Legends

~ Veröffentlichung von The Pointer Sisters (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Fire
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
Fire
Texter und Komponist(in):
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
4.353:29
2Dirty Work
assistierende(r) Techniker(in):
Gabe Veltri
Produzent(in):
Richard Perry (producer)
Bass:
David Hungate
E-Gitarre:
Waddy Wachtel
Gitarre:
Fred Tackett
Hybrid-Piano:
David Paich
membranophone:
Rick Jaeger (drummer)
Solo-Saxophon:
Bryan Cumming
remixer:
Bill Schnee
cover recording of:
Dirty Work
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music Ltd., Red Giant Inc., Red Giant Music, Inc., United Artists Music, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Ltd. (not for release label use!) und Wingate Music Corp.
3:39
3Everybody Is a Star
assistierende(r) Techniker(in):
Gabe Veltri
Produzent(in):
Richard Perry (producer)
Bass:
David Hungate
Gitarre:
Danny Kortchmar (Danny Kootch) und Waddy Wachtel
Hybrid-Piano:
David Paich
membranophone:
Jeff Porcaro
Synthesizer:
James Newton Howard (American score composer)
remixer:
Bill Schnee
cover recording of:
Everybody Is a Star
Texter und Komponist(in):
Sylvester Stewart
3:19
4Happiness
cover recording of:
Happiness
Texter und Komponist(in):
Allen Toussaint
4:02
5(She’s Got) The Fever
cover recording of:
The Fever
Texter und Komponist(in):
Bruce Springsteen (in 1971)
6:19
6Dreaming as One
cover recording of:
Dreaming as One
Verfasser(in):
David Palmer (early Steely Dan vocalist) und William D. “Smitty” Smith (organist/keyboardist)
publisher:
Drunken Boat Music, Larry Robins Music, Patramani Music und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
4:19
7Could I Be Dreamin’
recording of:
Could I Be Dreamin’
Verfasser(in):
Marlo Henderson, Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.) und Anita Pointer
publisher:
Anita Pointer Publishing, EMI April Music Inc., EMI Blackwood Music Inc., Tira Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
3:32
8He’s So Shy
recording engineer:
Gabe Veltri
Synthesizer-Programmierung:
Michael Boddicker
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
James Guthrie
Bassgitarre:
Nate Watts
Gitarre:
Tim May (session/jazz guitarist)
Keyboard und Synthesizer:
Tom Snow (US keyboardist/songwriter)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
James Gadson (American drummer)
Sologesang:
June Pointer
arranger:
Tom Snow (US keyboardist/songwriter)
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
BMG Music (in 1980) und Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
aufgenommen bei und mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
He’s So Shy
Verfasser(in):
Tom Snow (US keyboardist/songwriter) und Cynthia Weil
publisher:
Dyad Music Ltd., EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Mann and Weil Songs, Inc., Snow Music, Sony/ATV Songs LLC, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), 大洋音楽 (Taiyō Music), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
53:41
9The Love Too Good to Last
recording engineer:
Gabe Veltri
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
James Guthrie
Bassgitarre:
Nate Watts
Flügelhorn:
Chuck Findley (trumpet, trombone, horn player) und Warren Looney
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Greg Phillinganes
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Synthesizer:
Lance Ong
Sologesang:
Anita Pointer
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Burt Bacharach
vocals arranger:
The Pointer Sisters
Orchestrator(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
concertmaster:
Sid Sharp
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
aufgenommen bei und mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Love Too Good to Last
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach und Carole Bayer Sager
publisher:
Begonia Melodies Inc., Irving Music (BMI), New Hidden Valley Music Co., Woolnough Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:34
10Should I Do It
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Nate Watts
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Tim May (session/jazz guitarist)
Hybrid-Piano:
Greg Phillinganes
Klavier:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
Orgel:
Danny Faragher
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Solo-Tenorsaxophon:
Cool T. (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Sologesang:
June Pointer
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Should I Do It
Texter und Komponist(in):
Layng Martine, Jr. (Nashville songwriter)
publisher:
Layng Martine, Jr. Songs, Unichappell Music, Inc., Watch Hill Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:54
11Slow Hand
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Nate Watts
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Tim May (session/jazz guitarist)
Orgel:
William Smith (organist/keyboardist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Sologesang:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1981), Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981) und Planet Records Inc. (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Slow Hand
Texter:
John Bettis
Komponist(in):
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:54
12Someday We’ll Be Together
recording of:
Someday We’ll Be Together
Texter und Komponist(in):
Russ Ballard
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Russell Ballard Ltd und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
4:39
13Sweet Lover Man
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Nate Watts
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Tim May (session/jazz guitarist)
Keyboard:
James Newton Howard (American score composer) und Greg Phillinganes
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Synthesizer:
James Newton Howard (American score composer)
Sologesang:
June Pointer
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Sweet Lover Man
Verfasser(in):
Jerry Ragovoy und Lenny Roberts (producer/engineer)
publisher:
Chappell & Co., Inc. (USA), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:12
14What a Surprise
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Saxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
What a Surprise von The Pointer Sisters
recording of:
What a Surprise
Verfasser(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.), Anita Pointer und June Pointer
publisher:
Anita Pointer Publishing, Braintree Music, EMI Blackwood Music Inc., Leggs Four Publishing, Tira Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
3:52
15Got to Find Love
recording of:
Got to Find Love
Verfasser(in):
David Lasley und John “Willie” Wilcox
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:07
16Heart to Heart
recording of:
Heart to Heart
Verfasser(in):
Matthew Garey und Arnie Roman
3:34
17I Feel for You
cover recording of:
I Feel for You
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
3:59
18Heart Beat
recording of:
Heart Beat
Verfasser(in):
Laythan Armor, Michael Bolotin und Patrick Henderson
4:24
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