Hot Jazz, Cool Tracks

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1My Baby Just Cares for Me
registrata presso:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, Stati Uniti (dal 1985-12-03 al 1985-12-08)
registrazione dal vivo cover di:
My Baby Just Cares for Me (dal 1985-12-03 al 1985-12-08)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3:03
2Ain’t No Sunshine
tecnico di registrazione:
Bill Halverson (nel 1971) e Bill Lazarus (nel 1971)
produttore:
Booker T. Jones
tecnico di missaggio:
John Golden (mastering engineer)
basso elettrico :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1971)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1971)
chitarra acustica :
Stephen Stills (nel 1971)
voce principale:
Bill Withers (nel 1971)
arrangiatore archi :
Booker T. Jones
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1971) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 280) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 309)
registrazione di:
Ain’t No Sunshine (nel 1971)
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Bill Withers4.552:05
3Mack the Knife
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:24
4Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:50
5Sway
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1952)
orchestra:
Dick Stabile and His Orchestra (nel 1952)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1952)
registrazione cover di:
Sway (il 1954-04-22)
paroliere:
Norman Gimbel
compositore:
Pablo Beltrán Ruiz
editore:
Latin-American Music Publishing Co. Ltd.
versione di:
¿Quién será?
Dean Martin42:43
6Strangers in the Night
registrazione di:
Strangers in the Night
paroliere:
Charles Singleton (composer/lyricist) e Eddie Snyder
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
sub-editore:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Matt Monro2:29
7Summertime
voce:
Sarah Vaughan (il 1949-12-21)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1949)
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1949-12-21)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:15
8Let There Be Love
registrazione di:
Let There Be Love
paroliere:
Ian Grant (lyricist)
compositore:
Lionel Rand
editore:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole2:45
9Take the ‘A’ Train
registrazione di:
Take the “A” Train (version with lyrics by Sherrill)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
Duke Ellington2:57
10Old Cape Cod
registrazione di:
Old Cape Cod
autore:
Irwin Pincus (also known as "Allan Jeffrey"), Claire Rothrock e Milton Yakus
editore:
George Pincus & Sons Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Patti Page2:49
11King of the Road
registrazione di:
King of the Road
paroliere:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
compositore:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (nel 1964)
editore:
Burlington Music Co., Ltd.
Roger Miller2:26
12Don’t Fence Me In
registrazione cover di:
Don’t Fence Me In
paroliere:
Robert Fletcher (US poet) (nel 1934) e Cole Porter (composer) (nel 1934)
compositore:
Cole Porter (composer) (nel 1934)
editore:
Warner Bros., Inc. (not for release label use!)
Frankie Laine3:09
13Mambo Italiano
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1954-09-23)
voce:
Rosemary Clooney (il 1954-09-23) e The Mellomen (American singing quartet) (il 1954-09-23)
orchestra:
Buddy Cole and His Orchestra (il 1954-09-23)
direttore d'orchestra:
Paul Weston (il 1954-09-23)
registrazione di:
Mambo Italiano (original english version) (il 1954-09-23)
paroliere e compositore:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Rosemary Clooney4.352:33
14Too Darn Hot
Tony Burgos & His Orchestra3:54
15The Way You Look Tonight
Mel Tormé2:24
16What the World Needs Now Is Love
registrazione di:
What the World Needs Now Is Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (nel 1965), Songs of Fujimusic (nel 1965, nel 1993) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1993)
Jackie DeShannon3:07
17By the Time I Get to Phoenix
registrazione di:
By the Time I Get to Phoenix
paroliere e compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
editore:
Charles Koppelman Music, Jonathan Three Music Co. e Martin Bandier Music
Matt Flinders3:07
18I Left My Heart in San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-01-23)
direttore d'orchestra:
Marty Manning
arrangiatore:
Marty Manning
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
Tony Bennett32:53
19Whatever Will Be, Will Be (Que sera, sera)
voce:
Doris Day (il 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (il 1956-02-24)
direttore d'orchestra:
Frank De Vol (il 1956-02-24)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (dal 1956 a oggi)
registrazione cover di:
Que será, será (Whatever Will Be, Will Be) (il 1956-02-24)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
The 29th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1956 winner)
Doris Day2:06
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Accreditamenti

Pubblicazione

ASIN:JP: B0001CKRHI [info]