The Best Nat ‘King’ Cole, Dean Martin, Tom Jones, Ella Fitzgerald, Tony Bennett, Matt Monro, Peggy Lee, Louis Armstrong …and Friends Album in the World …Ever! Vol. 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1On the Street Where You Live
cover recording of:
On the Street Where You Live (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
Nat King Cole3:10
2Memories Are Made of This
Produzent(in):
Lee Gillette
Hintergrundgesang:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
Orchester:
Dick Stabile and His Orchestra (in 1955)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (am 1955-10-28)
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
Dean Martin52:16
3Catch a Falling Star
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1957) und The Ray Charles Singers (in 1957)
Orchester:
Mitchell Ayres and His Orchestra (in 1957)
Interpret(in):
The Ray Charles Singers und Mitchell Ayres and His Orchestra (in 1957)
arranger:
Joe Reisman
recording of:
Catch a Falling Star (in 1957)
Verfasser(in):
Lee Pockriss und Paul Vance (US songwriter and producer)
Perry Como42:29
4Things
recording of:
Things
Texter und Komponist(in):
Bobby Darin
publisher:
Alley Music Corp. und Trio Music Company
Bobby Darin2:33
5Kiss Me, Honey Honey, Kiss Me
vocals:
Shirley Bassey (Welsh singer) (in 1958)
Orchester:
Wally Stott & His Orchestra & Chorus (in 1958)
recording of:
Kiss Me, Honey Honey, Kiss Me (in 1958)
Verfasser(in):
Michael Julien (British songwriter) und Albon Timothy (jazz and calypso musician and songwriter)
Shirley Bassey2:25
6Soul Bossa Nova
recording of:
Soul Bossa Nova
Komponist(in):
Quincy Jones
Quincy Jones2:45
7Guaglione
phonographisches Urheberrecht (℗) von:
Radio Corporation of America (renamed RCA Corporation sometime in the late 1960s–70s)
recording of:
Guaglione
Texter:
Nicola Salerno (Italian lyricist Nicola Salerno) (in 1956)
Komponist(in):
Giuseppe Fanciulli (in 1956)
zusätzlich Übersetzer:
Steve Crosby (record producer, songwriter, music manager)
publisher:
Accordo Edizioni Musicali Srl
instrumental cover recording of:
Guaglione
Texter:
Nicola Salerno (Italian lyricist Nicola Salerno) (in 1956)
Komponist(in):
Giuseppe Fanciulli (in 1956)
zusätzlich Übersetzer:
Steve Crosby (record producer, songwriter, music manager)
publisher:
Accordo Edizioni Musicali Srl
Pérez Prado2:24
8If I Had a Hammer
cover recording of:
If I Had a Hammer
Verfasser(in):
Lee Hays (in 1949) und Pete Seeger (in 1949)
publisher:
M.P.A. (M.P.A.)
Trini Lopez3:00
9It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Peter Sullivan (UK producer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 393)
recording of:
It’s Not Unusual
Verfasser(in):
Gordon Mills (60s/70s UK producer and songwriter) und Les Reed
publisher:
Leeds Music (beendet), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) und Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:00
10Jackie
vocals:
Scott Walker (singer‐songwriter, musician and producer) (in 1967)
recording of:
Jackie (La Chanson de Jacky) (English lyrics) (in 1967)
Texter und Komponist(in):
Jacques Brel
Übersetzer:
Mort Shuman (US singer, pianist & songwriter)
übersetzte Version von:
Jacky (La Chanson de Jacky)
Scott Walker23:21
11Just a Gigolo
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19) und Lou Sineaux (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (am 1956-04-19)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
Louis Prima44:43
12Chicago
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) und Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-01)
Gitarre:
Freddie Green (in 1959-01)
Klavier:
Ralph Sharon und Count Basie (pianist) (in 1959-01)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1959-01)
Posaune:
Henry Coker (jazz trombonist) (in 1959-01), Al Grey (trombone) (in 1959-01) und Benny Powell (jazz trombonist) (in 1959-01)
Schlagzeug:
Sonny Payne (in 1959-01)
Tenorsaxophon:
Frank Foster (saxophonist) (in 1959-01) und Billy Mitchell (US jazz saxophonist) (in 1959-01)
Trompete:
Wendell Culley (jazz trumpeter) (in 1959-01), Thad Jones (American jazz trumpeter) (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) und Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
Interpret(in):
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
Texter und Komponist(in):
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. und Salabert
Tony Bennett42:07
13I’ve Got You Under My Skin
Techniker(in):
Val Valentin (am 1956-02-09)
Produzent(in):
Norman Granz
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
conductor:
Buddy Bregman (am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Ella Fitzgerald2.252:45
14Boy From Ipanema
cover recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Peggy Lee2:23
15Diamonds Are a Girl’s Best Friend
Produzent(in):
Felix Slatkin
vocals:
Julie London
recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Leo Robin (US composer, lyricist & songwriter) und Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Teil von:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Julie London1:59
16It Had to Be You
cover recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Dinah Shore3:24
17That Ole Devil Called Love
vocals:
Billie Holiday (in 1944)
Orchester:
Toots Camarata and His Orchestra (in 1944)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
That Ole Devil Called Love
Texter:
Doris Fisher (in 1944)
Komponist(in):
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday2:54
18Nature Boy
vocals:
Nat King Cole
recording of:
Nature Boy
Texter und Komponist(in):
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole2:39
19Call Me Irresponsible
cover recording of:
Call Me Irresponsible
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Paramount Music Corporation
Teil von:
The 36th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1963 winner)
Dinah Washington2:17
20The Folks Who Live on the Hill
cover recording of:
The Folks Who Live on the Hill
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
High, Wide and Handsome (1937 film)
Peggy Lee3:37
21I Loves You Porgy
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (von 1954 bis 1955)
recording engineer:
Frank Clark
Klavier:
Nina Simone
vocals:
Nina Simone
arranger:
Monk Higgins (in 1970)
aufgenommen bei:
Tangerine / RPM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970: Saiteninstrumente)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (von 1954 bis 1955)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone4:04
22My Funny Valentine
Bass:
Jimmy Bond
Celesta:
Russ Freeman (pianist)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Peter Littman, Lawrence Marable und Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
recording of:
My Funny Valentine (from “Babes in Arms”) (am 1954-02-15)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker2:19
2▶CD
3▶CD: Bonus Disc of Christmas Crooners

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Veröffentlichung

ASIN:UK: B00004YTX1 [Info]