Martin Scorsese Presents the Blues: A Musical Journey

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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2▼CD
Nr.TitelKünstlerBewertungLänge
1Devil Got My Woman
recorded in:
Grafton, Wisconsin, Vereinigte Staaten (in 1931-02)
Gitarre und Sologesang:
Skip James (in 1931-02)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2006)
recording of:
Devil Got My Woman (in 1931-02)
Texter und Komponist(in):
Skip James (in 1931)
publisher:
Wynwood Music Company Inc
Skip James3:01
2C.C. Rider
Gitarre:
Lead Belly (am 1935-01-23)
vocals:
Lead Belly (am 1935-01-23)
arranger:
Huddie William Ledbetter
cover recording of:
See See Rider Blues
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 10056)
Lead Belly2:59
3Baby Please Don’t Go
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1935-10-31)
Fiddle:
Dad Tracy (am 1935-10-31)
Gitarre und Sologesang:
Big Joe Williams (American Delta blues guitarist, singer and songwriter) (am 1935-10-31)
washboard:
Kokomo (am 1935-10-31)
Hintergrundgesang:
Chasey Collins (am 1935-10-31)
vocals:
Big Joe Williams (American Delta blues guitarist, singer and songwriter) (am 1935-10-31)
recording of:
Baby, Please Don’t Go (am 1935-10-31)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Big Joe Williams (American Delta blues guitarist, singer and songwriter)
publisher:
EMI Full Keel Music, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Version von:
Another Man Done Gone
Big Joe Williams33:24
4Dirty Mother for You (Don’t You Know)
Roosevelt Sykes3:00
5Billie’s Blues
Gitarre:
Dick McDonough (am 1936-07-10)
Klarinette:
Artie Shaw (am 1936-07-10)
Klavier:
Joe Bushkin (am 1936-07-10)
Kontrabass:
Pete Peterson (jazz bassist) (am 1936-07-10)
Schlagzeug:
Cozy Cole (am 1936-07-10)
Trompete:
Bunny Berigan (am 1936-07-10)
vocals:
Billie Holiday (am 1936-07-10)
recording of:
Billie’s Blues (am 1936-07-10)
Texter:
Billie Holiday
Komponist(in):
Billie Holiday (bis 1936-08-01)
publisher:
Basart Editions
Billie Holiday42:40
6Cross Road Blues
recorded in:
San Antonio, Texas, Vereinigte Staaten (am 1936-11-27)
recording engineer:
Vincent Liebler
leitende(r) Produzent(in):
Art Satherly
Produzent(in):
Don Law
Gitarre:
Robert Johnson (1930s blues legend) (am 1936-11-27)
vocals:
Robert Johnson (1930s blues legend) (am 1936-11-27)
phonographisches Urheberrecht (℗) von:
Soul Jam Records (in 2015)
aufgenommen bei:
Gunter Hotel in San Antonio, Texas, Vereinigte Staaten (am 1936-11-27)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1986) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 481)
recording of:
Cross Road Blues (a/k/a “Crossroads”) (am 1936-11-27)
Texter und Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Encore Music (US label), King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Robert Johnson52:40
7Good Morning Little Schoolgirl
recorded in:
Aurora, Illinois, Vereinigte Staaten (am 1937-05-05)
Gitarre:
Robert Lee McCoy (am 1937-05-05) und Big Joe Williams (American Delta blues guitarist, singer and songwriter) (am 1937-05-05)
Mundharmonika und Sologesang:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (am 1937-05-05)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1990)
recording of:
Good Morning, School Girl (am 1937-05-05)
Texter:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948)
Komponist(in):
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (in 1937)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Georgia Music Corp. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Sonny Boy Williamson3:01
8Shake ’Em On Down
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1937-09-02)
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1937-09-02) und Bukka White (am 1937-09-02)
Sologesang:
Bukka White (am 1937-09-02)
recording of:
Shake ’Em On Down (am 1937-09-02)
Texter und Komponist(in):
Bukka White
publisher:
Conrad Music (publisher; do NOT use as release label)
Bukka White3:02
9Roll ’Em Pete
recorded in:
New York, New York, Vereinigte Staaten (am 1938-12-30)
Klavier:
Pete Johnson (US boogie‐woogie pianist) (am 1938-12-30)
vocals:
Joe Turner (am 1938-12-30)
recording of:
Roll ’em Pete (am 1938-12-30)
Verfasser(in):
Pete Johnson (US boogie‐woogie pianist) und Big Joe Turner
publisher:
MCA Music Ltd.
Pete Johnson and Big Joe Turner2:50
10Catfish Blues
Robert Petway2:54
11Going to Chicago Blues
Interpret(in):
Jimmy Rushing
Count Basie & His Orchestra feat. Jimmy Rushing43:26
12Key to the Highway
Gitarre:
Big Bill Broonzy (am 1941-05-02)
Mundharmonika:
Jazz Gillum (am 1941-05-02)
washboard:
Washboard Sam (am 1941-05-02)
vocals:
Big Bill Broonzy (am 1941-05-02)
recording of:
Key to the Highway (am 1941-05-02)
Verfasser(in):
Big Bill Broonzy und Charles Segar
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Songs of Universal, Inc. (BMI), Universal Duchess Music Corp. und Wabash Music Co. (BMI-affiliated)
Big Bill Broonzy43:01
13Me and My Chauffeur Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1941-05-21)
Bass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Gitarre:
Little Son Joe (am 1941-05-21) und Memphis Minnie (am 1941-05-21)
vocals:
Memphis Minnie (am 1941-05-21)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2013)
recording of:
Me and My Chauffeur Blues
Verfasser(in):
Memphis Minnie
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Memphis Minnie2:47
14Worried Life Blues
Gitarre:
Tampa Red (in 1941, am 1941-06-24)
Klavier:
Big Maceo (in 1941, am 1941-06-24)
Kontrabass [string bass]:
Ransom Knowling (am 1941-06-24)
vocals:
Big Maceo (in 1941, am 1941-06-24)
aufgenommen bei:
RCA Studios (Chicago, 1935-1969) in Chicago, Illinois, Vereinigte Staaten (am 1941-06-24)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1983)
recording of:
Worried Life Blues (am 1941-06-21)
Verfasser(in):
Sleepy John Estes und Maceo Merriweather
publisher:
Duchess Music Corporation (BMI-affiliated), Universal Duchess Music Corp. und Universal/MCA Music Ltd. (not for release label use!)
Version von:
Someday Baby Blues
Big Maceo2:56
15Cross Cut Saw Blues
Tommy McClennan2:46
16Evil Gal Blues
Interpret(in):
Dinah Washington
cover recording of:
Evil Gal Blues
Texter:
Lionel Hampton
Komponist(in):
Leonard Feather
publisher:
Modern Age Music Co.
Lionel Hampton Sextet feat. Dinah Washington2:55
17Strange Things Happening Everyday
recorded in:
New York, New York, Vereinigte Staaten (am 1944-09-22)
Gitarre und Sologesang:
Sister Rosetta Tharpe (am 1944-09-22)
Klavier:
Sammy Price (jazz/blues/boogie pianist) (am 1944-09-22)
Kontrabass:
Abe Bolar (am 1944-09-22)
Schlagzeug:
‘Doc’ West (am 1944-09-22)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 34)
recording of:
Strange Things Happening Every Day (am 1944-09-22)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Sister Rosetta Tharpe (in 1944-09)
publisher:
Regent Music (BMI)
Arrangement von:
Strange Things Happening Every Day
Sister Rosetta Tharpe32:53
18Honeydripper, Part 1
Joe Liggins3:06
19Drifting Blues
Gitarre:
Johnny Moore (US blues guitarist, Three Blazers) (am 1945-09-11)
Klavier:
Charles Brown (blues musician) (am 1945-09-11)
Kontrabass:
Eddie Williams (blues musician) (am 1945-09-11)
Schlagzeug:
Johnny Otis (am 1945-09-11)
vocals:
Charles Brown (blues musician) (am 1945-09-11)
Johnny Moore’s Three Blazers feat. Charles Brown33:14
20Let the Good Times Roll
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1956-10-22)
baritone saxophone und Tenorsaxophon:
Budd Johnson (am 1956-10-22)
Bass:
Wendell Marshall (am 1956-10-22)
Gitarre:
Mickey Baker (am 1956-10-22)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1956-10-22)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1956-10-22)
Schlagzeug:
Charlie Persip (American jazz drummer) (am 1956-10-22)
Tenorsaxophon:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (am 1956-10-22)
Trompete:
Ernie Royal (am 1956-10-22)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1956-10-22)
conductor:
Quincy Jones (am 1956-10-22)
arranger:
Quincy Jones (am 1956-10-22)
recording of:
Let the Good Times Roll (am 1956-10-22)
Verfasser(in):
Fleecie Moore (in 1946) und Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing und Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Louis Jordan42:48
21That’s All Right Mama
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1946-09-06)
Gitarre:
Arthur “Big Boy” Crudup (am 1946-09-06)
Kontrabass:
Ransom Knowling (am 1946-09-06)
Schlagzeug:
Lawrence "Judge" Riley (early blues drummer) (am 1946-09-06)
vocals:
Arthur “Big Boy” Crudup (am 1946-09-06)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2020/2021)
recording of:
That’s All Right (am 1946-09-06)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
recording of:
That’s All Right (in 1946)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
Arthur “Big Boy” Crudup4.52:56
22Call It Stormy Monday
Bass:
Arthur Edwards (double bassist)
E-Gitarre und Stimme/Gesang:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
Klavier:
Lloyd Glenn
Schlagzeug:
Oscar Lee Bradley, Sr. (jazz drummer, active 40s-60s)
Tenorsaxophon:
“Bumps” Myers
Trompete:
Teddy Buckner (US dixieland jazz trumpeter)
recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad)
Texter und Komponist(in):
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
publisher:
Wixen Music Publishing, Inc. (beendet), Burlington Music Co., Ltd., Songs Of The Knoll, 日音 Synch事業部 (NICHION, INC. Synch Division), Peermusic III, Ltd. (BMI) (bis 2018-11-01), Gregmark Music Inc (Gregmark) (vom 1959 bis heute), Lord and Walker Publishing (vom 1959 bis heute) und Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (vom 2018-11-01 bis heute)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
T‐Bone Walker33:03
23Good Rockin’ Tonight
Klavier:
Joe Knight (US jazz and R&B pianist) (am 1947-12-28)
Kontrabass:
Carl Wilson (Carl "Flat Top" Wilson) (am 1947-12-28)
Schlagzeug:
Clarence Donaldson (am 1947-12-28)
Tenorsaxophon:
Hal Singer (am 1947-12-28)
Trompete:
Hot Lips Page (am 1947-12-28)
vocals:
Wynonie Harris (R&B singer, known as “Mr. Blues”) (am 1947-12-28)
phonographisches Urheberrecht (℗) von:
Proper Records Ltd. (company credits only; do NOT use as release label)
cover recording of:
Good Rockin’ Tonight (am 1947-12-28)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
Wynonie Harris52:48
24Ain’t Nobody’s Business, Part 1
recording of:
Ain’t Nobody’s Business (Jimmy Witherspoon song)
Texter:
Jimmy Witherspoon
Komponist(in):
Richard Henry Grisham und Jimmy Witherspoon
Jimmy Witherspoon2:55
25Double Crossing Blues
Gast-Interpret(in):
Little Esther (Little Esther) und The Robins (US 1940/50s R&B group)
Johnny Otis Quintette feat. Little Esther & The Robins32:47
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Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000316144 [Info]
Wikidata:Q6776553 [Info]