Twenty With a Bullet

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Kassette
Nr.TitelKünstlerBewertungLänge
A1The Model
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 87)
recording of:
The Model (Kraftwerk)
Texter:
Ralf Hütter und Emil Schult
Komponist(in):
Karl Bartos und Ralf Hütter
zusätzlich Übersetzer:
Ralf Hütter und Emil Schult
publisher:
Edition Positive Songs (publisher), Kling Klang Musik GmbH (Germany-based licensing and publishing entity controlled by Ralf Hütter), No Hassle Music, Sony/ATV Music Publishing (UK) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
übersetzte Version von:
Das Modell
Kraftwerk?:??
A2Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.4?:??
A3Cambodia
Produzent(in):
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
Cherry Pop (a division of Cherry Red Records Ltd.), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1981, in 2001), RAK, EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
Cambodia
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
2P'sW Music, EMI Music (do not use as release label! this is a music publisher), Finchley Music Corp., Music & Media International, RAK Publishing Ltd., Rickim Music Ltd. und Warner/Chappell Music Scandinavia AB
Kim Wilde5?:??
A4Love Makes the World Go Round
The Jets?:??
A5Angel of the Morning
recording engineer:
Joe Chiccarelli
Partner-Produzent(in):
Otha Young
Produzent(in):
Richard Landis
Mix:
Michael Verdick
arranger:
Charles Calello
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) und Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, Vereinigte Staaten
cover recording of:
Angel of the Morning (am 1980-09-04)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. und Unichappell Music
Juice Newton4.35?:??
A6Europa and the Pirate Twins
andere Instrumente [wave computer]-Programmierung:
Thomas Dolby
Produzent(in):
Thomas Morgan Dolby Robertson
Bassgitarre:
Mark Heyward-Chaplin
elektronisches Schlagzeug / E-Drums [electronic percussion], Synthesizer und Sologesang:
Thomas Dolby
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter)
Mundharmonika:
Andy Partridge
Schlagzeug:
Justin Hildreth
Hintergrundgesang:
Les Chappell und Thomas Dolby
aufgenommen bei und mixed at:
Ad Vision in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Europa and the Pirate Twins
Texter und Komponist(in):
Thomas Dolby
Thomas Dolby5?:??
A7Helen in Your Headphones
The Dots?:??
A8Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.95?:??
A9Don’t Want to Wait Anymore
recording of:
Don’t Want to Wait Anymore
Verfasser(in):
Rick Anderson (bassist for The Tubes), Michael Cotten, David Foster (Canadian music producer, arranger and composer), Prairie Prince, Bill Spooner (guitarist), Roger Steen, Fee Waybill und Vince Welnick
publisher:
Boones Tunes, Decomposition Music, Foster Frees Music Inc., Irving Music (BMI), Peermusic III, Ltd. (BMI) und Sony/ATV Songs LLC
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Tubes?:??
A10Sat in Your Lap
Produzent(in):
Kate Bush
Bass:
Jimmy Bain
Klavier und Synthesizer und Sologesang:
Kate Bush
Schlagzeug:
Preston Heyman
Synthesizer:
Geoff Downes (English keyboardist)
Hintergrundgesang:
Ian Bairnson und Paddy Bush
recording of:
Sat in Your Lap
Texter und Komponist(in):
Kate Bush
publisher:
Kate Bush Music Ltd.
Kate Bush3.65?:??
B1Why Do Fools Fall in Love
Produzent(in):
Diana Ross
zusätzliche(r) Produzent(in):
Diana Ross
Bassgitarre:
Neil Jason (bassist)
E-Gitarre:
Eric Gale und Jeff Mironov
Gitarre:
Bob Kulick
Klavier:
Rob Mounsey
Perkussion:
Ralph MacDonald
Rhodes Piano:
Ray Chew
Schlagzeug:
Yogi Horton
Tenorsaxophon:
George Young (saxophonist)
vocals:
Diana Ross
arranger:
Bert DeCoteaux und Rob Mounsey
cover recording of:
Why Do Fools Fall in Love
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Diana Ross?:??
B2My Own Way
Produzent(in):
Colin Thurston
recording of:
My Own Way
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran?:??
B3Is It a Dream?
recording of:
Is It a Dream?
Texter und Komponist(in):
Sal Solo
Classix Nouveaux4.5?:??
B4Ride the Love Train
Light of the World?:??
B5Physical
phonographisches Urheberrecht (℗) von:
ONJ Productions (Olivia Newton-John) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 11), Cachitos Nochevieja 2022 (Nummer: 97) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 457)
recording of:
Physical
Verfasser(in):
Steve Kipner und Terry Shaddick
publisher:
EMI April Music Inc., EMI Songs Australia Pty. Ltd. und Floating World Music
Olivia Newton‐John4.35?:??
B6This Little Girl
Techniker(in):
Bob Clearmountain
Produzent(in):
Gary “U.S.” Bonds, Little Steven und Bruce Springsteen
accordion:
Danny Federici (in 1980-07)
Bass und Bongos:
Little Steven (in 1980-07)
Gitarre:
Little Steven (in 1980-07) und Bruce Springsteen (in 1980-07)
Keyboard:
Roy Bittan (in 1980-07) und Danny Federici (in 1980-07)
Saxophon:
Clarence Clemons (in 1980-07)
Schlagzeug:
Max Weinberg (in 1980-07)
Hintergrundgesang:
Clarence Clemons (in 1980-07) und Little Steven (in 1980-07)
Solo vocals:
Bruce Springsteen (in 1980-07)
vocals:
Gary “U.S.” Bonds (in 1980-07)
arranger:
Little Steven und Bruce Springsteen
aufgenommen bei:
1980‐07: The Power Station, New York City, NY, USA (1980-07) (Gary “U.S.” Bonds studio session)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-07)
recording of:
This Little Girl (in 1980-07)
Texter und Komponist(in):
Bruce Springsteen (in 1980)
Gary “U.S.” Bonds4?:??
B7The Stroke
Assistent recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Billy Squier
Gitarre und Sologesang:
Billy Squier
Schlagzeug:
Bobby Chouinard
Hintergrundgesang:
Mark Clarke (Rock, UK) und Alan St. Jon
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 59)
recording of:
The Stroke
Texter und Komponist(in):
Billy Squier
publisher:
Songs of the Knight
Billy Squier3.75?:??
B8You Could Have Been With Me
Sheena Easton?:??
B9I Could Be So Good for You
recording of:
I Could Be So Good for You
Verfasser(in):
Gerard Kenny und Patricia Maynard
publisher:
Chappell Music Ltd.
Dennis Waterman?:??
B10Daddy’s Home
Produzent(in):
Cliff Richard
vocals:
Cliff Richard
cover recording of:
Daddy’s Home
Verfasser(in):
Charles Baskerville, Clarence Bassett, James Sheppard (American Doo-Wop/R&B singer) und William Henry Miller (US songwriter, A&R executive, label owner)
publisher:
EMI Longitude Music, Longitude Music, Sixty Four East Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
A Thousand Miles Away
Cliff Richard?:??

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