The Studio Albums 1969–1983

~ Release by Alice Cooper (see all versions of this release, 2 available)

Tracklist

1▶CD: Pretties for You (1969)
2▶CD: Easy Action (1970)
3▶CD: Love It to Death (1971)
4▶CD: Killer (1971)
5▶CD: School’s Out (1972)
6▶CD: Billion Dollar Babies (1973)
7▶CD: Muscle of Love (1973)
8▶CD: Welcome to My Nightmare (1975)
9▶CD: Alice Cooper Goes to Hell (1976)
10▶CD: Lace and Whiskey (1977)
11▶CD: From the Inside (1978)
12▶CD: Flush the Fashion (1980)
13▼CD: Special Forces (1981)
#TitleRatingLength
1Who Do You Think We Are
engineer:
Bill Cooper (recording engineer)
assistant producer:
Donna Dobbs
executive producer:
Shep Gordon
producer:
Richard Podolor
mixer:
Bill Cooper (recording engineer) and Richard Podolor
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Craig Krampf
guitar:
Danny Johnson (American guitarist/vocalist/songwriter) and Mike Pinera
keyboard:
Duane Hitchings
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Richard Podolor
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
produced for:
Richard Podolor Productions Inc.
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States
recording of:
Who Do You Think We Are
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Duane Hitchings
publisher:
Ezra Music, Ezra Music Corp., Hitchings Music, Hitchings Publ., Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5?:??
2Seven & Seven Is
engineer:
Bill Cooper (recording engineer)
assistant producer:
Donna Dobbs
executive producer:
Shep Gordon
producer:
Richard Podolor
mixer:
Bill Cooper (recording engineer) and Richard Podolor
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Craig Krampf
guitar:
Danny Johnson (American guitarist/vocalist/songwriter) and Mike Pinera
keyboard:
Duane Hitchings
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Richard Podolor
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
produced for:
Richard Podolor Productions Inc.
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States
cover recording of:
7 and 7 Is
lyricist and composer:
Arthur Lee
publisher:
Carlin Music Corporation, Grass Root Productions, Grassroots Music Production and Trio Music Co., Inc.
sub-publisher:
Trio Music Co. Ltd. and フジパシフィックミュージック (Fujipacific Music, Inc.)
4?:??
3Prettiest Cop on the Block
engineer:
Bill Cooper (recording engineer)
assistant producer:
Donna Dobbs
executive producer:
Shep Gordon
producer:
Richard Podolor
mixer:
Bill Cooper (recording engineer) and Richard Podolor
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Craig Krampf
guitar:
Danny Johnson (American guitarist/vocalist/songwriter) and Mike Pinera
keyboard:
Duane Hitchings
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Richard Podolor
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
produced for:
Richard Podolor Productions Inc.
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States
recording of:
Prettiest Cop on the Block
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present), Davey Johnstone and Fred Mandel
publisher:
Ezra Music, Ezra Music Corp., Foursome Crescent Music, House of Erik Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5?:??
4Don’t Talk Old to Me
engineer:
Bill Cooper (recording engineer)
assistant producer:
Donna Dobbs
executive producer:
Shep Gordon
producer:
Richard Podolor
mixer:
Bill Cooper (recording engineer) and Richard Podolor
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Craig Krampf
guitar:
Danny Johnson (American guitarist/vocalist/songwriter) and Mike Pinera
keyboard:
Duane Hitchings
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Richard Podolor
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
produced for:
Richard Podolor Productions Inc.
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States
recording of:
Don’t Talk Old to Me
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present), Davey Johnstone and Fred Mandel
publisher:
Ezra Music Corp., Foursome Crescent Music, House of Erik Music, Rocket Music Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4?:??
5Generation Landslide ’81 (live)
engineer:
Bill Cooper (recording engineer)
assistant producer:
Donna Dobbs
executive producer:
Shep Gordon
producer:
Richard Podolor
mixer:
Bill Cooper (recording engineer) and Richard Podolor
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Craig Krampf
guitar:
Danny Johnson (American guitarist/vocalist/songwriter) and Mike Pinera
keyboard:
Duane Hitchings
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Richard Podolor
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
produced for:
Richard Podolor Productions Inc.
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States
live recording of:
Generation Landslide
written in:
Canarias (Canary Islands), Spain
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Ezra Music Corp., Sony/ATV Songs LLC, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Ezra Music (in 1973)
3.5?:??
6Skeletons in the Closet
engineer:
Bill Cooper (recording engineer)
assistant producer:
Donna Dobbs
executive producer:
Shep Gordon
producer:
Richard Podolor
mixer:
Bill Cooper (recording engineer) and Richard Podolor
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Craig Krampf
guitar:
Danny Johnson (American guitarist/vocalist/songwriter) and Mike Pinera
keyboard:
Duane Hitchings
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Richard Podolor
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
produced for:
Richard Podolor Productions Inc.
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States
recording of:
Skeletons in the Closet
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Duane Hitchings
publisher:
Ezra Music Corp., Hitchings Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5?:??
7You Want It, You Got It
engineer:
Bill Cooper (recording engineer)
assistant producer:
Donna Dobbs
executive producer:
Shep Gordon
producer:
Richard Podolor
mixer:
Bill Cooper (recording engineer) and Richard Podolor
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Craig Krampf
guitar:
Danny Johnson (American guitarist/vocalist/songwriter) and Mike Pinera
keyboard:
Duane Hitchings
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Richard Podolor
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
produced for:
Richard Podolor Productions Inc.
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States
recording of:
You Want It, You Got It
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present), Eric Kaz, Craig Krampf, Erik Scott (bassist/producer) and Billy Steele
publisher:
Billym Music, Ezra Music, Ezra Music Corp., Glasco Music Company, Hened Music, Phosphene Music, United Artists Music Co., Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Zena Music Company, フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3?:??
8You Look Good in Rags
engineer:
Bill Cooper (recording engineer)
assistant producer:
Donna Dobbs
executive producer:
Shep Gordon
producer:
Richard Podolor
mixer:
Bill Cooper (recording engineer) and Richard Podolor
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Craig Krampf
guitar:
Danny Johnson (American guitarist/vocalist/songwriter) and Mike Pinera
keyboard:
Duane Hitchings
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Richard Podolor
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
produced for:
Richard Podolor Productions Inc.
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States
recording of:
You Look Good in Rags
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Duane Hitchings
publisher:
EMI Full Keel Music, Ezra Music Corp., Hitchings Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5?:??
9You’re a Movie
engineer:
Bill Cooper (recording engineer)
assistant producer:
Donna Dobbs
executive producer:
Shep Gordon
producer:
Richard Podolor
mixer:
Bill Cooper (recording engineer) and Richard Podolor
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Craig Krampf
guitar:
Danny Johnson (American guitarist/vocalist/songwriter) and Mike Pinera
keyboard:
Duane Hitchings
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Richard Podolor
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
produced for:
Richard Podolor Productions Inc.
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States
recording of:
You’re a Movie
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Duane Hitchings
publisher:
Ezra Music Corp., Hitchings Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5?:??
10Vicious Rumours
engineer:
Bill Cooper (recording engineer)
assistant producer:
Donna Dobbs
executive producer:
Shep Gordon
producer:
Richard Podolor
mixer:
Bill Cooper (recording engineer) and Richard Podolor
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Craig Krampf
guitar:
Danny Johnson (American guitarist/vocalist/songwriter) and Mike Pinera
keyboard:
Duane Hitchings
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Richard Podolor
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
produced for:
Richard Podolor Productions Inc.
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States
recording of:
Vicious Rumours
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present), Duane Hitchings, Mike Pinera and Erik Scott (bassist/producer)
publisher:
Ezra Music Corp., Hened Music, Pinera Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4?:??
14▶CD: Zipper Catches Skin (1982)
15▶CD: DaDa (1983)

Credits

Release

manufactured in:Europe
copyrighted (©) by and phonographic copyright (℗) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969, in 1970, in 1971, in 1972, in 1973, in 1975, in 1976, in 1977, in 1978, in 1980, in 1981, in 1982, in 1983)
Discogs:https://www.discogs.com/release/7443953 [info]
ASIN:US: B00ZGVMKU6 [info]

Release group

includes:Alice Cooper Goes to Hell
Billion Dollar Babies by Alice Cooper (the band, active 1964–1974/5)
DaDa
Easy Action by Alice Cooper (the band, active 1964–1974/5)
Flush the Fashion
From the Inside
Killer by Alice Cooper (the band, active 1964–1974/5)
Lace and Whiskey
Love It to Death by Alice Cooper (the band, active 1964–1974/5)
Muscle of Love by Alice Cooper (the band, active 1964–1974/5)
Pretties for You by Alice Cooper (the band, active 1964–1974/5)
School’s Out by Alice Cooper (the band, active 1964–1974/5)
Special Forces
Welcome to My Nightmare
Zipper Catches Skin