The Rough Guide to Jazz Legends: Ella Fitzgerald

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼CD: The Rough Guide to Jazz Legends: Ella Fitzgerald
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1I Ain’t Got Nothin’ but the Blues
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Johnny Hodges (am 1957-06-25)
baritone saxophone:
Harry Carney (am 1957-06-25)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1957-06-25)
Kontrabass:
Jimmy Woode (am 1957-06-25)
Posaune:
Quentin Jackson (am 1957-06-25), John Sanders (US jazz trombonist) (am 1957-06-25) und Britt Woodman (am 1957-06-25)
Rohrblattinstrumente:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1957-06-25) und Russell Procope (am 1957-06-25)
Schlagzeug:
Sam Woodyard (am 1957-06-25)
Tenorsaxophon:
Paul Gonsalves (am 1957-06-25)
Trompete:
William “Cat” Anderson (am 1957-06-25), Willie Cook (US jazz trumpeter) (am 1957-06-25) und Clark Terry (American swing trumpeter) (am 1957-06-25)
Trompete und Geige / Violine:
Ray Nance (am 1957-06-25)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1957-06-25)
Interpret(in):
Duke Ellington and His Orchestra (am 1957-06-25)
cover recording of:
I Ain’t Got Nothin’ but the Blues (am 1957-06-25)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1937)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
publisher:
Ricki Music und Tempo Music Co.
4:43
2Baby, It’s Cold Outside
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
2:43
3I Got It Bad (and That Ain’t Good)
cover recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:57
4Black Coffee
recorded in:
New York, New York, Vereinigte Staaten (am 1949-04-27)
vocals:
Ella Fitzgerald (American jazz singer) (am 1949-04-27)
Orchester:
Gordon Jenkins & His Orchestra (am 1949-04-27)
conductor:
Gordon Jenkins (am 1949-04-27)
cover recording of:
Black Coffee (1948 song) (am 1949-04-27)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
3:07
5Rock It for Me
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-10-27)
Gitarre:
Buddy Johnson (am 1937-10-27)
Klavier:
Tommy Fulford (am 1937-10-27)
Kontrabass:
Beverly Peer (am 1937-10-27)
Posaune:
Nat Story (am 1937-10-27) und Sandy Williams (American jazz trombonist) (am 1937-10-27)
Saxophon:
Wayman Carver (am 1937-10-27) und Chauncey Haughton (am 1937-10-27)
Schlagzeug:
Chick Webb (am 1937-10-27)
Tenorsaxophon:
Teddy McRae (am 1937-10-27)
Trompete:
Mario Bauzá (am 1937-10-27), Taft Jordan (am 1937-10-27) und Bobby Stark (am 1937-10-27)
vocals:
Ella Fitzgerald (American jazz singer) (am 1937-10-27)
recording of:
Rock It for Me (am 1937-10-27)
Verfasser(in):
Kay Werner (Songwriter, along with her sister Sue) (in 1938) und Sue Werner (Songwriter, along with her sister Kay) (in 1938)
3:14
6Baby Won’t You Please Come Home
cover recording of:
Baby Won’t You Please Come Home
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
2:33
7When I Get Low I Get High
recording of:
When I Get Low I Get High
Texter und Komponist(in):
Marion Sunshine
2:26
8Cow Cow Boogie
cover recording of:
Cow Cow Boogie
Komponist(in):
Benny Carter, Gene de Paul und Don Raye
publisher:
MCA Inc. (US record company and parent company for MCA publishing companies, affiliated to ASCAP)
3:00
9My One and Only
cover recording of:
My One and Only (from “Funny Face”)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:18
10Begin the Beguine
cover recording of:
Begin the Beguine
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
3:39
11Basin Street Blues
cover recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:07
12How High the Moon
cover recording of:
How High the Moon
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:22
13’Tain’t What You Do (It’s the Way That You Do It)
recorded in:
New York, New York, Vereinigte Staaten (am 1939-02-17)
Bass und Kontrabass:
Beverly Peer (am 1939-02-17)
Gitarre:
Bobby Johnson (US guitarist) (am 1939-02-17)
Holzblasinstrumente:
Wayman Carver (am 1939-02-17)
Klavier:
Tommy Fulford (am 1939-02-17)
Posaune:
George Matthews (trombone) (am 1939-02-17), Nat Story (am 1939-02-17) und Sandy Williams (American jazz trombonist) (am 1939-02-17)
Rohrblattinstrumente:
Garvin Bushell (am 1939-02-17), Hilton Jefferson (am 1939-02-17) und Teddy McRae (am 1939-02-17)
Schlagzeug:
Chick Webb (am 1939-02-17)
Tenorsaxophon:
Teddy McRae (am 1939-02-17)
Trompete:
Taft Jordan (am 1939-02-17), Bobby Stark (am 1939-02-17) und Dick Vance (US jazz trumpeter and arranger) (am 1939-02-17)
vocals:
Ella Fitzgerald (American jazz singer) (am 1939-02-17)
Orchester:
Chick Webb and His Orchestra (am 1939-02-17)
recording of:
It Ain’t What You Do (It’s the Way That You Do It) (am 1939-02-17)
Verfasser(in):
Sy Oliver und Trummy Young
3:03
14Wacky Dust
cover recording of:
Wacky Dust
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
Oscar Levant
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Stanley Adams Music
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:05
15Mood Indigo
cover recording of:
Mood Indigo (1930 jazz composition and song)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:27
16My Man
cover recording of:
My Man (Mon homme) (Channing Pollock lyrics)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Übersetzer:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (beendet) und Éditions Salabert France
übersetzte Version von:
Mon homme
3:00
17You Won’t Be Satisfied (Until You Break My Heart)
cover recording of:
You Won’t Be Satisfied (Until You Break My Heart)
Verfasser(in):
Freddy James und Larry Stock
2:59
18How Long Has This Been Going On?
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
3:18
19Miss Otis Regrets (She’s Unable to Lunch Today)
cover recording of:
Miss Otis Regrets
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
3:02
20Oh Lady Be Good
cover recording of:
Oh, Lady Be Good!
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
3:10
2▶CD: American Songbook

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Veröffentlichungsgruppe

Teil von:Music Rough Guides (World Music Network) (Nummer: 1245) (Reihenfolge: 245)
Discogs:https://www.discogs.com/master/1553513 [Info]