
- guitar [lead guitar]:
- Robin Campbell
- guitar [rhythm guitar] and lead vocals:
- Ali Campbell
- keyboard, organ and strings:
- Michael Virtue
- melodica and tenor saxophone:
- Brian Travers
- spoken vocals [talk over vocal]:
- Astro
- vocals:
- Robin Campbell
- phonographic copyright (℗) by:
- Graduate Records (in 1980)
- recorded at:
- Home of the Hits in Birmingham, West Midlands, England, United Kingdom (from 1979-12-21 until 1980-07-01)
- recording of:
- Food for Thought (from 1979-12-21 until 1980-07-01)
- writer:
- Jim Brown , Ali Campbell , Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue and Terence Wilson
| UB40 | 5 | 4:11 |
| 38 | Over You- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Roxy Music
- mixer:
- Bob Clearmountain
- bass guitar and guitar:
- Phil Manzanera
- drums (drum set):
- Allan Schwartzberg
- keyboard:
- Bryan Ferry
- saxophone:
- Andy Mackay
- vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1980) and Virgin Records Ltd. (in 1999)
- recorded at:
- Basing Street Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and Gallery Studio in Chertsey, Surrey, England, United Kingdom
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Over You
- writer:
- Bryan Ferry and Phil Manzanera
- publisher:
- BMG Music Publishing Ltd., E.G. Music Inc. and E.G. Music Ltd.
| Roxy Music | 3.25 | 3:27 |
| 39 | My Old Piano | Diana Ross | | 3:55 |
| 40 | Ten O’Clock Postman | Secret Service | | 3:40 |
| 41 | Atomic- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- background vocals:
- Ellie Greenwich (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Chrysalis Records , Chrysalis Records Ltd. (in 1979), Chrysalis Records, Inc. (in 1979, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Atomic (from 1979-05 until 1979-06)
- writer:
- Jimmy Destri and Deborah Harry
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , Chrysalis Records Ltd. , EMI Music Publishing Ltd. and Rare Blue Music Inc
| Blondie | 3.8 | 4:39 |
| 42 | Late At Night | Maywood | 5 | 3:25 |
| 43 | Take Your Time (Do It Right) | The S.O.S. Band | 4 | 7:41 |
| 44 | You’ll Always Find Me in the Kitchen at Parties | Jona Lewie | 3 | 3:07 |
| 45 | Oh Susie | Secret Service | | 4:37 |
| 46 | Matador | Garland Jeffreys | | 4:45 |
| 47 | It’s My Turn | Diana Ross | | 3:58 |
| 48 | Der wilde, wilde Westen | Truck Stop | | 2:46 |
| 49 | You Can Do It | Al Hudson and the Partners | | 3:32 |
| 50 | Take That Look Off Your Face | Marti Webb & Andrew Lloyd Webber | | 2:59 |
| 51 | Ich wär so gern wie du (Neuaufnahme 2003) | Bernhard Brink | | 3:19 |
| 52 | I Ain’t Gonna Stand For It | Stevie Wonder | 4.5 | 4:39 |
| 53 | Oops Up Side Your Head (12” single version) | The Gap Band | | 8:40 |
| 54 | More Love | Kim Carnes | | 3:35 |
| 55 | Nachts, wenn alles schläft… | Howard Carpendale | | 4:51 |
| 56 | Who’ll Come With Me (David’s Song) | The Kelly Family | | 3:09 |
| 57 | I Do the Rock | Tim Curry | | 4:46 |
| 58 | Hadschi Halef Omar (2007 version) | Dschinghis Khan | | 3:48 |
| 59 | Shandi | KISS | 5 | 3:37 |
| 60 | Wie frei willst du sein? | Howard Carpendale | | 3:32 |
| 61 | Wolkenreise | Eroc | | 4:32 |
| 62 | We Are the Popkings | Chilly | | 4:09 |
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