Ariadne auf Naxos

~ Release by Richard Strauss; Elisabeth Schwarzkopf, Rita Streich, Irmgard Seefried, Rudolf Schock, Philharmonia Orchestra, Herbert von Karajan (see all versions of this release, 5 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Ariadne auf Naxos: The Opera: "Noch glaub’ ich dem einen ganz mich gehörend"
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
partial recording of:
Ariadne auf Naxos, op. 60: Oper. [7] „Großmächtige Prinzessin” … „Noch glaub ich dem einen” (Zerbinetta) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:34
2Ariadne auf Naxos: The Opera: "Hübsch gepredigt! Aber tauben Ohren!"
producer:
Walter Legge (British classical producer)
baritone vocals [Harlekin]:
Hermann Prey (baritone) (from 1954-06-30 until 1954-07-07)
bass vocals [Truffaldin]:
Fritz Ollendorff (operatic bass) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [Brighella]:
Helmut Krebs (tenor) (from 1954-06-30 until 1954-07-07)
tenor vocals [Scaramuccio]:
Gerhard Unger (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [8] „Hübsch gepredigt! Aber tauben Ohren!” (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:52
3Ariadne auf Naxos: The Opera: "Ein schönes Wunder!"
mezzo-soprano vocals [Dryad]:
Grace Hoffman (mezzo-soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Echo]:
Anny Felbermayer (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Naiad]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [9] „Ein schönes Wunder!” (Dryade, Najade, Echo) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:42
4Ariadne auf Naxos: The Opera: "Circe, Circe, kannst du mich hören?"
mezzo-soprano vocals [Dryad]:
Grace Hoffman (mezzo-soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Echo]:
Anny Felbermayer (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Naiad]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-06-30 until 1954-07-07)
soprano vocals [Prima Donna / Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [The Tenor / Bacchus]:
Rudolf Schock (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [10] „Circe, Circe, kannst du mich hören?” (Bacchus, Ariadne, Najade, Echo, Dryade) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:30
5Ariadne auf Naxos: The Opera: "Du schönes Wesen!"
soprano vocals [Prima Donna / Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [The Tenor / Bacchus]:
Rudolf Schock (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [11] „Theseus! Nein, nein” … „Du schönes Wesen!” … „Wie? Kennst du mich denn?” (Bacchus, Ariadne) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:54
6Ariadne auf Naxos: The Opera: "Bin ich ein Gott, schuf mich ein Gott"
soprano vocals [Prima Donna / Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [The Tenor / Bacchus]:
Rudolf Schock (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [12] „Bin ich ein Gott, schuf mich ein Gott” … „Das waren Zauberworte” (Bacchus, Ariadne) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss9:11
7Ariadne auf Naxos: The Opera: "Gibt es kein Hinüber?"
mezzo-soprano vocals [Dryad]:
Grace Hoffman (mezzo-soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Echo]:
Anny Felbermayer (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Naiad]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-06-30 until 1954-07-07)
soprano vocals [Prima Donna / Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [The Tenor / Bacchus]:
Rudolf Schock (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [13] „Gibt es kein Hinüber?” (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss9:11
8Capriccio: Closing Scene: "Morgen mittag um elf!"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Capriccio, op. 85: Letzte Szene. „Morgen mittag um elf! … Kein andres, das mir so im Herzen loht“ (Gräfin)
composer:
Richard Strauss (German composer)
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss6:27
9Capriccio: Closing Scene: "Ihre Liebe schlägt mir entgegen"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Capriccio, op. 85: Letzte Szene. „Ihre Liebe schlägt mir entgegen“ (Gräfin)
composer:
Richard Strauss (German composer)
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss6:49
10Capriccio: Closing Scene: "Du Spiegelbild der verliebten Madeleine"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Capriccio, op. 85: Letzte Szene. „Du Spiegelbild der verliebten Madeleine“ (Gräfin, Haushofmeister)
composer:
Richard Strauss (German composer)
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss4:26