The Best Party in the World… Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Label: also marked as Virgin / EMI

Anmerkung zuletzt geändert am 2012-03-04 19:21 UTC.

Titelliste

1▶CD: The Best Party in the World … Ever! (disc 1)
2▼CD: The Best Party in the World … Ever! (disc 2)
Nr.TitelKünstlerBewertungLänge
1Wannabe
Assistent recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
Programmierung und Produzent(in):
Richard Stannard und Matt Rowe
Mix:
Mark “Spike” Stent (producer, engineer)
Keyboard:
Richard Stannard und Matt Rowe
Herausgeber:
SSO
Musikvideos:
Wannabe (video) von Spice Girls
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 36)
recording of:
Wannabe
Verfasser(in):
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls3.852:52
2I Wanna Be the Only One (Boskat main mix)
Koproduzent(in):
Be Be Winans (American gospel/soul singer, R&B producer and radio presenter) und Nigel Lowis
Mix:
Andy Bradfield
Gast vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
co-produced for:
First Avenue Management
recording of:
I Wanna Be the Only One
Texter:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
Komponist(in):
Rhett Lawrence und BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. und Rhettrhyme Music
Eternal feat. BeBe Winans4:21
3Everybody (Backstreet’s Back)
sonstige Unterstützung:
Bonnie Brewster (Aufgabe: girl crowd), Andrea M. Majied (Aufgabe: girl crowd) und Susan McCall (Aufgabe: girl crowd)
assistierende(r) Techniker(in):
Tommie Hicks, Jr.
Techniker(in):
Joe Smith (US recording/mixing engineer)
leitende(r) Produzent(in):
Louis J Pearlman
Produzent(in):
Max Martin (Swedish record producer) und Denniz PoP
Editing:
Chaz Harper
Interpret(in):
A.J. (US singer, songwriter, actor, dancer & model), Brian (from the Backstreet Boys), Howie D. (from the Backstreet Boys), Kevin (from the Backstreet Boys) und Nick (US pop singer & Backstreet Boy)
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
produced for:
Cheiron Productions
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Parc Studios in Orlando, Florida, Vereinigte Staaten
mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
edited at:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Vereinigte Staaten
recording of:
Everybody (Backstreet’s Back)
Verfasser(in):
Max Martin (Swedish record producer) und Denniz PoP
publisher:
Maratone AB (beendet), MXM Music AB (beendet), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys3.153:41
4Party People, Friday Night
9113:29
5Fastlove (Forthright edit)
remixer:
Forthright (Pete Gleadall)
recording of:
Fastlove
Texter und Komponist(in):
George Michael
George Michael3.354:23
6Baby Come Back
Produzent(in):
Stoker (production/remixing)
Gast-Interpret(in):
Ali Campbell (UB40’s former vocalist) und Robin Campbell
cover recording of:
Baby, Come Back
Texter und Komponist(in):
Eddy Grant
publisher:
Kassner Music Ltd.
Pato Banton feat. Robin & Ali Campbell2.653:50
7Baggy Trousers
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
aufgenommen bei:
Hammersmith Palais (not to be confused with Hammersmith Apollo aka Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (am 1981-12-19)
recording of:
Baggy Trousers
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness42:34
8Boombastic
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
recording of:
Boombastic
Verfasser(in):
King Floyd, Robert Livingston (Jamaican reggae and dancehall producer) und Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing und Stone Diamond Music Corp.
Shaggy3.653:51
9(Hey Now) Girls Just Wanna Have Fun
recording of:
Hey Now (Girls Just Want to Have Fun)
Texter und Komponist(in):
Robert Hazard
zusätzlicher Texter:
Lolly Vegas
publisher:
Sony Tunes, Inc. (beendet), EMI Blackwood Music Inc. und Novalene Music
Version von:
Girls Just Want to Have Fun
Cyndi Lauper3:51
10Beatles (medley)
phonographisches Urheberrecht (℗) von:
Red Bullet Productions B.V. (in 1981)
recording of:
Stars on 45 (the song itself)
Verfasser(in):
Martin Duiser und Jaap Eggermont
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Nada International C.V.
Medley von:
Video Killed the Radio Star
Medley von:
Funkytown
Stars on 4544:47
11I Get Around
recording of:
I Get Around
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
The Beach Boys2:07
12Reet Petite
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
Verfasser(in):
Tyran Carlo und Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson42:38
13The Locomotion
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Little Eva22:22
14Daydream Believer
Produzent(in):
Chip Douglas
Bass:
Chip Douglas (von 1967-06-14 bis 1967-08-09)
Bassposaune:
Richard Leith (trombonist) (von 1967-06-14 bis 1967-08-09) und Phil Teele (von 1967-06-14 bis 1967-08-09)
Geige / Violine:
Nathan Kaproff (von 1967-06-14 bis 1967-08-09), George Kast (von 1967-06-14 bis 1967-08-09), Alex Murray (violinist) (von 1967-06-14 bis 1967-08-09) und Erno Neufeld (von 1967-06-14 bis 1967-08-09)
Gitarre:
Michael Nesmith (von 1967-06-14 bis 1967-08-09)
Klavier:
Peter Tork (von 1967-06-14 bis 1967-08-09)
Perkussion:
William E. Martin (von 1967-06-14 bis 1967-08-09)
Posaune:
Richard Noel (trombonist) (von 1967-06-14 bis 1967-08-09)
Schlagzeug:
Eddie Hoh (von 1967-06-14 bis 1967-08-09)
Trompete:
Pete Candoli (von 1967-06-14 bis 1967-08-09), Al Porcino (von 1967-06-14 bis 1967-08-09) und Manuel Stevens (von 1967-06-14 bis 1967-08-09)
Hintergrundgesang:
Micky Dolenz (von 1967-06-14 bis 1967-08-09)
Sologesang:
Davy Jones (The Monkees member) (von 1967-06-14 bis 1967-08-09)
Horn und Saiteninstrumente arranger:
Shorty Rogers (trumpet)
Musikvideos:
Daydream Believer von The Monkees
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 39)
recording of:
Daydream Believer (von 1967-06-14 bis 1967-08-09)
Texter und Komponist(in):
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:52
15Hi Ho Silver Lining
Produzent(in):
Mickie Most (English record producer) (am 1967-01-19)
Bassgitarre:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1967-01-19)
E-Gitarre und Sologesang:
Jeff Beck (English rock guitarist) (am 1967-01-19)
Schlagzeug:
Clem Cattini (am 1967-01-19)
Hintergrundgesang:
Rod Stewart (am 1967-01-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-19)
recording of:
Hi Ho Silver Lining (am 1967-01-19)
Verfasser(in):
Scott English und Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:51
16Oh, Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.33:00
17Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:20
18Come on Over to My Place
recording of:
Come on Over to My Place
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Drifters2:26
19I Only Want to Be With You
Produzent(in):
John Franz
phonographisches Urheberrecht (℗) von:
Mercury Ltd (not for release label use!) (in 1963)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1963)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 31) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 323)
recording of:
I Only Want to Be With You (Dusty Springfield song) (in 1963)
Verfasser(in):
Mike Hawker und Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (bis 1987) und Warner/Chappell Music International Ltd. (vom 1987 bis heute)
Dusty Springfield4.42:35
20The Time Warp
cover recording of:
The Time Warp
Texter und Komponist(in):
Richard O’Brien
publisher:
Druidcrest Ltd., Hollenbeck Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Richard O’Brien Druidcrest Ltd. und Wardlaw Music (full service music publishing company based in London, UK)
Teil von:
The Rocky Horror Picture Show (1975 film soundtrack)
Teil von:
The Rocky Horror Show (1973 stage musical)
Damian34:02
21… Ooh Aah… Just a Little Bit
remixer:
Motiv8
recording of:
Ooh Aah… Just a Little Bit
Verfasser(in):
Steve Rodway und Simon Tauber
publisher:
Peermusic (UK) Ltd.
Gina G43:22
225, 6, 7, 8
assistierende(r) Techniker(in):
Bradlee Spreadborough und Al Unsworth
Techniker(in):
Chris McDonnell (engineer)
Produzent(in):
Mark Topham, Karl Twigg und Pete Waterman
Mix:
Les Sharma
Banjo:
Sean Lyons
Geige / Violine:
Chris Haigh (violinist)
Gitarre [guitars]:
Mark Topham und Barry Upton (songwriter, arranger, musician, record producer)
Keyboard [keyboards]:
Karl Twigg
Schlagzeug [drums]:
Chris McDonnell (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1997)
aufgenommen bei und mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Vereinigtes Königreich und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
recording of:
5, 6, 7, 8
Verfasser(in):
Steve Crosby (record producer, songwriter, music manager) und Barry Upton (songwriter, arranger, musician, record producer)
publisher:
All Boys Music Ltd. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Steps3.353:20
23Cotton Eyed Joe
recording engineer und Mix:
Lee Monteverde
Techniker(in) und Produzent(in):
Pat Reiniz
Banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue und Ken Tacky
zusätzliche(r) Interpret(in):
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg und Bosse Nilsson
phonographisches Urheberrecht (℗) von:
Zomba Records (in 1994) und Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
aufgenommen bei und mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Schweden
Musikvideos:
Cotton‐Eye Joe von Rednex (Swedish Euro-House group)
Teil von:
A.Side: 10 Songs That Have Their Own Dance Moves (Nummer: 7)
recording of:
Cotton-Eye Joe (Rednex version)
Verfasser(in):
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) und Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Version von:
Cotton‐Eyed Joe (traditional song)
Rednex4.13:09
24Always Look on the Bright Side of Life
Sologesang:
Eric Idle
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1979)
recording of:
Always Look on the Bright Side of Life
Texter und Komponist(in):
Eric Idle
publisher:
Oops Publishing Ltd.
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000)
Version von:
Look on the Bright Side of Life (All Things Dull and Ugly)
Teil von:
Part Five: Miserere Loves Company
Monty Python3.53:41

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