| # | Title | Artist | Rating | Length |
|---|
| 1 | Bist du bei mir (formerly attributed to Johann Sebastian Bach as BWV 508) (arr. Connah for voice and orchestra)- producer:
- Christopher Bishop
- mezzo-soprano vocals:
- Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- orchestra:
- Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- conductor:
- Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- balance engineer:
- Christopher Parker
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- recording of:
- Aria, BWV 508 “Bist du bei mir” (from 1975-10-07 until 1975-10-09)
- lyricist:
- [unknown]
- composer:
- Gottfried Heinrich Stölzel
- previously attributed to:
- Johann Sebastian Bach
- part of:
- Bachs Notenbibliothek (number: BNB I/S/4), Bach-Werke-Verzeichnis (number: BWV 508), Notebook for Anna Magdalena Bach (number: 25), Bach-Werke-Verzeichnis (number: BWV 508) and Bach-Werke-Verzeichnis (number: BWV 508)
- recording of:
- Aria, BWV 508 “Bist du bei mir” (on 1975-10-17)
- lyricist:
- [unknown]
- composer:
- Gottfried Heinrich Stölzel
- previously attributed to:
- Johann Sebastian Bach
- part of:
- Bachs Notenbibliothek (number: BNB I/S/4), Bach-Werke-Verzeichnis (number: BWV 508), Notebook for Anna Magdalena Bach (number: 25), Bach-Werke-Verzeichnis (number: BWV 508) and Bach-Werke-Verzeichnis (number: BWV 508)
| Johann Sebastian Bach | | 2:58 |
| 2 | Johannes-Passion, BWV 245: Pt. 2: No. 30, Aria. "Es ist vollbracht"- producer:
- Christopher Bishop
- viola da gamba:
- Jane Ryan (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- mezzo-soprano vocals:
- Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- orchestra:
- Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- conductor:
- Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- balance engineer:
- Christopher Parker
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- recording of:
- Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (from 1975-10-07 until 1975-10-09)
- composer:
- Johann Sebastian Bach
- part of:
- Johannes-Passion, BWV 245
- recording of:
- Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (on 1975-10-17)
- composer:
- Johann Sebastian Bach
- part of:
- Johannes-Passion, BWV 245
| Johann Sebastian Bach | | 5:38 |
| 3 | Bleib bei uns, denn es will Abend werden, BWV 6: No. 2, Aria. "Hochgelobter Gottessohn"- mezzo-soprano vocals:
- Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- orchestra:
- Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- conductor:
- Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (from 1975-10-07 until 1975-10-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen , Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (on 1975-10-17)
- premiered in:
- Leipzig, Sachsen , Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen , Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| Johann Sebastian Bach | | 3:43 |
| 4 | Komm, du süsse Todesstunde, BWV 161: No. 1, Aria. "Komm, du süße Todesstunde"- mezzo-soprano vocals:
- Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- orchestra:
- Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- conductor:
- Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- recording of:
- Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1975-10-07 until 1975-10-09)
- premiered in:
- Weimar, Thüringen , Germany (on 1716-09-27)
- composer:
- Johann Sebastian Bach (in 1715)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 161 "Komm, du süße Todesstunde"
- recording of:
- Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (on 1975-10-17)
- premiered in:
- Weimar, Thüringen , Germany (on 1716-09-27)
- composer:
- Johann Sebastian Bach (in 1715)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 161 "Komm, du süße Todesstunde"
| Johann Sebastian Bach | | 6:26 |
| 5 | Easter Oratorio, BWV 249: No. 9, Aria. "Saget, saget mir geschwinde"- mezzo-soprano vocals:
- Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- orchestra:
- Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- conductor:
- Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
- recording of:
- Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1975-10-07 until 1975-10-09)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
- recording of:
- Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (on 1975-10-17)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
| Johann Sebastian Bach | | 6:49 |
| 6 | Ah, crudel! nel pianto mio, HWV 78: Sonata | George Frideric Handel | | 8:41 |
| 7 | Ah, crudel! nel pianto mio, HWV 78: Aria. "Ah! crudel, mel pianto mio" | George Frideric Handel | | 6:29 |
| 8 | Ah, crudel! nel pianto mio, HWV 78: Recitativo. "Non sdegnerai d'amar" | George Frideric Handel | | 1:08 |
| 9 | Ah, crudel! nel pianto mio, HWV 78: Aria. "Di quel bel che il ciel ti diede" | George Frideric Handel | | 4:33 |
| 10 | Ah, crudel! nel pianto mio, HWV 78: Accompagnato. "Balena il cielo" - Recitativo. "Cosi, del tuo spierato genio" | George Frideric Handel | | 2:20 |
| 11 | Ah, crudel! nel pianto mio, HWV 78: Aria. "Per trofei di mia costanza" | George Frideric Handel | | 7:45 |
| 12 | Armida abbandonata, HWV 105: Recitativo. "Dietro l'orme fugaci" | George Frideric Handel | | 1:51 |
| 13 | Armida abbandonata, HWV 105: Aria. "Ah crudele! E pur ten' vai" | George Frideric Handel | | 6:56 |
| 14 | Armida abbandonata, HWV 105: Recitativo. "Per te mi struggo" | George Frideric Handel | | 2:05 |
| 15 | Armida abbandonata, HWV 105: Aria. "Venti, fermate" | George Frideric Handel | | 3:39 |
| 16 | Armida abbandonata, HWV 105: Recitativo. "Ma che parlo, che dico?" | George Frideric Handel | | 1:23 |
| 17 | Armida abbandonata, HWV 105: Siciliana. "In tanti affanni miei" | George Frideric Handel | | 5:00 |
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