Laser test Guitare

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Carmen‐Suite
guitar:
Los Romeros (quartet of Spanish guitarists)
recording of:
Carmen Suite (for guitars, by Romero)
composer:
Georges Bizet (French composer)
arranger:
Pepe Romero (classical and flamenco guitarist)
is based on:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet, arr. Pepe Romero20:41
2Danzas españolas op. 37: 5. Andaluza
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Celin Romero and Pepe Romero (classical and flamenco guitarist)
guitar:
Celin Romero (in 1981-08) and Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (in 1981-08)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
part of:
12 danzas españolas, op. 37 (catch-all for arrangements)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
composer:
Enrique Granados (composer)
part of:
12 danzas españolas, op. 37 (original for piano)
Enrique Granados4:00
3Asturias
classical guitar:
Pepe Romero (classical and flamenco guitarist)
additional arranger:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements) (in 1983)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (transcription for guitar, Tárrega)
composer:
Isaac Albéniz (Spanish composer)
arranger:
Francisco Tárrega (Spanish composer and guitarist)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz, arr. Tárrega/Romero6:14
4España op. 165: 2. Tango
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Celin Romero and Pepe Romero (classical and flamenco guitarist)
guitar:
Celin Romero (in 1981-08) and Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
España, seis hojas de álbum, op. 165: II. Tango (catch-all for arrangements) (in 1981-08)
composer:
Isaac Albéniz (Spanish composer) (in 1890)
arrangement of:
España, seis hojas de álbum, op. 165: II. Tango
recording of:
España, seis hojas de álbum, op. 165: II. Tango
composer:
Isaac Albéniz (Spanish composer) (in 1890)
part of:
España, seis hojas de álbum, op. 165
Isaac Albéniz2:15
5Jeux interdits: Romance
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1982-11)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1982-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1983)
recorded at:
Lutherian Church, Haarlem (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1982-07) and Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1982-11)
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits") (in 1982-07)
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) and Narciso Yepes (classical guitarist)
arrangement of:
Romance de Amor
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits") (in 1982-11)
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) and Narciso Yepes (classical guitarist)
arrangement of:
Romance de Amor
[anonymous]1:49
6Recuerdos de viaje op. 71: 6. Rumores de la caleta
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
guitar:
Celin Romero (in 1981-08) and Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Recuerdos de viaje, op. 71: VI. Rumores de la caleta (catch-all for arrangements) (in 1981-08)
composer:
Isaac Albéniz (Spanish composer) (from 1886 until 1887)
arrangement of:
Recuerdos de viaje, op. 71: VI. Rumores de la caleta
Isaac Albéniz3:36
7Malagueña
classical guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Malagueña
composer:
Celedonio Romero
Celedonio Romero5:17
8Recuerdos de la Alhambra
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega (Spanish composer and guitarist)
arrangement of:
FINE ON THE OUTSIDE
Francisco Tárrega4:38
9Suite española op. 47: 3. Sevilla (Sevillanas)
classical guitar and guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz4:17
10La vida breve: Danza española no. 1
classical guitar:
Ángel Romero (guitarist/conductor), Celedonio Romero, Celin Romero and Pepe Romero (classical and flamenco guitarist)
guitar:
Los Romeros (quartet of Spanish guitarists)
performer:
Los Romeros (quartet of Spanish guitarists)
arranger:
Pepe Romero (classical and flamenco guitarist)
recording of:
La vida breve: Danza española no. 1 (catch-all for unknown arrangements)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
La vida breve: Acto II. Danza española
Manuel de Falla, arr. Pepe Romero3:27
11Suite populaire brésilienne: 2. Schottish‐Chôro
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite populaire brésilienne, W020: II. Schottish‐Choro
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite populaire brésilienne, W020
Heitor Villa‐Lobos4:15
12Flamenco: Soleares
recorded in:
Utrecht, Netherlands, Kingdom of the Netherlands (in 1987-12)
engineer:
Erdo Groot (sound engineer for recordings of classical music) and Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
producer:
Winston Ma (music producer, was President at First Impression Music, Inc.)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1988)
[traditional]5:36
13Flamenco: Zapateado
recorded in:
Utrecht, Netherlands, Kingdom of the Netherlands (in 1987-12)
engineer:
Erdo Groot (sound engineer for recordings of classical music) and Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
producer:
Winston Ma (music producer, was President at First Impression Music, Inc.)
foot stomps [flamenco]:
Maria Magdalena (flamenco dancer) and Paco Romero (flamenco dancer)
vocals:
Chano Lobato (flamenco singer)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1988)
[traditional]6:12
14Audio‐Testsignale: Ansage Balance‐Test
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:17
15Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
16Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
17Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:10
18Audio‐Testsignale: Ansage Phasentest
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:10
19Audio‐Testsignale: Phase »ein«
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:14
20Audio‐Testsignale: Phase »aus«
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:12
21Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:40
22Audio‐Testsignale: Ansage Spitzenpegel
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
23Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
24Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
25Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
26Audio‐Testsignale: Ansage Gleitfrequenzgang
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:17
27Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:51
28Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:15