Count Basie: Four Classic Albums

~ Veröffentlichung von Count Basie (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: April in Paris + King Of Swing
2▼CD: The Atomic Mr Basie + The Greatest!
Nr.TitelBewertungLänge
1The Kid From Left Bank
recording of:
The Kid From Red Bank
Komponist(in) und arranger:
Neal Hefti
2:44
2Duet
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
recording engineer:
Bob Arnold (engineer) (am 1957-10-21)
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Schlagzeug:
Sonny Payne (am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Duet (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
4:13
3After Supper
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-22)
Produzent(in):
Teddy Reig (am 1957-10-22)
alto saxophone:
Marshall Royal (am 1957-10-22)
alto saxophone und flute:
Frank Wess (am 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-22)
Gitarre:
Freddie Green (am 1957-10-22)
Klavier:
Count Basie (pianist) (am 1957-10-22) und Ralph Sharon (am 1957-10-22)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-22)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-22), Al Grey (trombone) (am 1957-10-22) und Benny Powell (jazz trombonist) (am 1957-10-22)
Schlagzeug:
Sonny Payne (am 1957-10-22)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-22) und Frank Foster (saxophonist) (am 1957-10-22)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-22), Thad Jones (American jazz trumpeter) (am 1957-10-22), Joe Newman (US jazz trumpeter) (am 1957-10-22) und Snooky Young (am 1957-10-22)
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1957-10-22)
arranger:
Ralph Sharon (am 1957-10-22)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-22)
recording of:
After Supper (am 1957-10-22)
Komponist(in) und arranger:
Neal Hefti
publisher:
International Korwin Corp.
3:26
4Flight Of The Foo Birds
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
recording engineer:
Bob Arnold (engineer) (am 1957-10-21)
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Schlagzeug:
Sonny Payne (am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Flight of the Foo Birds (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
3:25
5Double-O
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Rohrblattinstrumente:
Marshall Royal
Schlagzeug:
Sonny Payne (, am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Double-O (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
2:48
6Teddy The Toad
recording of:
Teddy the Toad
Komponist(in) und arranger:
Neal Hefti
3:20
7Whirly- Bird
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Rohrblattinstrumente:
Marshall Royal
Schlagzeug:
Sonny Payne (, am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Whirly-bird (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
3:52
8Midnite Blue
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Rohrblattinstrumente:
Marshall Royal
Schlagzeug:
Sonny Payne (am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Midnight Blue (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
4:28
9Splanky
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-22)
recording engineer:
Bob Arnold (engineer) (am 1957-10-22)
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (am 1957-10-22)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-22)
Gitarre:
Freddie Green (am 1957-10-22)
Klavier:
Count Basie (pianist) (am 1957-10-22)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-22)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-22), Al Grey (trombone) (am 1957-10-22) und Benny Powell (jazz trombonist) (am 1957-10-22)
Schlagzeug:
Sonny Payne (am 1957-10-22)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-22) und Frank Foster (saxophonist) (am 1957-10-22)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-22), Thad Jones (American jazz trumpeter) (am 1957-10-22), Joe Newman (US jazz trumpeter) (am 1957-10-22) und Snooky Young (am 1957-10-22)
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-22)
recording of:
Splanky (am 1957-10-22)
Komponist(in) und arranger:
Neal Hefti
publisher:
Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
3:37
10Fantail
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-22)
alto saxophone:
Marshall Royal (am 1957-10-22)
alto saxophone und flute:
Frank Wess (am 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-22)
Gitarre:
Freddie Green (am 1957-10-22)
Holzblasinstrumente:
Frank Wess
Klavier:
Count Basie (pianist) (am 1957-10-22)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-22)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-22), Al Grey (trombone) (am 1957-10-22) und Benny Powell (jazz trombonist) (am 1957-10-22)
Rohrblattinstrumente:
Marshall Royal
Schlagzeug:
Sonny Payne (, am 1957-10-22)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-22) und Frank Foster (saxophonist) (am 1957-10-22)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-22), Thad Jones (American jazz trumpeter) (am 1957-10-22), Joe Newman (US jazz trumpeter) (am 1957-10-22) und Snooky Young (am 1957-10-22)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-22)
recording of:
Fantail (am 1957-10-22)
Komponist(in) und arranger:
Neal Hefti
2:57
11Lil’ Darlin’
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Holzblasinstrumente:
Frank Wess
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Rohrblattinstrumente:
Marshall Royal
Schlagzeug:
Sonny Payne (, am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Lil’ Darlin’ (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
54:51
12Thou Swell
recording of:
Thou Swell
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises und Warner Bros. (holding: file NO releases)
2:23
13There Will Never Be Another You
recording of:
There Will Never Be Another You
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:54
14Our Love Is Here To Stay
recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
3:41
15‘S Wonderful
recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:40
16My Baby Just Cares For Me
recording of:
My Baby Just Cares for Me
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
2:29
17Nevertheless
3:58
18Singin’ In The Rain
recording of:
Singin’ in the Rain
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
Singin’ in the Rain (stage musical)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
Teil von:
The Hollywood Revue (1929 MGM musical film)
2:29
19I’m Beginning To See The Light
recording of:
I’m Beginning to See the Light
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:09
20A Fine Romance
recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
2:32
21Come Rain Or Come Shine
recording of:
Come Rain or Come Shine
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
4:03
22I Can’t Believe That You’re In Love With Me
recording of:
I Can’t Believe That You’re in Love With Me
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
2:42
23This Can’t Be Love
recording of:
This Can’t Be Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
2:35

Nennungen