Orlando: Amore, gelosia, follia

~ Release by Filippo Mineccia, The New Baroque Times (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Orlando Generoso: Sinfonia
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
recording of:
Orlando generoso: Sinfonia (from 2019-11-27 until 2019-11-28)
composer:
Agostino Steffani (in 1691)
part of:
Orlando generoso
Agostino Steffani2:27
2Orlando Generoso: Non ha’l mar calma sincera (Ruggiero)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
recording of:
Orlando generoso: Atto II. Menuet. Aria "Non hà'l mar calma sincera" (Ruggiero) (from 2019-11-27 until 2019-11-28)
composer:
Agostino Steffani (in 1691)
librettist:
Ortensio Mauro
part of:
Orlando generoso: Atto II
Agostino Steffani2:00
3Orlando Generoso: Fa che cessi in questo petto (Ruggiero)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
partial recording of:
Orlando generoso (from 2019-11-27 until 2019-11-28)
composer:
Agostino Steffani (in 1691)
librettist:
Ortensio Mauro
Agostino Steffani1:10
4L’Angelica: Ombre amene (Licori)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
partial recording of:
L’Angelica (from 2019-11-27 until 2019-11-28)
composer:
Nicola Antonio Porpora (Italian composer)
librettist:
Pietro Metastasio
Nicola Antonio Porpora4:48
5L’Angelica: Ove son ? Chi mi guida ? Da me chè volete ? - Ma qual astro benigno – Aurette leggiere – Da me chè volete ? (Orlando)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
partial recording of:
L’Angelica (from 2019-11-27 until 2019-11-28)
composer:
Nicola Antonio Porpora (Italian composer)
librettist:
Pietro Metastasio
Nicola Antonio Porpora7:11
6Orlando furioso: Sol da te, mio dolce amore (Ruggiero)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
recording of:
Orlando Furioso, RV 728: "Sol da te, mio dolce amore" (Ruggiero) (from 2019-11-27 until 2019-11-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Orlando furioso, RV 728: Act I
Antonio Vivaldi9:09
7Orlando furioso: Nel profondo cieco mondo (Orlando)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
recording of:
Orlando Furioso, RV 728: "Nel profondo cieco mondo" (Orlando) (from 2019-11-27 until 2019-11-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Grazio Braccioli
part of:
Orlando furioso, RV 728: Act I
Antonio Vivaldi4:23
8Ariodante: Ouverture
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
recording of:
Ariodante: Sinfonia (from 2019-11-27 until 2019-11-28)
composer:
Carlo Francesco Pollarolo
part of:
Ariodante
George Frideric Handel3:02
9Ariodante: Spero per voi (Polinesso)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
partial recording of:
Ariodante (from 2019-11-27 until 2019-11-28)
composer:
Carlo Francesco Pollarolo
librettist:
Antonio Salvi (Italian poet and librettist)
George Frideric Handel4:02
10Ariodante: Dover, giustizia, amor (Polinesso)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
partial recording of:
Ariodante (from 2019-11-27 until 2019-11-28)
composer:
Carlo Francesco Pollarolo
librettist:
Antonio Salvi (Italian poet and librettist)
George Frideric Handel3:15
11Orlando: Ah, Stigie larve! (Orlando)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
recording of:
Orlando, HWV 31: Atto II, Scena XI. Recitativo Accompagnato "Ah! stigie larve!" (from 2019-11-27 until 2019-11-28)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Orlando, HWV 31: Atto II
George Frideric Handel7:35
12Angelica e Medoro: Non cerchi innamorarsi (Ergasto)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
partial recording of:
Angelica e Medoro (from 2019-11-27 until 2019-11-28)
composer:
Giovanni Battista Mele (Italian composer)
librettist:
Pietro Metastasio
Giovanni Battista Mele5:00
13Ariodante: Ombra cara (Lurcanio)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
partial recording of:
Ariodante (from 2019-11-27 until 2019-11-28)
composer:
Georg Christoph Wagenseil (composer)
Georg Christoph Wagenseil3:24
14Angelica e Medoro: Sinfonia
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
partial recording of:
Angelica e Medoro (from 2019-11-27 until 2019-11-28)
composer:
Giuseppe Millico (18th century composer)
Giuseppe Millico3:46
15Angelica e Medoro: Oh, dell’anima mia (Medoro)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
partial recording of:
Angelica e Medoro (from 2019-11-27 until 2019-11-28)
composer:
Giuseppe Millico (18th century composer)
Giuseppe Millico4:57
16Angelica e Medoro: Giusti Numi (Medoro)
sound engineer and producer:
Aude-Marie Piloz
editor:
Marion Bénet (engineer)
countertenor vocals:
Filippo Mineccia (countertenor) (from 2019-11-27 until 2019-11-28)
orchestra:
The New Baroque Times (from 2019-11-27 until 2019-11-28)
recorded at:
Dada Studios (Brussels) in Brussels (Brussels-Capital Region), Belgium (from 2019-11-27 until 2019-11-28)
partial recording of:
Angelica e Medoro (from 2019-11-27 until 2019-11-28)
composer:
Giuseppe Millico (18th century composer)
Giuseppe Millico3:51

Credits

Release

photography:Miguel Andrés (photographer)
liner notes:Filippo Mineccia (countertenor)
liner notes translator:Mark Wiggins (classical music editor, liner notes, booklets)
executive producer:Michael Sawall
booklet editor:Joachim Berenbold
purchase for download:https://itunes.apple.com/us/album/id1530281898 [info]
stream for free:https://open.spotify.com/album/5AOTJFA8Q9UU35gnFFv7Fx [info]