Faded Love: 1947-1973 (13CD / 1DVD box)

~ Release by Bob Wills and His Texas Playboys (see all versions of this release, 1 available)

Annotation

This vast release needs to be corrected in terms of artist credits (now all recordings are credited to the release's artist).

Annotation last modified on 2023-01-10 03:40 UTC.

Tracklist

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2▼CD
#TitleRatingLength
1Boot Heel Drag
double bass:
Jack Loyd (US bassist and singer) (on 1949-05-05) and Luke Wills (on 1949-05-05)
drums (drum set):
Billy Jack Wills (on 1949-05-05)
electric guitar:
Eldon Shamblin (on 1949-05-05)
fiddle:
Johnny Gimble (on 1949-05-05) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1949-05-05)
mandolin:
Tiny Moore (Western swing mandolin/fiddle player) (on 1949-05-05)
piano:
Doc Lewis (American country swing pianist) (on 1949-05-05)
steel guitar:
Herb Remington (on 1949-05-05)
trumpet:
Alex Brashear (US trumpeter) (on 1949-05-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1949-05-05)
recording of:
Boot Heel Drag (on 1949-05-05)
lyricist and composer:
Herb Remington and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
2:44
2Nothing but Trouble
2:33
3Anything
recording of:
Anything (on 1949-05-01)
lyricist and composer:
Carl Luper and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
2:21
4Bob Wills’ Square Dance, Number I
recording of:
Bob Wills Square Dance (on 1949-05-06)
composer:
Bob Wills (Texan Western swing musician, songwriter, and bandleader)
2:55
5Bob Wills’ Square Dance, Number II
recording of:
Bob Wills Square Dance (on 1949-05-06)
composer:
Bob Wills (Texan Western swing musician, songwriter, and bandleader)
2:56
6A King Without a Queen
recording of:
A King Without a Queen
writer:
Martha Dean Moore, Bob Wills (Texan Western swing musician, songwriter, and bandleader) and Johnnie Lee Wills
2:38
7Hold Your Tears
2:27
8Bob Wills’ Square Dance, Number III
recording of:
Bob Wills Square Dance (on 1949-05-06)
composer:
Bob Wills (Texan Western swing musician, songwriter, and bandleader)
2:54
9Bob Wills’ Square Dance, Number IV
recording of:
Bob Wills Square Dance (on 1949-05-06)
composer:
Bob Wills (Texan Western swing musician, songwriter, and bandleader)
3:03
10When It’s Christmas on the Range
2:30
11Santa’s on His Way
recording of:
Santa’s on His Way (on 1949-05-07)
lyricist and composer:
Erwin King and Steve Nelson (US songwriter who co-wrote “Frosty the Snowman”)
2:33
12Mean Woman With Green Eyes
recording of:
Mean Woman With Green Eyes (on 1949-05-05)
lyricist and composer:
Sheb Wooley
2:50
13My Little Rock Candy Baby
recording of:
My Little Rock Candy Baby (on 1949-05-05)
lyricist and composer:
Hub Harbour and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
2:39
14Jolie Blond Likes the Boogie
recorded in:
Oklahoma City, Oklahoma, United States (on 1950-01-23)
double bass:
Luke Wills (on 1950-01-23)
drums (drum set):
Billy Jack Wills (on 1950-01-23)
electric guitar:
Eldon Shamblin (on 1950-01-23)
fiddle:
Keith Coleman (US fiddler and saxophonist) (on 1950-01-23), Bob White (US country fiddler) (on 1950-01-23) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1950-01-23)
mandolin:
Johnny Gimble (on 1950-01-23) and Tiny Moore (Western swing mandolin/fiddle player) (on 1950-01-23)
piano:
Mancel Tierney (Cherokee pianist from Oklahoma) (on 1950-01-23)
steel guitar:
Hal Clampitt (US steel guitarist) (on 1950-01-23)
tenor banjo:
Jimmie Widener (on 1950-01-23)
vocals:
Tiny Moore (Western swing mandolin/fiddle player) (on 1950-01-23)
2:23
15Pastime Blues
2:51
16Faded Love
recorded in:
Hollywood, Los Angeles, California, United States (on 1950-04-27)
double bass:
Jack Loyd (US bassist and singer) (on 1950-04-27) and Luke Wills (on 1950-04-27)
drums (drum set):
Billy Jack Wills (on 1950-04-27)
electric guitar:
Eldon Shamblin (on 1950-04-27)
fiddle:
Keith Coleman (US fiddler and saxophonist) (on 1950-04-27), Johnny Gimble (on 1950-04-27) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1950-04-27)
mandolin:
Tiny Moore (Western swing mandolin/fiddle player) (on 1950-04-27)
piano:
Mancel Tierney (Cherokee pianist from Oklahoma) (on 1950-04-27)
steel guitar:
Billy Bowman (US steel guitarist) (on 1950-04-27)
tenor banjo:
Rusty McDonald (on 1950-04-27) and Jimmie Widener (on 1950-04-27)
vocals:
Billy Bowman (US steel guitarist) (on 1950-04-27), Rusty McDonald (on 1950-04-27) and Jimmie Widener (on 1950-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1950-04-27)
recording of:
Faded Love (on 1950-04-27)
miscellaneous support:
Merle Haggard (US country singer, guitarist, fiddler & songwriter) (in 1971)
lyricist, writer and composer:
Bob Wills (Texan Western swing musician, songwriter, and bandleader) and John Wills (Texas fiddler)
publisher:
Anne-Rachel Music Corp. and WB Music Corp. (1929–2019) (in 1951)
is based on:
Darling Nellie Gray
52:52
17Awake but Dreaming
recording of:
Awake, But Dreaming (on 1950-04-27)
lyricist and composer:
Oliver Wendell Mayo (songwriter) and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
2:50
18I Betcha’ My Heart I Love You
recording of:
I Betcha' My Heart I Love You (on 1950-04-27)
lyricist and composer:
Esther Van Sciver and Bob Miller (songwriter, producer)
2:17
19I Laugh When I Think How I Cried Over You
recorded in:
Hollywood, Los Angeles, California, United States (on 1950-04-27)
double bass:
Jack Loyd (US bassist and singer) (on 1950-04-27) and Luke Wills (on 1950-04-27)
drums (drum set):
Billy Jack Wills (on 1950-04-27)
electric guitar:
Eldon Shamblin (on 1950-04-27)
fiddle:
Keith Coleman (US fiddler and saxophonist) (on 1950-04-27), Johnny Gimble (on 1950-04-27) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1950-04-27)
mandolin:
Tiny Moore (Western swing mandolin/fiddle player) (on 1950-04-27)
piano:
Mancel Tierney (Cherokee pianist from Oklahoma) (on 1950-04-27)
steel guitar:
Billy Bowman (US steel guitarist) (on 1950-04-27)
tenor banjo:
Rusty McDonald (on 1950-04-27) and Jimmie Widener (on 1950-04-27)
vocals:
Jimmie Widener (on 1950-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1950-04-27)
recording of:
I Laugh When I Think of How I Cried Over You (on 1950-04-27)
lyricist and composer:
Maxine Fowler and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
2:29
20I’ll Be Lucky Some Day
recorded in:
Hollywood, Los Angeles, California, United States (on 1950-04-27)
double bass:
Jack Loyd (US bassist and singer) (on 1950-04-27) and Luke Wills (on 1950-04-27)
drums (drum set):
Billy Jack Wills (on 1950-04-27)
electric guitar:
Eldon Shamblin (on 1950-04-27)
fiddle:
Keith Coleman (US fiddler and saxophonist) (on 1950-04-27), Johnny Gimble (on 1950-04-27) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1950-04-27)
mandolin:
Tiny Moore (Western swing mandolin/fiddle player) (on 1950-04-27)
piano:
Mancel Tierney (Cherokee pianist from Oklahoma) (on 1950-04-27)
steel guitar:
Billy Bowman (US steel guitarist) (on 1950-04-27)
tenor banjo:
Rusty McDonald (on 1950-04-27) and Jimmie Widener (on 1950-04-27)
vocals:
Rusty McDonald (on 1950-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1950-04-27)
recording of:
I'll Be Lucky Some Day (on 1950-04-27)
lyricist and composer:
Lee Martin (Louisiana swamp pop artist), Dickie McBride and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
3:03
21I Didn’t Realize
recorded in:
Hollywood, Los Angeles, California, United States (on 1950-04-27)
double bass:
Jack Loyd (US bassist and singer) (on 1950-04-27) and Luke Wills (on 1950-04-27)
drums (drum set):
Billy Jack Wills (on 1950-04-27)
electric guitar:
Eldon Shamblin (on 1950-04-27)
fiddle:
Keith Coleman (US fiddler and saxophonist) (on 1950-04-27), Johnny Gimble (on 1950-04-27) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1950-04-27)
mandolin:
Tiny Moore (Western swing mandolin/fiddle player) (on 1950-04-27)
piano:
Mancel Tierney (Cherokee pianist from Oklahoma) (on 1950-04-27)
steel guitar:
Billy Bowman (US steel guitarist) (on 1950-04-27)
tenor banjo:
Rusty McDonald (on 1950-04-27) and Jimmie Widener (on 1950-04-27)
vocals:
Rusty McDonald (on 1950-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1950-04-27)
recording of:
I Didn't Realize (on 1950-04-27)
lyricist and writer:
Rusty McDonald and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
2:47
22Rock‐A‐Bye Baby Blues
recorded in:
Hollywood, Los Angeles, California, United States (on 1950-04-27)
double bass:
Jack Loyd (US bassist and singer) (on 1950-04-27) and Luke Wills (on 1950-04-27)
drums (drum set):
Tommy Perkins (US drummer) (on 1950-04-27)
electric guitar:
Eldon Shamblin (on 1950-04-27)
fiddle:
Keith Coleman (US fiddler and saxophonist) (on 1950-04-27), Johnny Gimble (on 1950-04-27) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1950-04-27)
mandolin:
Tiny Moore (Western swing mandolin/fiddle player) (on 1950-04-27)
piano:
Mancel Tierney (Cherokee pianist from Oklahoma) (on 1950-04-27)
steel guitar:
Billy Bowman (US steel guitarist) (on 1950-04-27)
tenor banjo:
Rusty McDonald (on 1950-04-27) and Jimmie Widener (on 1950-04-27)
vocals:
Billy Jack Wills (on 1950-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1950-04-27)
recording of:
Rock-A-Bye Baby Blues (on 1950-04-27)
lyricist and composer:
Louis Tierney, Billy Jack Wills and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
2:53
23I’m Dotting Each ‘I’ With a Teardrop
2:46
24The End of the Line
recorded in:
Hollywood, Los Angeles, California, United States (on 1950-04-27)
double bass:
Jack Loyd (US bassist and singer) (on 1950-04-27) and Luke Wills (on 1950-04-27)
drums (drum set):
Billy Jack Wills (on 1950-04-27)
electric guitar:
Eldon Shamblin (on 1950-04-27)
fiddle:
Keith Coleman (US fiddler and saxophonist) (on 1950-04-27), Johnny Gimble (on 1950-04-27) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1950-04-27)
mandolin:
Tiny Moore (Western swing mandolin/fiddle player) (on 1950-04-27)
piano:
Mancel Tierney (Cherokee pianist from Oklahoma) (on 1950-04-27)
steel guitar:
Billy Bowman (US steel guitarist) (on 1950-04-27)
tenor banjo:
Rusty McDonald (on 1950-04-27) and Jimmie Widener (on 1950-04-27)
vocals:
Billy Bowman (US steel guitarist) (on 1950-04-27) and Johnny Gimble (on 1950-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1950-04-27)
recording of:
The End of the Line (on 1950-04-27)
lyricist and composer:
Johnny Gimble and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
publisher:
Unichappell Music, inc. (from 1952 to present)
2:35
25’Tater Pie
recording of:
Tater Pie (on 1950-04-27)
lyricist and composer:
Cindy Walker (US songwriter, singer and dancer)
2:52
26Little Girl, Little Girl
recording of:
Little Girl, Little Girl (on 1951-09-01)
lyricist and composer:
Bob Wills (Texan Western swing musician, songwriter, and bandleader)
2:57
27I’m Tired of Living This Lie
recording of:
I'm Tired of Living A Lie (on 1951-05-28)
lyricist and composer:
Dickie McBride
2:30
28Pliney Jane
2:52
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