Saul

~ Release by Georg Friderich Haendel; René Jacobs, Concerto Köln (see all versions of this release, 4 available)

Annotation

Copyright: © 2005 harmonia mundi s.a.
℗ 2005 harmonia mundi s.a.

Annotation last modified on 2025-11-03 22:40 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Saul, HWV 53: Symphony
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Symphony (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53
Georg Friderich Haendel8:00
2Saul, HWV 53: Act I, Scene I: Chorus “How Excellent Thy Name, O Lord”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene I, no. 2a. Chorus "How excellent Thy name, o Lord" (1st) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel2:37
3Saul, HWV 53: Act I, Scene I: Air “An Infant Raised by Thy Command” - Trio “Along the Monster Atheist Strode”
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene I, no. 3. Air "An infant raised by thy command" (Soprano) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene I, no. 4. Trio "Along the monster atheist strode" (Alto, Tenor, Bass) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel2:09
4Saul, HWV 53: Act I, Scene I: “The Youth Inspired by Thee, O Lord” - Chorus “How Excellent Thy Name, O Lord”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene I, no. 2b. Chorus "How excellent Thy name, o Lord" (2nd) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene I, no. 5. "The Youth inspired by Thee, o Lord" (Soprano, Alto, Tenor, Bass) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel3:56
5Saul, HWV 53: Act I, Scene II: “He Comes, He Comes!” - Air “O God‐like Youth!” - Behold, O King, the Brave, Victorious Youth
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
soprano vocals:
Rosemary Joshua (soprano) (in 2004-11)
tenor vocals:
Finnur Bjarnason (Icelandic tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 6. Recitative "He comes, he comes" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 7. Air "O God-like youth!" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 8. Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel3:38
6Saul, HWV 53: Act I, Scene II: Air “O King, Your Favours With Delight” - “Oh Early Piety!”
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 9. Air "O king, your favours with delight" (David) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 10. Recitative "Oh early piety!" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel5:22
7Saul, HWV 53: Act I, Scene II: Air “What Abject Thoughts a Prince Can Have!” - “Yet Think, On Whom This Honour You Bestow”
soprano vocals:
Emma Bell (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 11. Air "What abject thoughts a prince can have!" (Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 12. Recitative "Yet think, on whom this honour you bestow" (Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel2:14
8Saul, HWV 53: Act I, Scene II: Air “Birth and Fortune I Despise!”
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 13. Air "Birth and fortune I despise" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel4:57
9Saul, HWV 53: Act I, Scene II: “Go On, Illustrious Pair!” - Air “While Yet Thy Tide of Blood Runs High”
tenor vocals:
Michael Slattery (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 14. Recitative "Go on, illustrious pair!" (High Priest) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 15. Air "While yet thy tide of blood runs high" (High Priest) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel2:45
10Saul, HWV 53: Act I, Scene II: “Thou, Merab, First In Birth, First In Honour” - Air “My Soul Rejects the Thought With Scorn” / 18. Air “See, With What a Scornful Air” / 19. Air “Ah, Lovely Youth, Wast Thou Designed”
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
soprano vocals:
Emma Bell (soprano) (in 2004-11) and Rosemary Joshua (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 16. Recitative "Thou, Merab, first in birth, be first in honour" (Saul, Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 17. Air "My soul rejects the though with scorn" (Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 18. Air "See, with what a scornful air" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 19. Air "Ah, lovely youth, wast thou designed" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel3:20
11Saul, HWV 53: Act I, Scene II: “Symphony” - “Already See the Daughters of the Land” / Scene III. 22. Chorus “Welcome, Welcome, Mighty King!”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
soprano vocals:
Rosemary Joshua (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 20. Symphony: Andante Allegro (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 21. Recitative "Already see the daughters of the land" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 22. Chorus "Welcome, welcome, mighty king!" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel2:47
12Saul, HWV 53: Act I, Scene III: “What Do I Hear?” - Chorus “David His Ten Thousands Slew” / 25. “To Him Ten Thousands” / 26. Air “With Rage I Shall Start Burst His Praises to Hear”
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene III, no. 23. Accompagnato "What do I hear?" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 24. Chorus "David his ten thousands slew" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 25. Accompagnato "To him ten thousands" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 26. Air "With rage I shall start burst his praises to hear" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel2:18
13Saul, HWV 53: Act I, Scene IV: “Imprudent Women!” - Air “Fell Rage and Black Despair Possessed”
soprano vocals:
Rosemary Joshua (soprano) (in 2004-11)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene IV, no. 27. Recitative "Imprudent women!" (Jonathan, Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene IV, no. 28. Air "Fell rage and black despair possessed" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel2:59
14Saul, HWV 53: Act I, Scene IV: “This But the Smallest Part of Harmony” - “By Thee This Universal Frame”
tenor vocals:
Michael Slattery (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene IV, no. 29. Recitative "This but the smallest part of Harmony" (High Priest) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene IV, no. 30. Accompagnato "By thee this universal frame" (High Priest) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel2:47
15Saul, HWV 53: Act I, Scene V: “Racked With Infernal Pains” - Air “O Lord, Whose Mercies Numberless”
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
tenor vocals:
Finnur Bjarnason (Icelandic tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene V, no. 31. Recitative "Racked with infernal pains" (Abner) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 32. Air "Oh Lord, whose mercies numberless" (David) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel3:52
16Saul, HWV 53: Act I, Scene V: Symphony - “Tis All in Vain, His Fury Still Continues”
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene V, no. 33. Symphony: Largo (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 34. Recitative "'Tis All In Vain, his fury still continues" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel2:15
17Saul, HWV 53: Act I, Scene V: Air “A Serpent, In My Bosom Warmed” - “Has He Escaped My Rage?”
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene V, no. 35. Air "A serpent, in my bosom warned" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 36. Recitative "Has he escaped my rage?" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel2:22
18Saul, HWV 53: Act I, Scene V: Air “Capricious Man”
soprano vocals:
Emma Bell (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene V, no. 37. Air "Capricious man" (Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel3:38
19Saul, HWV 53: Act I, Scene VI: “O Filial Pity!” - Air “No, Cruel Father, No!”
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene VI, no. 38. Accompagnato "O filial piety!" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene VI, no. 39. Air "No, cruel father, no!" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel3:00
20Saul, HWV 53: Act I, Scene VI: Air “O Lord, Whose Providence” - Chorus “Preserve Him for the Glory of Thy Name”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
tenor vocals:
Michael Slattery (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene VI, no. 40. Air "O Lord, whose providence" (High Priest) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene VI, no. 41. Chorus "Preserve him for the glory of Thy name" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friderich Haendel3:37
21Saul, HWV 53: Act II, Scene I: Chorus “Envy! Eldest Born of Hell!”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene I, no. 42. Chorus "Envy! Eldest born of hell!" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friderich Haendel2:48
22Saul, HWV 53: Act II, Scene II: “Ah! Dearest Friend” Air “But Sooner Jordan’s Stream, I Swear”
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene II, no. 43. Recitative "Ah! Dearest friend" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene II, no. 44. Air "But sooner Jordan's stream, I swear" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friderich Haendel2:36
23Saul, HWV 53: Act II, Scene II: “Oh Strange Vicissitude!” - Air “Such Haughty Beauties Rather Move”
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene II, no. 45. Recitative "Oh strange vicissitude!" (David, Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene II, no. 46. Air "Such haughy beauties" (David)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friderich Haendel5:08
2Digital Media