Twogether Années 60

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Venus
Produzent(in):
Shocking Blue
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Shocking Blue4.153:02
2Good Vibrations
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:37
3Sunny Afternoon
recording of:
Sunny Afternoon
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin Music Corporation, Davray Music Ltd., Carlin (in 1984) und Davray (publisher) (in 1984)
The Kinks3:33
4A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.13:59
5The House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.24:30
6On the Road Again
Techniker(in):
Dino (US Music engineer) und Lanky (US recording engineer)
Produzent(in):
Calvin Carter und Dallas Smith (producer)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968), Liberty (a division of UMG Recordings, Inc.) (in 1968) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
Liberty Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-09-06)
recording of:
On the Road Again (am 1967-09-06)
Texter und Komponist(in):
Floyd Jones (blues performer and songwriter) und Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) und United Partnership Ltd.
Canned Heat44:55
7Days of Pearly Spencer
recording of:
The Days of Pearly Spencer
Texter und Komponist(in):
David McWilliams
David McWilliams2:34
8Ode to Billy Joe
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1967)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 191) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 412)
recording of:
Ode to Billie Joe (in 1967-03)
Texter und Komponist(in):
Bobbie Gentry (Roberta Lee Streeter - American singer-songwriter)
publisher:
Larry Shayne Music, Inc. und Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:13
9No Milk Today
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1966) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
No Milk Today (in 1966-10)
Texter und Komponist(in):
Graham Gouldman
publisher:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hournew Music Ltd.
Herman’s Hermits4.652:55
10Daydream
phonographisches Urheberrecht (℗) von:
BMG Ariola (company mostly named as distributor in Europe) (in 1969) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Daydream
Komponist(in):
David Mackay (Australian producer, arranger, musical director), Sylvain Vanholme (Belgian musician & producer) und Raymond Vincent (Belgian violinist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Wallace Collection4:12
11My Year Is a Day
recording of:
My Year Is a Day
Texter:
Tom Arena
Komponist(in):
William Sheller
Les Irrésistibles2:59
12Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:56
13Oh Happy Days
recording of:
Oh Happy Day (Hawkins’ 1967 gospel arrangement)
Texter:
Philip Doddridge
Komponist(in):
Edward Francis Rimbault (in 1854)
arranger:
Edwin Hawkins (in 1967)
publisher:
Edwin R Hawkins Music Co, EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Arrangement von:
Oh Happy Day
Version von:
O Happy Day, That Fixed My Choice (mid‐19th century version, with new melody and a chorus by Rimbault)
Edwin Hawkins Singers5:30
14Proud Mary
Techniker(in):
Brent Maher
Produzent(in):
Ike Turner
Instrumente:
Ike Turner & the Kings of Rhythm
Hintergrundgesang:
The Ikettes
Sologesang:
Tina Turner
vocals:
Ike Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971) und Liberty Records, Inc. (in 1971)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 69) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 420)
cover recording of:
Proud Mary
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner4.654:57
15Wooly Bully
recording of:
Wooly Bully
Texter und Komponist(in):
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) und Melodie der Welt (publisher)
Sam the Sham & the Pharaohs2:21
16Black Is Black
recording of:
Black Is Black (in 1966)
Verfasser(in):
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) und Steve Wadey (UK songwriter, co-wrote “Black is Black”)
publisher:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:58
17Happy Together
phonographisches Urheberrecht (℗) von:
White Whale (late 60s/early 70s California) (in 1967)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 257)
recording of:
Happy Together (in 1967)
Verfasser(in):
Garry Bonner (singer and songwriter) und Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) und Trio Music Co., Inc.
Teil von:
Freaky Friday (2003)
The Turtles4.352:55
18The Letter
Produzent(in):
Dan Penn (songwriter, soul singer)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Atoll Music (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 364)
recording of:
The Letter (in 1967)
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.151:56
19Baby Come Back
The Equals2:29
20Da Doo Ron Ron
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Sologesang:
LaLa Brooks (in 1963-03)
arranger:
Jack Nitzsche (American musician and score composer)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1963-03)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 114) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 366)
recording of:
Da Doo Ron Ron (in 1963-03)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (beendet), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), 日本アブコ音楽出版 (ABKCO Japan Publishing), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Crystals52:19
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