Now That’s What I Call Love

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Drenched
Produzent(in):
Winston Hauschild
vocals:
曲婉婷 (Wanting Qu, Chinese singer-songwriter and pianist)
recording of:
Drenched
Texter und Komponist(in):
曲婉婷 (Wanting Qu, Chinese singer-songwriter and pianist)
曲婉婷4:04
2How Long Will I Love You
Techniker(in):
Joe Kearns (British record producer, writer and engineer), Ashley Krajewski und Richard Kayvan
Produzent(in):
John Fortis
Mix:
Richard Kayvan
Bass und Keyboard [keyboards]:
John Fortis
Gitarre:
Nick Cornu
Perkussion:
Ashley Krajewski
Musikvideos:
How Long Will I Love You von Ellie Goulding
cover recording of:
How Long Will I Love You
Texter und Komponist(in):
Mike Scott (The Waterboys)
Ellie Goulding32:40
3Lovin’ You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:28
4Back At One
Assistent recording engineer:
Mary Ann Souza
recording engineer:
Tommy Vicarri und Chris Wood (recording engineer)
drum machine-Programmierung:
Brian McKnight
leitende(r) Produzent(in):
Bruce Carbone, Kedar Massenburg und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Bass, Keyboard, Perkussion, Hintergrundgesang und Sologesang:
Brian McKnight
arranger:
Brian McKnight
Orchestrator(in):
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
aufgenommen bei:
Capital Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
recording of:
Back at One
Texter, Verfasser(in) und Komponist(in):
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight3:27
5Baby Can I Hold You
cover recording of:
Baby Can I Hold You
Texter und Komponist(in):
Tracy Chapman (American singer‐songwriter)
publisher:
EMI Songs Ltd., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Ronan Keating3:13
6Out Of Reach
Sologesang:
Gabrielle (British singer‐songwriter)
Orchester:
The London Session Orchestra
phonographisches Urheberrecht (℗) von:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (in 2001)
Musikvideos:
Out of Reach von Gabrielle (British singer‐songwriter)
recording of:
Out of Reach (in 2001)
Verfasser(in):
Louise Gabrielle Bobb (British singer‐songwriter) und Jonathan Shorten
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3.753:22
72 Become 1
Assistent recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
Programmierung und Produzent(in):
Richard Stannard und Matt Rowe
zusätzliche Programmierung:
Pete Davis (UK engineer, programmer, keyboards), Statik (worked with Spice Girls) und Paul Waller
zusätzliche(r) Produzent(in):
Andy Bradfield
Mix:
Andy Bradfield
Gitarre:
Greg Lester
Keyboard:
Richard Stannard und Matt Rowe
Saiteninstrumente arranger:
Craig Armstrong (Scottish score composer)
concertmaster:
Isobel Griffiths und Perry Montague‐Mason (violinist)
recording of:
2 Become 1
Verfasser(in):
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls4.54:06
8She
recording engineer:
Gareth Cousins und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Paul Hicks
Produzent(in):
Trevor Jones (South African score composer)
Mix:
Gareth Cousins
Bassgitarre:
Trevor Barry
Instrumente:
Clem Clempson
Klavier:
Dave Hartley (pianist)
Schlagzeug:
Paul Clarvis (percussionist)
Vibraphon:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
Orchester:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
She (Seven Faces of Woman)
Texter:
Herbert Kretzmer
Komponist(in):
Charles Aznavour
publisher:
Essex Music International, Inc. und Standard Music Publishing Ltd.
übersetzte Version von:
Tous les visages de l’amour
Elvis Costello2.53:12
9One Love
Techniker(in):
Neil Tucker
Produzent(in):
StarGate (Norwegian production/songwriting team)
Instrumente:
Tor Erik Hermansen, Mikkel SE und Hallgeir Rustan (norwegian producer)
vocals:
Blue (UK boy band)
Interpret(in):
Ant (English singer-songwriter & actor), Duncan (English singer and actor, member of “Blue”), Lee (Blue) und Simon
phonographisches Urheberrecht (℗) von:
Virgin Records Limited (not for release label use! for company relationships only) (in 2002)
produced for:
Blacksmith Management Ltd. und Delirious
aufgenommen bei:
Metropolis Studios (London) in London (Greater London), England, Vereinigtes Königreich und StarGate Studios in Trondheim, Sør-Trøndelag, Norwegen
zusätzlich aufgenommen bei:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, Vereinigtes Königreich
mixed at:
StarGate Studios in Trondheim, Sør-Trøndelag, Norwegen
recording of:
One Love
Verfasser(in):
Antony Costa (English singer-songwriter & actor), Mikkel Storleer Eriksen, Tor Erik Hermansen, Duncan James (English singer and actor, member of “Blue”), Hallgeir Rustan (norwegian producer), Lee Ryan (Blue) und Simon Webbe
publisher:
EMI Music Publishing Ltd (PRS‐affiliated), Sony ATV Music Publishing (UK) Ltd und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Blue3.23:29
10Have You Met Miss Jones?
recording engineer und Mix:
Al Schmitt
Techniker(in):
Jim Brumby (UK engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger)
zusätzliche(r) Techniker(in):
Jim Brumby (UK engineer) und Tom Jenkins (English sound engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Steve Genewick
alto saxophone [alto saxophones]:
Iain Dixon und Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Phil Todd (UK flautist/saxophonist)
Bassposaune:
Dave Stewart (trombonist)
E-Gitarre:
Mitch Dalton
Klavier:
Dave Arch (pianist, conductor, arranger and composer)
Kontrabass:
Sam Burgess
Posaune [trombones]:
Gordon Campbell (UK trombone player; BBC Big Band), Richard Edwards (trombonist) und Neil Sidwell
Schlagzeug [drums]:
Ralph Salmins
Tenorsaxophon [tenor saxophones]:
Dave Bishop (saxophonist) und Chris White (UK jazz saxophonist)
Trompete [trumpets]:
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner (trumpet player) und Paul Spong (trumpetist)
Vibraphon:
Anthony Kerr
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
Steve Sidwell3.42:39
11Moment By Moment
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Moment by Moment
Verfasser(in):
Lee Holdridge und Molly Ann Leikin
Yvonne Elliman3:16
12Now And Forever
Techniker(in) und Mix:
Bill Drescher (Producer and sound engineer)
Produzent(in):
Richard Marx
Akustikgitarre [acoustic guitars], Mandoline und Solo-Gitarre [guitars]:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
Bass:
Nathan East
Saiteninstrumente:
Israel Baker (American violinist), Farhad Behroozi, Charlie Bisharat (US violinist), Henry Corbett, Gail Cruz, Pavel Farkas, James Getzoff (American concertmaster and violinist), Jerry Goodman und Sid Page
Sologesang:
Richard Marx
Saiteninstrumente arranger:
Dick Marx
recording of:
Now and Forever
Texter und Komponist(in):
Richard Marx
Richard Marx33:37
13When You Say Nothing At All
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
accordion und Trillerpfeife:
James McNally
Bass:
Stephen Lipson
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Schlagzeug:
Andy Duncan (UK drummer and producer)
Hintergrundgesang:
Tessa Niles und Miriam Stockley
vocals:
Ronan Keating
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) und Polygram Ireland Ltd. (in 1999)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating2.754:19
14The Way You Look Tonight
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Maroon 53:28
15You’re Still The One
assistierende Programmierung:
Jay Alvarez und James Somberg
Programmierung und Editing:
Olle Romo (Swedish music producer, songwriter, and drummer)
zusätzliche Programmierung:
Bjorn Thornsrud
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) und Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
recording of:
You’re Still the One
Verfasser(in):
Eilleen Shania Lange und Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. und PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3.653:36
16I Just Fall In Love Again
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
cover recording of:
I Just Fall in Love Again
Texter:
Harry Lloyd (songwriter) und Gloria Sklerov
Komponist(in):
Steve Dorff (composer) und Larry Herbstritt
publisher:
Campbell Connelly & Co. Ltd., Cotton Pickin' Songs, Hobby Horse Music, Peso Music (publisher), Universal Music Careers und Universal Music–MGB Songs
Anne Murray52:53
17Kiss Me Honey, Honey
vocals:
Shirley Bassey (Welsh singer) (in 1958)
Orchester:
Wally Stott & His Orchestra & Chorus (in 1958)
recording of:
Kiss Me, Honey Honey, Kiss Me (in 1958)
Verfasser(in):
Michael Julien (British songwriter) und Albon Timothy (jazz and calypso musician and songwriter)
Shirley Bassey2:31
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